Frances Wilson

An electrifying, revelatory life of D. H. Lawrence, with a focus on his difficult middle years “Never trust the teller,” wrote D. H. Lawrence, “trust the tale.” Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also, again and again, told stories about himself: the pioneer of autofiction. No writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, the acclaimed biographer Frances Wilson tells a new story about Lawrence, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was prosecuted, and 1925, when he was diagnosed with tuberculosis. Taking after Lawrence’s own model, Dante, and adopting the structure of his Divine Comedy, Burning Man is a distinctly Lawrentian biography, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of a full-length biography, Burning Man is a triptych of lesser-known episodes drawn from lesser-known sources, and from the tales of Lawrence told by his friends in letters, memoirs, and diaries. Focusing on three critical turning points in Lawrence’s pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries—his wife, Frieda; the writer Maurice Magnus; and his benefactress, Mabel Dodge Luhan—Wilson uncovers a lesser-known Lawrence, both as a writer and as a man. Dizzyingly original, exhaustively researched, and always revelatory, Burning Man is a marvel of biography. With flair and focus, Wilson, Lawrence’s first female biographer, unleashes a distinct perspective on one of history’s most beloved and infamous writers.

The Trials of D. H. Lawrence

Burning Man

National Book Critics Circle Award, Biographers International Organization Plutarch Award and Los Angeles Times Book Prize Finalist New York Times Book Review, Times Literary Supplement and The Guardian Best Books of 2016 Thomas De Quincey was an obsessive. He was obsessed with Wordsworth and Coleridge, whose Lyrical Ballads provided the script to his life, and by the idea of sudden death. Running away from school to pursue the two poets, De Quincey insinuated himself into their world. Basing his sensibility on Wordsworth’s and his character on Coleridge’s, he forged a triangle of unusual psychological complexity. Aged twenty-four, De Quincey replaced Wordsworth as the tenant of Dove Cottage, the poet’s former residence in Grasmere. In this idyllic spot he followed the reports of the notorious Ratcliffe Highway murders of 1811, when two families, including a baby, were butchered in their own homes. In his opium-soaked imagination the murderer became a poet while the poet became a murderer. Embedded in On Murder as One of the Fine Arts, De Quincey’s brilliant series of essays, Frances Wilson finds the startling story of his relationships with Wordsworth and Coleridge. Opium was the making of De Quincey, allowing him to dissolve self-conflict, eliminate self-recrimination, and divest himself of guilt. Opium also allowed him to write, and under the pseudonym “The Opium-Eater” De Quincey emerged as the strangest and most original journalist of his age. His influence has been considerable. Poe became his double; Dostoevsky went into exile with Confessions of an English Opium-Eater in his pocket; and Charles Dickens, Oscar Wilde, George Orwell, Alfred Hitchcock, and Vladimir Nabokov were all De Quincey devotees. There have been other biographies of Thomas De Quincey, but Guilty Thing is the first to be animated by the spirit of De Quincey himself. Following the growth of his obsessions from seed to full flowering and tracing the ways they intertwined, Frances Wilson finds the master key to De Quincey’s vast Piranesian mind. Unraveling a tale of hero worship and revenge, Guilty Thing brings the last of the Romantics roaring back to life and firmly establishes Wilson as one of our foremost contemporary biographers.

A Life of Thomas De Quincey

Guilty Thing

Harriette Wilson was the most desired and the most dangerous woman in Regency London. This highly acclaimed biography reveals for the first time the true story behind her sensational life and scandalous 'Memoirs'. When her former lovers - including much of the British aristocracy - turned against her, she knew exactly how to take revenge . . . 'A wonderful book. Much more than a biography of one attractive, witty woman, it offers a deft analysis of how Britain dealt with celebrity, sex, power and popular journalism in an age that bears remarkable similarities to our own . . . Frances Wilson is not only a first-rate scholar but also a wonderful storyteller who manages to get inside her namesake's famously creamy skin and tell her story with wit and understanding.' Kathryn Hughes, Mail on Sunday 'Lively and stylish . . . Reveals how dangerous the courtesan who operated at the heart of the political world was thought to be.' Anne Sebba, Spectator 'Harriette's story is deftly and stylishly told. It beats most novels with its rich ingredients.' Frances Spalding, Daily Mail

