Franck Boulègue

In 2017, twenty-five years after its initial release, a new season of Mark Frost and David Lynch's cultural touchstone Twin Peaks shook the world of television. In this volume, Franck Boulègue explores Twin Peaks: The Return through a philosophical, mythological, and spiritual lens. Divided into three sections, the book first examines the third season as expanded storytelling through the lens of Gene Youngblood's theory of synesthetic cinema, intertextuality, integrationist, and segregationist approaches in the realm of fiction, and focuses on the role of audio and visual superimpositions in The Return. It goes on to question the nature of the reality depicted in the seasons via scientific approaches, such as electromagnetism, time theory, and multiverses. The third and final section aims to transcend this vision by exploring the role of theosophy, the occult, and other spiritual sources. With a foreword by Matt Zoller Seitz, editor at large at RogerEbert.com and television critic for New York magazine, this book is essential reading for fans of the landmark show and anyone who studies it.

Squaring the Circle

The Return of Twin Peaks

Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost's Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it's always possible for a close analysis to offer something new – and that's what Franck Boulègue has done with Twin Peaks: Unwrapping the Plastic. Through Boulègue's eyes, we see for the first time the world of Twin Peaks as a coherent whole, one that draws on a wide range of cultural source material, including surrealism, transcendental meditation, Jungian psychoanalysis, mythology, fairy tales, and much, much more. The work of a scholar who is also a fan, the book should appeal to any hardcore Twin Peaks viewer.

Unwrapping the Plastic

Twin Peaks

Marisa C. Hayes

Composed of papers originally presented during the International Screendance Conference at the Festival International de Vidéo Danse de Bourgogne, Art in Motion considers the choreography of moving images from a variety of angles, including somatic camera work, aesthetic and gestural analysis, and historical research that delves into cinema’s earliest depictions of dance, as well as perspectives from contemporary screendance artists. The geographic diversity of the contributors, many of whom are translated in English for the first time in this volume, reflects the growing number of screendance scholars and artists around the world, providing valuable insights from France, the United Kingdom, Mexico, Brazil, Hungary, and the United States. Art in Motion adopts a broad definition of screendance that explores movement on-screen and with the camera in many forms, while citing parallels between other artistic movements and practices that raise important questions about the role of screendance in moving image and choreographic cultures today. Ce livre bilingue anglais/français regroupe l'ensemble des conférences données lors du premier colloque du Festival International de Vidéo Danse de Bourgogne. Il aborde cette discipline sous une multitude d'angles : analyses esthétiques et historiques, la notion de caméra somatique, points de vue d'artistes créateurs de vidéo-danses... Un panorama contemporain, né du travail d'un groupe de chercheurs internationaux, pour la première fois disponible en français.

Current Research in Screendance / Art en mouvement

Art in Motion

In 2017, twenty-five years after its initial release, a new season of Twin Peaks shook the world of television. This new book is a detailed analysis of the third season of the television series and aims to elucidate some of the meanings of Twin Peaks: The Return and explain these in terms of philosophical, mythological and spiritual approaches. It focuses on the third season of Twin Peaks but also refers to the first two seasons, and to the film, Fire Walk with Me. Divided into three sections, the first examines season 3 as expanded storytelling through the lens of Gene Youngblood's theory of synesthetic cinema, intertextuality, integrationist and segregationist approaches in the realm of fiction, and focuses on the role of audio and visual superimpositions in The Return. It goes on to question the nature of the reality depicted in the seasons via scientific approaches, such as electromagnetism, time theory, and multiverses. The third and final section aims to transcend this vision by exploring the occult, theosophy, and other spiritual sources. The author’s focus on the role of spirituality and science in Twin Peaks is what distinguishes this book from other works on the famous television series. The work of a scholar who is also a fan, the book should appeal to any hardcore Twin Peaks viewer. Foreword by Matt Zoller Seitz, editor-at-large at RogerEbert.com, and the television critic for New York magazine. This will be essential reading for fans of Twin Peaks and academics writing about it. It may also have interest for students with an interest in philosophy, religion, science or spiritualism in visual and popular culture.

Franck Boulègue

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