Florence Ostende

Pippo Ciorra

The first comprehensive study on the aesthetics of domestic architecture in Japan since the Second World War.

Architecture and Life: 1945 To 2017

The Japanese House

Explore the groundbreaking performances and creative collaborations of iconic Scottish dancer and choreographer Michael Clark. Hailed as "British dance's true iconoclast", Michael Clark is a defining cultural figure in the contemporary dance world. Since emerging in the early 1980s as a prodigy at London's Royal Ballet School, Clark has remained at the forefront of innovation in dance, working in close collaboration with a broad range of pioneering artists such as Sarah Lucas, Leigh Bowery, Charles Atlas, Cerith Wyn Evans, Peter Doig, Elizabeth Peyton, Wolfgang Tillmans and musicians such as Mark E. Smith, Wire, Scritti Politti, and Relaxed Muscle. As a young choreographer, Clark brought together his classical ballet training with London's club culture, fashion, and punk rock to establish himself as one of the most innovative artists working in modern dance. His work--variously referencing punk, rock, and pop--is marked by a mixture of technical rigor and experimentation in a way that disrupts and reimagines our understanding of dance. This book features a series of enlightening essays and vivid illustrations of Clark's best-known performances, alongside archival material. Loosely tracing the chronological evolution of his career, a variety of cultural figures--ranging from Jarvis Cocker to Charles Atlas--write about the countercultural undercurrents with which Clark's work connects.

Michael Clark

Lotte Johnson

This thrilling book explores the role of cabarets, clubs, and cafes in modern art. These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms. Spanning the decades from the 1880s to the 1960s, this unique and multi-faceted illustrated history of alternative artistic spaces covers four continents and includes both famed and little-known sites of the avant-garde. Organized by city, it features painting, drawing, photography, sculpture, film, and archival material emanating from over a dozen cabarets, clubs, and bars that were home to the likes of Henri de Toulouse-Lautrec, Loie Fuller, Josef Hoffmann, Giacomo Balla, Sophie Taeuber-Arp, Theo Van Doesburg, Jeanne Mammen, Jacob Lawrence, Ramón Alva de la Canal, and Ibrahim El-Salahi. It includes photographs of the interiors of the Chat Noir in Paris, the Café L'Aubette in Strasbourg and the Mbari Club in Nigeria; a cocktail menu from the Cabaret Fledermaus in Vienna; a 1930s night club map of Harlem; posters and invitations advertising performances at the Cabaret Voltaire in Zurich and Mexico City's Café de Nadie; and countless artworks that emerged from these spaces conveying the energy and excitement of the time. A series of enlightening essays explore how each space fostered and stimulated new forms of artistic expression.

Florence Ostende

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