Francois Laruelle

Introduction to Non-Marxism

Principles of Non-Philosophy is a treatise on the method, axioms and objectives of non-philosophy and represents François Laruelle's mature philosophy. As well as presenting the method and principles of non-philosophy, it includes a history of the development of non-philosophy, a novel conception of science, a discussion of non-philosophical causality and new theories of the subject and object of thought. Providing an introduction to Laruelle's novel theory of 'non-epistemology' or 'unified theory of thought', this volumes challenges the way we think about the traditional philosophical problems. Bringing together all the elements of his thought developed over twenty years and laying the foundations for his later work, Principles of Non-Philosophy is arguably Laruelle's magnum opus.

Principles of Non-Philosophy

Taylor Adkins

Dictionary of Non-Philosophy

One of the most exciting names in contemporary French philosophy explores the lessons of heresy to construct a new understanding of "belief."

A Lesson in Heresy

Future Christ

Originally published in 1995, this book constitutes a turning point in the development of what Francois Laruelle calls non-philosophy, towards its democratic and emancipatory vision. In this work, Laruelle utilises his non-philosophical theory to develop unified theoretical analyses into philosophy’s relationship with the humanities, politics and psychoanalysis.Centred on the figure of the Stranger, he argues for a democratic reformation of thought governed by human multitudes. The new field of thought is opened by this Universal Humanity, identified with three different pathways: a science of people and non-humanism, democracy and non-politics, and non-psychoanalysis as the development of a Universal Unconscious.

Science of People, Democracy, Non-Psychoanalysis

Theory of Strangers

This compelling and highly original book represents a confrontation between two of the most radical thinkers at work in France today: Alain Badiou and the author, François Laruelle. At face value, the two have much in common: both espouse a position of absolute immanence; both argue that philosophy is conditioned by science; and both command a pluralism of thought. Anti-Badiou relates the parallel stories of Badiou's Maoist 'ontology of the void' and Laruelle's own performative practice of 'non-philosophy' and explains why the two are in fact radically different. Badiou's entire project aims to re-educate philosophy through one science: mathematics. Laruelle carefully examines Badiou's Being and Event and shows how Badiou has created a new aristocracy that crowns his own philosophy as the master of an entire theoretical universe. In turn, Laruelle explains the contrast with his own non-philosophy as a true democracy of thought that breaks philosophy's continual enthrall with mathematics and instead opens up a myriad of 'non-standard' places where thinking can be found and practised.

The Introduction of Maoism into Philosophy

Anti-Badiou

A crucial text in the development of François Laruelle's oeuvre and an excellent starting point for understanding his broader project, Philosophies of Difference offers a theoretical and critical analysis of the philosophers of difference after Hegel and Nietzsche. Laruelle then uses this analysis to introduce a new theoretical practice of non-philosophical thought. Rather than presenting a narrative historical overview, Laruelle provides a series of rigorous critiques of the various interpretations of difference in Hegel, Nietzsche and Deleuze, Heidegger and Derrida. From Laruelle's innovative theoretical perspective, the forms of philosophical difference that emerge appear as variations upon a unique, highly abstract structure of philosophical decision, the self-posing and self-legitimating essence of philosophy itself. Reconceived in terms of philosophical decision, the seemingly radical concept of philosophical difference is shown to configure rather the identity of philosophy as such, which thus becomes manifest as a contingent and no longer absolute form of thinking. The way is thereby opened for initiating a new form of thought, anticipated here with the development of a key notion of non-philosophy, the Vision-in-One.

A Critical Introduction to Non-philosophy

Philosophies of Difference

The Introduction of Maoism Into Philosophy

Le grand penseur français internationalement connu conclut ici son œuvre magistrale traduite dans une dizaine de langues, mettant en scène tous les philosophes qui l'ont précédés. Comment réinterpréter et donner sens à l'idée de Socrate que la philosophie est la plus belle des musiques ? C'est ce que cherche François Laruelle en intégrant dans l'écriture philosophique l'idée de composition paramusicale, qui serait comme la " belle insonore ". Il donne corps au concept de Figura serpentinata, en construisant une longue montée, en guise de " gamme ", de la caverne au monde, puis du monde à l'univers. Techniquement, Laruelle transforme la réminiscence de Platon en réminiscience, ajoutant à la montée philosophique les concepts de quantique (la philosophie ne peut plus être l'objet d'une automodélisation) et de générique (l'universel est " surbaissé ", aucune philosophie n'a de suprématie sur les autres). La superposition de ces concepts hétérogènes produit une " invention " au sens de Bach, une superposition de voix qui réorganise le matériau musical et conduit à un cogito philomusical, qui réinterprète le silence, et permet de faire entendre autrement le tissu musical. Dans un dernier temps, en une longue descente depuis l'univers, la musique insonore revient comme vécu des sujets humains. L'ensemble est une vaste réflexion sur le sens musical de la vie humaine.

Tétralogos

A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions. If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”

Francois Laruelle

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