Harriette Wilson, the Woman who Blackmailed the King

The Courtesan's Revenge

The ballad of Dorothy Wordsworth

Accused of cowardice and of dictating the Titanic's excessive speed, Ismay was the first victim of a press hate campaign. He never recovered from the damage to his reputation and never spoke of his beloved ship, the Titanic, again. Wilson explores Ismay's desperate need to tell his story, and to find a way of living with the consciousness of lost honor.

the sinking of J. Bruce Ismay

How to survive the Titanic

a life of Thomas De Quincey

Guilty thing

Dorothy Wordsworth was a talented writer and exceptional woman. She was William Wordsworth's inspiration, aide and most valued reader. In her journals, she kept a record of their idyllic life together. Her brief, lyrical entries reveal a strange, intangible love between brother and sister, culminating in Dorothy's dramatic collapse on the day of William's wedding. The author brings Dorothy to life in all her complexity.

The Ballad of Dorothy Wordsworth

A brilliantly original and gripping new look at the sinking of the Titanic through the prism of the life and lost honor of J. Bruce Ismay, the ship's owner Books have been written and films have been made, we have raised the Titanic and watched her go down again on numerous occasions, but out of the wreckage Frances Wilson spins a new epic: when the ship hit the iceberg on April 14, 1912, and one thousand men, lighting their last cigarettes, prepared to die, J. Bruce Ismay, the ship's owner and inheritor of the White Star fortune, jumped into a lifeboat filled with women and children and rowed away to safety. Accused of cowardice and of dictating the Titanic's excessive speed, Ismay became, according to one headline, "The Most Talked-of Man in the World." The first victim of a press hate campaign, he never recovered from the damage to his reputation, and while the other survivors pieced together their accounts of the night, Ismay never spoke of his beloved ship again. In the Titanic's mail room was a manuscript by that great narrator of the sea, Joseph Conrad, the story of a man who impulsively betrays a code of honor and lives on under the strain of intolerable guilt. But it was Conrad's great novel Lord Jim, in which a sailor abandons a sinking ship, leaving behind hundreds of passengers in his charge, that uncannily predicted Ismay's fate. Conrad, the only major novelist to write about the Titanic, knew more than anyone what ships do to men, and it is with the help of his wisdom that Wilson unravels the reasons behind Ismay's jump and the afterlives of his actions. Using never-before-seen letters written by Ismay to the beautiful Marion Thayer, a first-class passenger with whom he had fallen in love during the voyage, Frances Wilson explores Ismay's desperate need to tell his story, to make sense of the horror of it all, and to find a way of living with the consciousness of lost honor. For those who survived the Titanic, the world was never the same. But as Wilson superbly demonstrates, we all have our own Titanics, and we all need to find ways of surviving them.

Or the Sinking of J. Bruce Ismay

How to Survive the Titanic

Books have been written, films made, we have raised the Titanic and watched her go down again on numerous occasions, but out of the wreckage Frances Wilson spins a new epic: when the ship hit the iceberg on 14 April 1912 and a thousand men prepared to die, J Bruce Ismay, the ship's owner and inheritor of the White Star fortune, jumped into a lifeboat with the women and children and rowed away to safety. Accused of cowardice, Ismay became, according to one headline, 'The Most Talked-of Man in the World'. The first victim of a press hate campaign, his reputation never recovered and while other survivors were piecing together their accounts, Ismay never spoke of his beloved ship again. With the help of that great narrator of the sea, Joseph Conrad, whose Lord Jim so uncannily predicted Ismay's fate - and whose manuscript of the story of a man who impulsively betrays a code of honour and lives on under the strain of intolerable guilt went down with the Titanic - Frances Wilson explores the reasons behind Ismay's jump, his desperate need to make sense of the horror of it all, and to find a way of living with lost honour. For those who survived the Titanic the world was never the same again. But as Wilson superbly demonstrates, we all have our own Titanics, and we all need to find ways of surviving them.

