Francine Giese

Vitromusée Romont

This catalog accompanies the eponymous exhibition at the Vitromusée Romont, for which Philip Baldwin (b. 1947) and Monica Guggisberg (b. 1955) explore the theme of the labyrinth and present several works of glass art from their recent exhibitions in France, England, and Denmark, as well as new works created especially for the Vitromusée Romont. Their preoccupation with ancient history, the migratory nature of humanity, and the interconnected relationships of objects with form, function, aesthetic beauty, and symbolic meaning combine in ways that illustrate the artists' unique perspectives across civilizations going back thousands of years. With contributions from internationally renowned specialists, the catalog reflects the reinterpretation of a classical theme in contemporary glass art. Never-before-exhibited works from the artists' most recent creative period Exclusive insight into the artistic practice of contemporary glass art

Dans Le Labyrinthe: Un Voyage Liminal

Baldwin & Guggisberg

Mercedes Volait

Ariane Varela Braga

The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond. L’ouvrage fournit un panorama du collectionnisme d’art islamique au cours du long XIXe siècle, en mettant l’accent sur la figure d’Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

Anna Pawlak

Markus Thome

From an intercultural perspective, this book focuses on aesthetic strategies and forms of representation in premodern Christian and Islamic sepulchral art. Seeing the tomb as an interface for eschatological, political, and artistic debate, the contributions analyze the diversity of memorial space configurations. The subjects range from the complex interaction between architecture and tomb topography through to questions relating to the funereal expression of power and identity, and to practices of ritual realization in the context of individual and collective memory.

Francine Giese

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