Christian Derouet

Fernand Léger

Léonce Rosenberg

Correspondance inédite entre l'artiste et son marchand. Elle établit un calendrier précis et recentre l'objet de la peinture sur des enjeux évacués de l'histoire de l'art.

Correspondances, Fernand Léger, Léonce Rosenberg, 1917-1937

Catalogue raisonné 1925-1928

A Loan Exhibition for the Benefit of the New York Hospital Auxiliary : October 23-December 12, 1987

Lawrence Saphire

The Complete Graphic Work

Homage to Fernand Léger

Serge Fauchereau

"This book presents the work of one of the twentieth century's most influential painters. Leger (1881-1955) is associated with the Cubist movement, although he disagreed with the analytical method of the Cubists and supported the Section d'Or group's emphasis on movement and color. This interest can be seen in Leger's earlier work, while his later art focuses on industrial objects and landscapes." "This volume is a collection of Leger's most influential work - from the vigorous energy and sharp draughtsmanship of his early years, to the aggressive, unidealized industrial forms of his later work. Author Serge Fauchereau clearly outlines the progression of Leger's career and his impact on the history of modern art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A Painter in the City

Ina Conzen

The Later Years

Fondation Beyeler

Alfred Harker (1859–1939) was a prominent petrologist who spent his career at St John's College, Cambridge, lecturing on and researching rock formations and related geological activity. He was elected a fellow of the Royal Society in 1902, and was president of the Geological Society from 1916 to 1918. He used his Cambridge lectures as the foundation for this book (first published in 1909), offering an introduction to the development of rocks and related volcanic activity. With more than one hundred diagrams of various aspects of geological formations, this work also provides a visual guide to the location and formation of igneous rocks. Over the course of the work, he covers the themes of vulcanicity, rock structure, crystallization, the role of magma and the principles of rock classification, giving a broad picture of the field of petrology around the beginning of the twentieth century.

Paris-New York

Carolyn Lanchner

Christoph Asendorf

Monografie van de Franse beeldend kunstenaar (1881-1955).

The Rhythm of Modern Life

Fernand Léger, 1911-1924

International Galleries

Retrospective Exhibition

Fernand Léger, 1881-1955

Museum of Modern Art (New York, N.Y.)

Jodi Hauptman

Matthew Affron

Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), the first fully abstract works to emerge from Cubism, through his last realistic paintings of construction workers from the early 1950s, Leger's lifelong subject was the pulse and dynamism of contemporary life.

Exhibition, The Museum of Modern Art, New York, Febr. 15 - May 12, 1998 F Organized by Carolyn Lanchner ; with Essays by Carolyn Lanchner, Jodi Hauptman and Matthew Affron ; and Contrib. by Beth Handler and Kristen Erickson

Functions of Painting

Fernand Léger

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