Fiona Cameron

Sarah Kenderdine

In Theorizing Digital Cultural Heritage, experts offer a critical and theoreticalappraisal of the uses of digital media by cultural heritage institutions. Previous discussions ofcultural heritage and digital technology have left the subject largely unmapped in terms of criticaltheory; the essays in this volume offer this long-missing perspective on the challenges of usingdigital media in the research, preservation, management, interpretation, and representation ofcultural heritage. The contributors--scholars and practitioners from a range of relevantdisciplines--ground theory in practice, considering how digital technology might be used totransform institutional cultures, methods, and relationships with audiences. The contributorsexamine the relationship between material and digital objects in collections of art and indigenousartifacts; the implications of digital technology for knowledge creation, documentation, and theconcept of authority; and the possibilities for "virtual cultural heritage"--the preservation andinterpretation of cultural and natural heritage through real-time, immersive, and interactivetechniques.The essays in Theorizing Digital Cultural Heritage will serve as a resource forprofessionals, academics, and students in all fields of cultural heritage, including museums,libraries, galleries, archives, and archaeology, as well as those in education and informationtechnology. The range of issues considered and the diverse disciplines and viewpoints representedpoint to new directions for an emerging field.Contributors:Nadia Arbach, Juan Antonio Barceló,Deidre Brown, Fiona Cameron, Erik Champion, Sarah Cook, Jim Cooley, Bharat Dave, Suhas Deshpande,Bernadette Flynn, Maurizio Forte, Kati Geber, Beryl Graham, Susan Hazan, Sarah Kenderdine, JoséRipper Kós, Harald Kraemer, Ingrid Mason, Gavan McCarthy, Slavko Milekic, Rodrigo Paraizo, RossParry, Scot T. Refsland, Helena Robinson, Angelina Russo, Corey Timpson, Marc Tuters, Peter Walsh,Jerry Watkins, Andrea Witcomb

A Critical Discourse

Theorizing Digital Cultural Heritage

Preben Sejer Kristensen

We Live in South Africa

Brett Neilson

Climate change is a complex and dynamic environmental, cultural and political phenomenon that is reshaping our relationship to nature. Climate change is a global force, with global impacts. Viable solutions on what to do must involve dialogues and decision-making with many agencies, stakeholder groups and communities crossing all sectors and scales. Current policy approaches are inadequate and finding a consensus on how to reduce levels of greenhouse gases in the atmosphere through international protocols has proven difficult. Gaps between science and society limit government and industry capacity to engage with communities to broker innovative solutions to climate change. Drawing on leading-edge research and creative programming initiatives, this collection details the important roles and agencies that cultural institutions (in particular, natural history and science museums and science centres) can play within these gaps as resources, catalysts and change agents in climate change debates and decision-making processes; as unique public and trans-national spaces where diverse stakeholders, government and communities can meet; where knowledge can be mediated, competing discourses and agendas tabled and debated; and where both individual and collective action might be activated.

Climate Change and Museum Futures

'As soon as artists die, the value of their work goes up astronomically.' A friend's casual remark on the market for artworks leaves gallery-owner Mabel Mountjoy daydreaming about demand for Roddy McCulloch's paintings skyrocketing overnight. In recent years, she has been finding his work impossible to shift at any price. But when the artist disappears and a rather unusual private investigator is called in to help find him, the repercussions are far beyond anything Mabel has foreseen. An unconventional and touching love-story interwoven with a gripping who-done-it mystery, set in the beautiful South-West of Scotland.

Fiona Cameron

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