How to Survive the Titanic Or The Sinking of J. Bruce Ismay

Andi Mabhala

"This is a very good text for undergraduate students as it gives a broad overview of the concept of public health, utilising case studies to illustrate practical application. This book would be also be an excellent way for practitioners to increase their own knowledge of public health and could inform their own continuing professional development." Julie Lemprière, University of Gloucestershire Key Concepts in Public Health identifies fifty key concepts used across the discipline of public health in order to give the reader a broad perspective of the core topics relevant to training and practice. From epidemiology to health promotion, and ethics to leadership, the book offers an exciting guide to the multiprofessional field. Each entry features: - a snapshot definition of the concept - a broader discussion addressing the main issues and links to practice - key points relevant to the entry - case studies to illustrate the application to practice - examples of further reading. Highly readable, with clear indexing and cross referencing, this is an ideal book to turn to for learning more about key issues in public health practice and education. The clever structure means the book can be read in its entirety to support a programme of study or readers can use it to dip into and update their knowledge of a particular concept. It meets the validation requirements of all allied health and nursing training programmes and will also be invaluable for policy-makers and healthcare practitioners continuing their professional education.

Key Concepts in Public Health

An electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years “Never trust the teller,” wrote D. H. Lawrence, “trust the tale.” Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also told stories about himself, again and again: a pioneer of autofiction, no writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, acclaimed biographer Frances Wilson tells a new story about the author, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was suppressed following an obscenity trial, and 1925, when he was diagnosed with tuberculosis. Taking after Lawrence’s own literary model, Dante, and adopting the structure of The Divine Comedy, Burning Man is a distinctly Lawrentian book, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of traditional biography, it offers a triptych of lesser-known episodes drawn from lesser-known sources, including tales of Lawrence as told by his friends in letters, memoirs, and diaries. Focusing on three turning points in Lawrence’s pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries—his wife, Frieda; the writer Maurice Magnus; and his patron, Mabel Dodge Luhan—Wilson uncovers a lesser-known Lawrence, both as a writer and as a man. Strikingly original, superbly researched, and always revelatory, Burning Man is a marvel of iconoclastic biography. With flair and focus, Wilson unleashes a distinct perspective on one of history’s most beloved and infamous writers.

This collection of essays by leading Byronists explores the development of the myth of Byron and the Byronic from the poet's self-representations to his various appearances in nineteenth- and twentieth-century literature and in drama, film and portraiture. Byromania (as Annabella Milbanke named the frenzied reaction to Byron's poetry and personality) looks at the phenomena of Byronism through a variety of critical perspectives, and it is designed to appeal to both an academic and a popular readership alike.

Portraits of the Artist in Nineteenth- and Twentieth-Century Culture

Byromania

The strange and fascinating story of the owner of the Titanic, J. Bruce Ismay, the man who jumped ship

How to Survive the Titanic or The Sinking of J. Bruce Ismay

Diana Y. Paul

"In seeking to explore the interrelationships between, and mutual influence of, varieties of sexual stereotypes and religious views of the Mahayana Buddhist tradition, Women in Buddhism succeeds in drawing our attention to matters of philosophical importance. Paul examines the 'image' of women which arise in a number of Buddhist texts associated with Mahayana and finds that, while ideally the tradition purports to be egalitarian, in actual practice it often betrayed a strong misogynist prejudice. Sanskrit and Chinese texts are organized by theme and type, progressing from those which treat the traditionally orthodox and negative to those which set forth a positive consideration of soteriological paths for women. . . . In Women in Buddhism, Diana Paul may be forcing our consideration of the problem of female enlightenment. Thus the main purport and accomplishment of her scholarship is revolutionary."—Philosophy East and West

Frances Wilson

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