Joyce Carol Oates

Aliette de Bodard

F. Marion Crawford

Richard Kadrey

Indrapramit Das

Ellen Datlow

Garth Nix

Ford Madox Ford

Jeffrey Ford

Stephen Graham Jones

Seanan McGuire

Alice Hoffman

Brian Evenson

Paul Tremblay

Carole Johnstone

Pat Cadigan

John Langan

A. C. Wise

Nathan Ballingrud

Nick Mamatas

Gemma Files

Dale Bailey

Alison Littlewood

Siobhan Carroll

Richard Bowes

Terry Dowling

Lee Thomas

Bracken Macleod

Vincent J. Masterson

M. Rickert

M. L. Siemienowicz

The essential collection of beloved ghost stories, compiled by the editor who helped define the genre—including stories from award-winning, bestselling authors such as Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay. Everyone loves a good ghost story, especially Ellen Datlow—the most lauded editor in short works of supernatural suspense and dark fantasy. The Saga Anthology of Ghost Stories is her definitive collection of ghost stories. These twenty-nine stories, including all new works from New York Times bestselling authors Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay, span from the traditional to the eclectic, from the mainstream to the literary, from pure fantasy to the bizarrely supernatural. Whether you’re reading alone under the covers with a flashlight, or around a campfire with a circle of friends, there’s something here to please—and spook—everyone. Contributors include: Joyce Carol Oates, Alice Hoffman, Vincent J. Masterson, A.C. Wise, M. Rickert, Seanan McGuire, Lee Thomas, Alison Littlewood, M.L. Siemienowicz, Richard Kadrey, Indrapramit Das, Richard Bowes, Nick Mamatas, Terry Dowling, Aliette de Bodard, Carole Johnstone, Dale Bailey, Stephen Graham Jones, Bracken MacLeod, Garth Nix, Brian Evenson, Jeffrey Ford, Gemma Files, Paul Tremblay, Nathan Ballingrud, Pat Cadigan, John Langan.

The Saga Anthology of Ghost Stories

Echoes

Max Saunders

Christopher Tietjens, a brilliant, unconventional mathematician, is married to the dazzling yet unfaithful Sylvia when, during a turbulent weekend, he meets a young Suffragette by the name of Valentine Wannop. Christopher and Valentine are on the verge of becoming lovers until he must return to his World War I regiment. Ultimately, Christopher, shell-shocked and suffering from amnesia, is sent back to London. An unforgettable exploration of the tensions of a society confronting catastrophe, sexuality, power, madness, and violence, this narrative examines time and a critical moment in history.

Some Do Not...

Tietjens is the last of a breed, the Tory gentleman, which the Great War, marriage and qualities inherent in his nature define and unravel. Opposite him is Macmaster, a Scot, different in class and culture, at once friend and foil.

No More Parades

Good Solider

Four wealthy and socially prominent individuals are forced to see each other realistically.

The Good Soldier

Julian Barnes

Parade's End

This early work by Ford Madox Ford was originally published in 1924 and we are now republishing it with a brand new introduction. This is part one of Ford's hugely successful Parade's End tetralogy that has now been adapted into a BBC television drama. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German émigré father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as John Ruskin and Thomas Carlyle - exerted on him. In 1908, Hueffer founded the English Review, and over the next 15 months published Thomas Hardy, H. G. Wells, Joseph Conrad, Henry James, John Galsworthy and W. B. Yeats, and gave débuts to many authors, including D. H. Lawrence and Norman Douglas. Hueffer's editorship consolidated the classic canon of early modernist literature, and saw him earn a reputation as of one of the century's greatest literary editors. Ford continued to write through the thirties, producing fiction, non-fiction, and two volumes of autobiography: Return to Yesterday (1931) and It was the Nightingale (1933). In his last years, he taught literature at the Olivet College in Michigan. Ford died on 26th June 1939 in Deauville, France, at the age of 65.

Parade's End - Part One - Some Do Not

A Man Could Stand Up

A Tale of Reconstruction (The Millennium Ford)

No Enemy

A Tale of Passion (Twentieth Century Classics)

In this epic tale, spanning over a decade, war turns the world of privileged, English aristocrat Christopher Tietjens upside down. It forces him to question everything he holds dear - soical order, morality, marriage and loyalty. And it rocks the very foundations of English society.

Alan G. Hill

In The Soul of London (1905) Ford Madox Ford (1873-1939) gives a vivid impression of the excitement and challenge of the greatest city of modern times.In its evocation of the growth of London over the centuries and the bewildering variety of the city scene by day and night, the glamour and frivolity of its 'high' life and the hardship and endurance of its working people The Soul of London displays a stylishness and humanity which make it a work of imaginative literature and not a guide book. It is also a prophetic survey of the way modernsociety was developing, and foreshadows the social isolation, anonymity and alienation which were to transform the forms and substance of literature in the twentieth century.

A Survey of a Modern City

The Soul of London

This 900-page survey of world literature, From Confucius' Day to Our Own (as the subtitle reads), was the last book written by Ford Madox Ford, one of the seminal figures of the modernist period. Written for general readers rather than scholars and first published in 1938, The March of Literature is a working novelist's view of what is valuable in literature, and why. Convinced that scholars and teachers give a false sense of literature, Ford brings alive the pleasures of reading by writing about books he is passionate about. Beginning at the beginning--with ancient Egyptian and Chinese literature and the Bible--Ford works his way through classical literature, the writings of the Middle Ages, the Renaissance, continuing up to the major writers of his own day like Ezra Pound, Henry James, and Joseph Conrad. With his encyclopedic reading and expertise in the techniques of writing, Ford is a reliable and entertaining guide. Ford also includes a chapter on publishers and booksellers, noting the key roles they play in literature's existence. Novelist Alexander Theroux ( Darconville's Cat, An Adultery) has written an insightful introduction for this reissue, the first time this monumental book has been made available in paperback.

From Confucius' Day to Our Own

The March of Literature

Gerald Hammond

Parade's End is the title Ford Madox Ford gave to his greatest work, the four Tietjens novels which -- in Graham Greene's words -- tell the terrifying story of a good man tortured, pursued, driven into revolt, and ruined as far as the world is concerned by the clever devices of a jealous and lying wife. He wanted to see the book printed in one volume: Some Do Not (1924), No More Parades (1925) and A Man Could Stand Up (1926), with his afterthought, The Last Post (1928). Christopher Tietjens is the last of a breed, the Tory gentleman, which the Great War, a savage marriage to Sylvia, and the qualities inherent in his nature, define and unravel. Here the War's attritions offered no escape from domestic witchcraft. Opposite Tietjens is Macmaster, a Scot, different in class and culture, at once friend and foil. Here Ford's art and his human vision achieve their greatest complexity and subtlety. Gerald Hammond is Professor of English at the University of Manchester, author of The Making of the English Bible, Fleeting Things and other critical volumes and editor of the Selected Poems of John Skelton and of Richard Lovelace in the FyfieldBooks series. This volume is part of The Millennium Ford project which aims to bring all the major writings of this great writer back into circulation.

From the Earliest Days to the Death of Joseph Conrad

The English Novel

Joseph Conrad

The Inheritors

Return to Yesterday, Ford Madox Ford's exhilarating memoir, covers the years from 1894 to the outbreak of World War I - his transition from privileged godson of the Pre-Raphaelites to the great Modern writer and editor he became. Here he evokes England at large, and London in particular, its literary community, the political world of anarchists, of his friend Joseph Conrad's The Secret Agent.

Return to Yesterday

England and the English

Critical Essays of Ford Madox Ford (Carcanet Lives & Letters.)

Ford Madox Ford

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