Francis O'Gorman

Making the Modern Culture of Amnesia

Forgetfulness

Elizabeth Cleghorn Gaskell

Sylvia's Lovers

The Victorian era produced artistic achievements, technological inventions and social developments that continue to shape how we live today. This Companion offers authoritative coverage of that period's culture and its contexts in a group of specially commissioned essays reflecting the current state of research in each particular field. Covering topics from music to politics, art to technology, war to domestic arts, journalism to science, the essays address multiple aspects of the Victorian world. The book explores what 'Victorian' has come to mean and how an idea of the 'Victorian' might now be useful to historians of culture. It explores too the many different meanings of 'culture' itself in the nineteenth century and in contemporary scholarship. An invaluable resource for students of literature, history, and interdisciplinary studies, this Companion analyses the nature of nineteenth-century British cultural life and offers searching perspectives on their culture as seen from ours.

The Cambridge Companion to Victorian Culture

A literary and cultural exploration of worry and the modern mind..

A Literary and Cultural History

Worrying

Forgetfulness is a book about modern culture and its profound rejection of the past. It traces the emergence in recent history of the idea that what is important in human life and work is what will happen in the future. Francis O'Gorman shows how forgetting has been embraced as a requirement for modern existence and how our education, as well as life with fast-moving technology, further disconnects us from our pasts. But he also examines the cultural narratives that urge us to resist our collective amnesia. O'Gorman argues that such narratives, in rich but oblique ways, indicate our guilt about modernity's great unmooring from history. Forgetfulness asks what the absence of history does to our sense of purpose, as well as what belonging both to time and place might mean in cultures without a memory. It is written in praise of the best achievement and deeds of the past, but is also an expression of profound anxiety about what forgetting them is doing to us.

This is the first rigorous scholarly edition of a substantial selection of the work of Algernon Charles Swinburne (1837-1909) ever produced. Swinburne was one of the most brilliant and controversial poets of the nineteenth century: a republican, a scorner of established Christianity, a writer of sexual daring, a poet of loss and of love. Yet he is also the most misunderstood poet of the Victorian period. This new edition, with substantial editorial material, presents a new and convincing portrait of a man sharply different from what is usually said of him. Beginning with his unpublished "Ode to Mazzini" (1857) and ending with his last major critical work on The Age of Shakespeare (1908), this edition offers Swinburne in the round--a man of astonishing consistency whose formal innovations and critical penetration remain persistently engaging as well as provocative. A major introduction explores Swinburne's complicated reaction to the scandal of his first major collection, Poems and Ballads (1866); his life-long commitment to radical voices (Blake, Hugo, Landor, Shelley); his permanent hostility to tyranny; his sense of literature as a living form and of the heroic personality of the artist; his dazzling art criticism and adroit analysis of Renaissance and modern literature; his exceptional elegies for dead friends; his burlesques and richly atmospheric fiction and drama. This is a new, more complete, more challenging, but also more credible Swinburne than has ever been presented. Scholarly annotation draws on rich contemporary sources, manuscripts, and the diverse print culture of Swinburne's day, as well as moving through ancient and modern languages that Swinburne wrote with fluency.

Algernon Charles Swinburne

Readers of Victorian non-fictional prose were encouraged to believe that John Ruskin had died in 1860. Not literally, but intellectually and imaginatively. This study of his later life and work, first published in 2001, aims to refresh, revise and overturn certain perceptions about the writer that many readers still hold. This title will be of interest to students of history.

New Contexts

Late Ruskin

This book analyses relationships between writing and the financial structures of the 19th century. What emerges is a remarkable set of imaginative connections between literature and Victorian finance, including women and the culture of investment, the profits of a media age, and the uncomfortable relationship between literary and financial capital.

Victorian Literature and Finance

This volume presents fresh approaches to classic Victorian fiction from 1830-1900. Opens up for the reader the cultural world in which the Victorian novel was written and read. Crosses traditional disciplinary boundaries. Provides fresh perspectives on how Victorian fiction relates to different contexts, such as class, sexuality, empire, psychology, law and biology.

Francis O'Gorman

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