Frankie Y. Bailey

A first installment in a new series by the Edgar Award-nominated author of You Should Have Died on Monday infuses Alice in Wonderland themes into a police procedural drama of the near future in which a biracial detective struggles to solve crimes involving witnesses whose memories are compromised by a drug for post-traumatic stress disorder.

A Mystery

The Red Queen Dies

African-American, 38, a crime historian, Lizzie Stuart has spent most of her life in Drucilla, Kentucky. When her grandmother dies, Lizzie decides it is time for a vacation. She joins her friend Tess for a week in Cornwall, England, in the resort town of St. Regis. Lizzie finds her vacation anything but restful when she becomes an eyewitness to a murder and the probable next vicitim.

Death's Favorite Child

Crime historian Lizzie Stuart is in Gallagher, Virginia, conducting research for a book about a lynching witnessed by her grandmother. When an arrogant but brilliant faculty member is murdered, Lizzie begins to have more than a few sleepless nights.

A Dead Man's Honor

Frankie Bailey introduced readers to an exciting new protagonist in The Red Queen Dies, the first book in the Detective Hannah McCabe mystery series. Now in What the Fly Saw, Hannah and her partner Mike Baxter are back with an even more puzzling case. Albany, New York, January 2020 The morning after a blizzard that shut down the city, funeral director Kevin Novak is found dead in the basement of his funeral home. The arrow sticking out of his chest came from his own hunting bow. A loving husband and father and an active member of a local megachurch, Novak has no known enemies. His family and friends say he was depressed because his best friend died suddenly of a heart attack and Novak blamed himself. But what does his guilt have to do with his death? Maybe nothing, maybe a lot. The minister of the megachurch and the psychiatrist who provides counseling to church members—do either of them know more than they are saying? Detective Hannah McCabe and her partner, Mike Baxter, sort through lies and evasions to solve the riddle of Novak's death, while unanswered questions from another high-profile case, and McCabe's own suspicions make for a dynamite crime novel.

What the Fly Saw

Alice P. Green

Shared racial and cultural experiences and the collective memory of those experiences play important roles in determining the responses of African Americans to issues of crime and violence. By examining American history through the prism of African American experience, this volume provides a framework for understanding contemporary issues regarding crime and justice, including the much-discussed gap between how blacks and whites perceive the fairness of the criminal justice system. Following a thesis offered by W.E.B. Du Bois with regard to African American responses to oppression, the authors argue that responses by African Americans to issues of crime and justice have taken three main forms--resistance, accommodation, and self-determination. These responses are related to efforts by African Americans to carve out social and psychological space for themselves and to find their place in America.

A Social History of African American Responses to Issues of Crime and Justice

"Law Never Here"

Steven M. Chermak

Describes some of the most famous crimes and court trials in the United States from 1919 to 2004, including cases involving John Scopes, Alger Hiss, Charles Manson, Ted Bundy, O.J. Simpson, and Scott Peterson.

Crimes and Trials of the Century

Albany, New York, experienced massive upheaval when the Volstead Act of 1919 established Prohibition. Crime already proliferated in the capital of the Empire State, with rival political machines stooping to corruption and the mob with their heavy-handed powers of persuasion. As it did nationwide, Prohibition in Albany served merely to force alcohol-related commerce underground and lawlessness and violence to the forefront of city activity.

Lawlessness & Liquor in the Prohibition Era

Wicked Albany

Brendan DuBois

Robert J. Randisi

Donna Andrews

Joseph S. Walker

Barb Goffman

Sandra Murphy

Robert Lopresti

Marilyn Todd

Lesley A. Diehl

Terence Faherty

Joseph Goodrich

Night at the Opera, A Day at the Races, Duck Soup, Animal Crackers…over the two decades between 1929’s The Cocoanuts and 1949’s Love Happy, the Marx Brothers—Groucho, Harpo, Chico, and sometimes Zeppo—entertained movie-goers around the world with their madcap antics, rapid-fire dialogue, and prowess on the piano, the harp, and in song. Now, a Who’s Who of award-winning crime writers pays homage to the Marxes in fourteen short stories, each inspired by one of the brothers’ thirteen studio films. (Wait a second: fourteen stories inspired by thirteen films? How does that add up? You'll find the answer to that question…and so much more!...inside the covers of this book.) The authors? Donna Andrews, Frankie Y. Bailey, Jeff Cohen, Lesley A. Diehl, Brendan DuBois, Terence Faherty, Barb Goffman, Joseph Goodrich, Robert Lopresti, Sandra Murphy, Robert J. Randisi, Marilyn Todd, Joseph S. Walker, and editor Josh Pachter, who is a recent recipient of the Short Mystery Fiction Society’s Golden Derringer Award for Lifetime Achievement and the editor of two previous “inspired by” anthologies from Untreed Reads, The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell and Only the Good Die Young: Crime Fiction Inspired by the Songs of Billy Joel. To paraphrase Groucho: Outside of a dog, this book will be your best friend. (Inside of a dog, it's too dark to read.)

Crime Fiction Inspired by the Films of the Marx Brothers

Monkey Business

What do Lizzie Borden and O.J. Simpson have in common? Or the Lindbergh baby and Gary Gilmore? They were all the focus of famous crimes and/or trials in the United States. In this five-volume set, historical and contemporary cases that not only "shocked the nation" but that also became a part of the popular and legal culture of the United States are discussed in vivid, and sometimes shocking, detail. Each chapter focuses on a different crime or trial, and explores the ways in which each became famous in its own time. The fascinating cast of characters, the outrageous crimes, the involvement of the media, the actions of the police, and the trials that often surprised combine to offer here one of the most comprehensive sets of books available on the subject of famous U.S. crimes and trials.

Famous American Crimes and Trials: 1981-2000

This first sociohistorical study of the evolution of black detectives and other African American characters in crime and detective fiction identifies stereotypical images of blacks and probes the implied values and collective fantasies found in this genre. Bailey argues that a "mythology of race" consisting of themes of sex and savagery exists in the U.S. and is perpetuated in popular culture. Additionally, fourteen crime and detective fiction writers present their views on creating black characters and a directory includes a sampling of cases featuring black characters, a list of black detectives, relevant works of fiction, film, television, and more.

Black Characters in Crime and Detective Fiction

Out of the Woodpile

The book describes the movement by African American authors from slave narratives and antebellum newspapers into fiction writing, and the subsequent developments of black genre fiction through the present. It analyzes works by modern African American mystery writers, focusing on sleuths, the social locations of crime, victims and offenders, the notion of “doing justice,” and the role of African American cultural vernacular in mystery fiction. A final section focuses on readers and reading, examining African American mystery writers’ access to the marketplace and the issue of the “double audience” raised by earlier writers. Instructors considering this book for use in a course may request an examination copy here.

Frankie Y. Bailey

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