Johnny Gruelle

Hector Malot

Florence Crewe-Jones

The adventures of Remi, an orphan who is sold by his foster father to a traveling entertainer.

Nobody's Boy

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hector 1830-1907 Malot

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

NOBODYS BOY (SANS FAMILLE)

Nobody's Boy (Sans Famille)

"Nobody's Boy," published in France under the title "Sans Famille," has become justly famous as one of the supreme juvenile stories of the world. In the midst of its early popularity, it was crowned by the Academy as one of the masterpieces of French literature. A few years later, it was followed by "En Famille," which is published by us as a companion story under the title "Nobody's Girl." "Nobody's Boy" is a human document of child experiences that is fascinating reading for young and old. Parents, teachers and others, who are careful to have children read inspiring books, will welcome this beautiful story of Hector Malot, as among the best for them to recommend. Such digressions in the original, as do not belong to the heart of the story, have been eliminated, so that the lost boy's experiences continue as the undisturbed interest, on through to the happy conclusion. Loyal friendship and honest conduct are the vital ideals of this story, and the heart interest is eloquent with noble character.

Hector Malot (20 May 1830 - 17 July 1907) was a French writer born in La Bouille, Seine-Maritime. He studied law in Rouen and Paris, but eventually literature became his passion. He worked as a dramatic critic for Lloyd Francais and as a literary critic for L'Opinion Nationale. His first book, published in 1859, was Les Amants. In total Malot wrote over 70 books. By far his most famous book is Sans Famille (Nobody's Boy, 1878), which deals with the travels of the young orphan Remi, who is sold to the street musician Vitalis at age 10. Sans Famille gained fame as a children's book, though it was not originally intended as such. In this book: 1-Nobody's Girl (En Famille) 2-Nobody's Boy (Sans Famille)

Nobody's Girl and Nobody's Boy

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Florence Crewe-Jones

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