Stanley Hauerwas

Frank Lentricchia

Noted scholars, theologians, and others question the U.S. government’s reaction to the September 11th attack on the World Trade Center.

Essays After September 11

Dissent from the Homeland

بعد از نقد نو

a novel

The sadness of Antonioni

Jody McAuliffe

Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West's economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe's unorthodox approach pairs Dostoevsky's Crime and Punishment with Martin Scorsese's King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis's bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.

Crimes of Art and Terror

Thomas McLaughlin

These six new chapters are "Popular Culture," "Diversity," "Imperialism/Nationalism," "Desire," "Ethics," and "Class," by John Fiske, Louis Menand, Seamus Deane, Judith Butler, Geoffrey Galt Harpham, and Daniel T. O'Hara, respectively. Each new essay adopts the approach that has won this book such widespread acclaim: each provides a concise history of a literary term, critically explores the issues and questions the term raises, and then puts theory into practice by showing the reading strategies the term permits.

Critical Terms for Literary Study, Second Edition

Still reeling from the murders of his two adult children, washed up private detective Eliot Conte helps his best friend and Utica police chief Antonio Robinson investigate a murderous plot that involves Eliot's father — a New York state politico and kingmaker. Original.

The Accidental Pallbearer

In the introduction to this volume, Frank Lentricchia provides an overview of the critical reception of the novel and examines in its context other works by Don DeLillo. The other essays in the volume discuss DeLillo's view of family and divorce, Hitler's role in the 20th century, technology as a mortal threat, and postmodern America. This collection offers suggestive means by which to approach DeLillo's important contemporary work.

New Essays on White Noise

Returning to his hometown of Utica, New York, at age sixty, Robert Tagliaferro begins a quest to find his identity

The Links Among Communication, Language, and Gender

The Music of the Inferno

This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one. Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.

After the New Criticism

If you want to find out what a rock critic, a syndicated columnist, and scholars of American literature have to say about one of America's most important contemporary novelists, turn to Introducing Don DeLillo. Placing the author's work in a cultural context, this is the first book-length collection on DeLillo, adding considerably to the emerging critical discourse on his work. Diversity is the key to this striking assemblage of cultural criticism edited by Frank Lentricchia. Special features include an expanded version of the Rolling Stone interview with the author ("An Outsider in this Society") and the extraordinary tenth chapter of DeLillo's Ratner's Star. Accessibly written and entertaining, the collection will be of great interest to both students and scholars of contemporary American literature as well as to general readers interested in DeLillo's work. Contributors. Frank Lentricchia, Anthony Decurtis, Daniel Aaron, Hal Crowther, John A. McClure, Eugene Goodheart, Charles Molesworth, Dennis A. Foster, and John Frow

Introducing Don DeLillo

Explores the dominant features of Frost's poetry, particularly in terms of their significance within the poetry's conflicting inner and outer landscapes, and the poetry's aesthetic and philosophical dimensions within the context of modernism

Modern Poetics and the Landscapes of Self

Robert Frost

Introducing a gritty new detective series set in the bleak hinterlands of upstate new York Washed-up private investigator Eliot Conte would rather be teaching American literature and listening to opera than taking pictures of spouses in flagrante delicto. But he flamed out of an academic career when he hung the Provost of UCLA out a window, and he had to come home --- to bleak Utica, New York, where his aging father, Silvio Conte, a political kingmaker, is still cutting deals and hustling appointments, and his all-but-in-blood brother Antonio Robinson is the city's first black Chief of Police. But now Antonio's asking him for a favor that, to Eliot, doesn't seem like the kind of thing a police chief should ask for ... especially as he begins to uncover a trail of evidence leading back to the most sensational hit in local Mafia history. In a Utica marked by economic devastation and racial tensions, Eliot picks up one strand after another, weaving his way through a web of allegiances, grudges, and his own dark demons. Who is the spider at the center of it all? From the Trade Paperback edition.

An Eliot Conte Mystery

Two men, no longer young, and friends from childhood, fly to NYC--each with a secret purpose unknown to the other. They arrive just as COVID-19 explodes across the city's 5 boroughs. One of the men (white) has come to Manhattan to confront a theater producer who has made a coercive offer to his wife. The other man (black, former All-American football star) plans to confront and take revenge on his white girlfriend from college days--who left him for a white man. As they pursue their goals they are caught up in the hunt for America's most famous criminal. The black man, seeking revenge, makes a surprising turn. The white man, who has taken his confrontation with the theater producer to criminal length, may never leave Manhattan to return to his family. Manhattan Meltdown introduces a series of inter-connected characters who, ever as their lives are impacted by lethal disease, must continue to struggle with more conventional personal crises: uterine cancer, imperiled romantic relationships, and the deteriorations of advancing old age.

Manhattan Meltdown

Andrew Dubois

Discusses the social, cultural, intellectual, and aesthetic aspects of American literature

The Cambridge History of American Literature: Volume 5, Poetry and Criticism, 1900-1950

Since its publication in 1990, Critical Terms for Literary Study has become a landmark introduction to the work of literary theory—giving tens of thousands of students an unparalleled encounter with what it means to do theory and criticism. Significantly expanded, this new edition features six new chapters that confront, in different ways, the growing understanding of literary works as cultural practices. These six new chapters are "Popular Culture," "Diversity," "Imperialism/Nationalism," "Desire," "Ethics," and "Class," by John Fiske, Louis Menand, Seamus Deane, Judith Butler, Geoffrey Galt Harpham, and Daniel T. O'Hara, respectively. Each new essay adopts the approach that has won this book such widespread acclaim: each provides a concise history of a literary term, critically explores the issues and questions the term raises, and then puts theory into practice by showing the reading strategies the term permits. Exploring the concepts that shape the way we read, the essays combine to provide an extraordinary introduction to the work of literature and literary study, as the nation's most distinguished scholars put the tools of critical practice vividly to use.

A midwestern college professor finds a rationale for a life lived with literture by embarking on a quest for the secret meaning of Melville's, MOBY DICK.

Lucchesi and The Whale

An American adventure in the Antonioni veinvisually rich and emotionally mysterious.

Frank Lentricchia

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