Frances Smith Foster

Beverly Guy-Sheftall

Stanlie Myrise James

A definitive guide to race and gender from the pioneers of black women's studies.

The Evolution of Black Women's Studies

Still Brave

Frances Smith

Charles Howard Candler Professor of English and Womens Studies Frances Smith Foster

**** New edition of the Greenwood Press original of 1979 (which is cited in BCL3), with a new introduction, chapter, and a supplementary bibliography. Annotation copyright by Book News, Inc., Portland, OR.

The Development of Ante-bellum Slave Narratives

Witnessing Slavery

"...substantial contribution to African-American Studies and women's studies." —Mississippi Quarterly "A bravura performance by an accomplished scholar... it strikes a perfect balance between insightful literary analysis and historical investigation." —Eighteenth-Century Studies "... an impressive study of a wide range of writers.... Foster's work is both scholarly and accessible. Her prose is economical and direct, making this book enjoyable as well as instructive." —Belles Lettres "... an impressively wide-ranging discussion of texts and contexts... " —Signs "Foster has written a fine book that provides the reader with a context for understanding the importance of the written word for women who chose to 'set the record straight'." —Journal of American History "... fascinating, meticulously researched... Likely to prove seminal in the field... highly recommended... " —Library Journal "ÂWritten by Herself comprises a volume of remarkable female characters whose desires for social change often made them catalysts for spiritual awakening in their own times." —MultiCultural Review "... an outstanding piece of scholarship... Foster's book offers deeply intelligent, provocative, totally accessible analysis of a tradition and of writers still not sufficiently read and taught." —American Literature "Well written and thoroughly researched. Highly recommended... " —Choice The first comprehensive cultural history of literature by African American women prior to the 20th century. From the oral histories of Alice, a slave born in 1686, to the literary tradition that included Jarena Lee and Octavia Victoria Rogers Albert, this literature was argument, designed to correct or to instruct an audience often ignorant about or even hostile to black women.

Literary Production by African American Women, 1746-1892

Written by Herself

Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it's a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn't tell the whole story. Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press,'Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life. Frances Smith Foster applies the knowledge she's developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.

Love and Marriage in African America

'Til Death Or Distance Do Us Part

Trudier Harris

William L. Andrews

A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.

Frances Smith Foster

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