Anne Fuchs

Florian Krobb

Fresh articles about a much neglected genre, fiction from and about the Jewish ghetto. Throughout the 19th and early 20th centuries ghetto fiction played an important part in the expression of a particularly German-Jewish quest for identity. The volume Ghetto Writing takes the occasion of the 150th anniversary of the publication of Leopold Kompert's collection of ghetto stories Aus dem Ghetto (1848) to fill a gap and give testimony to an important genre that has been unduly silenced in the literary histories of the post-war period. The volume presents some 15 articles by scholars from Scandinavia, Germany, Great Britain, and Ireland whose contributions offer new analyses of ghetto writing by well known authors such as Heinrich Heine and Joseph Roth, andcompletely new material on forgotten ghetto writers who deserve to be rediscovered, such as Alexander Granach. The articles cover various types of ghetto writing, ranging from ghetto fiction in the tradition of Leopold Kompert and Karl Emil Franzos, to diaries, travelogues, autobiography, and even contemporary German HipHop and Rap lyrics.

Traditional and Eastern Jewry in German-Jewish Literature from Heine to Hilsenrath

Ghetto Writing

Wilhelm Raabe und die Füllung der Welt

Erkundungen im Überseeischen

Dirk Göttsche

Wilhelm Raabe (1831-1910) is one of the major figures of 19th-century German Realist writing, acknowledged as an innovator both stylistically and thematically. But until now there has been little concentration on the international and postcolonial dimensions of Raabe's work - his literary critique of colonialism, his engagement with modernization and globalization, his involvement in 19th century German discourses about America, Africa and Asia, and the links between international and national issues in his writing. In Raabe International, contributions from many eminent critics address Raabe both as a writer on world affairs and as a subject himself for translation and comment outside of Germany.

Global Themes - International Perspectives

Wilhelm Raabe

"Wilhelm Raabe (1831-1910) is one of the major figures of 19th-century German Realist writing, acknowledged as an innovator both stylistically and thematically. But until now there has been little concentration on the international and postcolonial dimensions of Raabe's work - his literary critique of colonialism, his engagement with modernization and globalization, his involvement in 19th century German discourses about America, Africa and Asia, and the links between international and national issues in his writing. In Raabe International, contributions from many eminent critics address Raabe both as a writer on world affairs and as a subject himself for translation and comment outside of Germany."

Rolf Parr

Das Handbuch gibt erstmals einen umfassenden Überblick über das Gesamtwerk Wilhelm Raabes (Erzähltexte, Lyrik, Zeichnungen) sowie seine literatur- und kulturgeschichtlichen Kontexte. Hinzu treten biografische, editorische, poetologische und rezeptionsgeschichtliche Grundlagen zum Verständnis von Raabes Leben und Werk. Als führender Autor des 19. Jahrhunderts war Raabe nicht nur Vertreter des Realismus, sondern stellte die ideologischen, erkenntnistheoretischen und ästhetischen Parameter realistischen Erzählens immer schärfer auf die Probe, um am Jahrhundertende an die Schwelle zur Moderne zu gelangen.

Leben – Werk – Wirkung

Raabe-Handbuch

Ian Foster

Arthur Schnitzler durchlebte eine Zeitenwende: der Erste Weltkrieg verwandelte Osterreich von einem multinationalen Imperium in einen deutschsprachigen Kleinstaat. Beides, das Vorher und das Nachher, markiert Schnitzlers Zeitgenossenschaft. Er lebte in einer geistesgeschichtlichen und literarischen Umbruchsphase. Der burgerlich-liberale Konsens, der Schnitzlers Milieu charakterisierte, wurde in seinen Grunduberzeugungen herausgefordert. Wissenschaftliche und technische Errungenschaften kennzeichnen Schnitzlers Zeitgenossenschaft. Arthur Schnitzler lived through a time of profound political, social and intellectual change: the First World War transformed Austria from a huge multi-national empire into a small Alpine republic; the liberal middle-class consensus which characterised the author's personal background began to disintegrate during this time, and new departures not only in science and technology but also in literary styles and conventions posed new challenges to a politically involved and acutely socially aware modern writer.

Zeitgenossenschaften

Arthur Schnitzler

Ritchie Robertson

Katrin Maria Kohl

New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture.

A History of Austrian Literature 1918-2000

Jeffrey Morrison

Text into Image: Image into Text is a truly interdisciplinary publication. Whilst all of the contributions focus upon the central problem of the relationship between literature and the visual arts — one which has lost nothing of its fascination as the debate has expanded in numerous forms from antiquity into the realm of postmodern theory — they come from contributors working in a large number of different areas. Represented are academics from the worlds of German Studies, French Studies, English Studies, Art History and Film Studies. Given their backgrounds each of the contributors can offer a different perspective upon the core issue of translation between media, but perhaps most valuable is the com-bination of perspectives made possible by the arrangement of the volume into sections dealing with aspects of the image/text debate. In the same way that the volume gains by ranging across traditional disciplinary boundaries so it also gains from dealing with a wide range of historical material from — to take only one possible route — Baroque icono-graphy through Romantic imagery to Expressionist agony.

Proceedings of the Interdisciplinary Bicentenary Conference Held at St. Patrick's College, Maynooth (the National University of Ireland) in September 1995

Kenzie Jennings

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