Fiona Mozley

SHORTLISTED FOR THE MAN BOOKER PRIZE 2017 'A quiet explosion of a book, exquisite and unforgettable' The Economist 'A cleverly constructed rural Gothic fable . . . Elmet is a marvellous achievement' TLS 'Pastoral idyll, political expos�, cosy family saga and horror tale, it reads like a traditional children's story that turns into a gangster film: Hansel and Gretel meets The Godfather' Sunday Times Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned sour and fearful. They lived apart in the house that Daddy built for them with his bare hands. They foraged and hunted. When they were younger, Daniel and Cathy had gone to school. But they were not like the other children then and they were even less like them now. Sometimes Daddy disappeared, and would return with a rage in his eyes. But when he was at home he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn't true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew. Atmospheric and unsettling, Elmet is a lyrical commentary on contemporary society and one family's precarious place in it, as well as an exploration of how deep the bond between father and child can go.

Elmet

FROM THE AUTHOR OF THE BOOKER PRIZE FINALIST ELMET Named One of the Most-Anticipated Books of 2021 by: The Millions, BuzzFeed, The Stylist, The Guardian, and more “[An] absurdly good read . . . A rollicking tale of . . . property and posterity.” —The Guardian In the middle of the bustle of London's Soho, among the theaters and sex shops and pubs, sits a building. It isn’t particularly assuming. But it’s a prime piece of real estate, and a young millionaire, Agatha Howard, wants to convert it into luxury condos as soon as she can kick out all the tenants. The problem is, the building in question houses a brothel, and Precious and Tabitha, two of the women who live and work there, are not going to go quietly. And another problem is, just where did Agatha’s fortune come from? The fight over this piece of property also draws in the men who visit, including Robert, a one-time member of a far-right group and enforcer for Agatha’s father; Jackie, a policewoman intent on making London a safer place for all women; Bastian, a rich and dissatisfied party boy who pines for an ex-girlfriend; and a collection of vagabonds and strays who occupy the basement. In this much-anticipated follow-up to Fiona Mozley's brilliant debut, Elmet, as these characters—with surprising hidden connections and shadowy pasts—converge, the fight over the property boils over into a hot stew. Entertaining, sharply funny, and dazzlingly accomplished, Hot Stew confronts questions about wealth and inheritance, gender and power, and the things women must do to survive in an unjust world.

Hot Stew

FROM THE AUTHOR OF THE BOOKER PRIZE FINALIST ELMET “Stunningly clever . . . A deliciously spicy stew indeed.” —Entertainment Weekly “A story about money and power, love and art, sex work and gentrification . . . Enjoyable and impressive on every page.” —USA Today In the middle of the bustle of London’s Soho, among the theaters and sex shops and pubs, there sits a building. It isn’t particularly assuming, but its location is prime, and Agatha Howard, a millionaire with a fortune of mysterious provenance, has decided it’s the perfect spot to put up luxury condos. First, though, she has to kick out all the tenants. And Precious and Tabitha, two of the women who live and work in a brothel housed in the building, are determined not to go quietly. A colorful assortment of other characters also find themselves caught up in the fate of this property: Robert, a one-time member of a far-right group and enforcer for Agatha’s father; Bastian, a rich and dissatisfied party boy who pines for an ex-girlfriend; Jackie, a policewoman intent on making London a safer place for all women; and Cheryl, one of the many homeless people who occupy the basement. As their lives converge, surprising hidden connections are revealed, shadowy pasts are uncovered, and the fight over the property boils over into a hot stew. Entertaining, sharply funny, and dazzlingly accomplished, Hot Stew confronts questions about wealth and inheritance, gender and power, and the things women must do to survive in an unjust world.

إلمت

Paul Kingsnorth

Sarah Hall

Graeme MaCrae Burnet

New legends for modern times; sprung from our ancient lands, stories and stones. 'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burnet From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our story-telling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle

Fiona Mozley

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