G. Gurdjieff

Begun in 1934, this final volume of Gurdjieff's trilogy, All and Everything, is a primary source for Gurdjieff's ideas, methods, and biography. Gurdjieff offers guidance to his "community of seekers," through a selection of talks given in 1930, autobiographical material crucial to understanding his ideas, and the incomplete essay "The Outer and Inner World of Man." Available for the first time in paperback, this is the ultimate piece of Gurdjieff's work that his numerous followers have been waiting for.

All and Everything Third Series

Life is Real Only Then, When 'I Am'

"Written in Russian, the manuscript of this book was begun in 1927 and revised by the author over a period of many years."--P. [vi].

Meetings with Remarkable Men

The Armenian-Greek spiritual teacher, G.I. Gurdjieff’s autobiographical account of his youth and early travels has become something of a legend since it was first published in 1963. A compulsive read in the tradition of adventure narratives, but suffused with Gurdjieff’s unique perspective on life, it is organized around portraits of remarkable men and women who aided Gurdjieff’s search for hidden knowledge or accompanied him on his journeys in remote parts of the Near East and Central Asia. A classic work, suffused with a haunting sense of what it means to live fully – with conscience, with purpose and with heart.

BEELZEBUB'S TALES TO HIS GRANDSON is Gurdjieff's world-famous cosmological epic. It examines human life on Earth from the viewpoint of beings belonging to a distant world, led by the 'all-wise Beelzebub'. Through this cosmological allegory - rich in humour, anecdote and linguistic elaboration - Gurdjieff demonstrates a methodology for the spiritual growth of all mankind.

All and Everything

Beelzebub's Tales to His Grandson

First printed on 26 August 1933 by La Société Anonyme des Editions de l'Ouest, this is the 75th anniversary edition, a reprint of the first edition. This edition has been digitally retypeset and is not a facsimile.

The Herald of Coming Good

From the back cover: "My ballet is not a mystery. The purpose of it is to present an interesting and beautiful spectacle. Of course, under the visible forms a certain sense is hidden, but I did not aim at demonstrating or emphasizing it. The chief position in this ballet is occupied by certain dances. I will explain this to you briefly. Imagine that in studying the laws of movement of the celestial bodies, let us say the planets of the solar system, you have constructed a special mechanism for the representation and recording of these laws. In this mechanism every planet is represented by a sphere of appropriate size and is placed at a strictly determined distance from the central sphere, which stands for the sun. You set the mechanism in motion, and all the spheres begin to turn and move in definite paths, reproducing in a lifelike way the laws which govern their movements. This mechanism reminds you of your knowledge."In the same way, in the rhythm of certain dances, in the precise movements and combinations of the dancers, certain laws are vividly recalled. Such dances are called sacred. During my journeys in the East, I often saw dances of this kind executed during the performance of sacred rites in some of the ancient temples. These ceremonies are inaccessible, and unknown to Europeans. Some of these dances are reproduced in The Struggle of the Magicians. Further, I may tell you that at the basis of The Struggle of the Magicians lie three thoughts; but, as I have no hope that they will be understood by the public if I present the ballet alone, I call it simply a spectacle." --Gurdjieff's Early Talks

The Struggle of the Magicians

Scenario of the Ballet

Thirty-two meetings with Gurdjieff held at 6 rue des Colonels Renard, Paris, France. Unabridged.

G. Gurdjieff

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