Nishant Shah

Alexandra Juhasz Juhasz

Ganaele Langlois

More important than flagging things "really fake" is to understand why they are dismissed as fake The new truth is the one that circulates: digital truth emerges from lists, databases, archives, and conditions of storage. Multiple truths may be activated through search, link, and retrieve queries. Alexandra Juhasz, Ganaele Langlois, and Nishant Shah respond by taking up story, poetry, and other human logics of care, intelligence, and dignity to explore sociotechnological and politico-aesthetic emergences in a world where information overload has become a new ontology of not-knowing. Their feminist digital methods allow considerations of internet things through alternative networked internet time: slowing down to see, honor, and engage with our past; invoking indeterminacy as a human capacity that lets multiple truths commingle on a page or in a body; and saving the truths of ourselves and our others differently from the corporate internet's perpetual viral movement. Writing across their own shared truisms, actors, and touchstones, the authors propose creative tactics, theoretical overtures, and experimental escape routes built to a human scale as ways to regain our capacities to know and tell truths about ourselves.

Really Fake

The search for meaning is an essential human activity. It is not simply about agreeing on some definitions about the world, objects, and people, but is also an ethical process of opening up to others and to the world to find new possibilities. Social media corporations commodify our search for meaning by defining the parameters through which we can experience meaningfulness. This new context of meaning requires rethinking the relationships between language, software, and the psyche. Langlois uses case studies of popular social media platforms (including Facebook, Twitter, and Amazon, among others) to revisit traditional conceptions of meaning. She develops a new theoretical and methodological framework drawing from post-Fordist theories, software studies, critical theory, and relational psychoanalysis to examine the technical mediation and commodification of the psychic, cultural, and linguistic processes involved in the search for meaning.

Meaning in the Age of Social Media

Alexandra Juhasz

More important than flagging things “really fake” is to understand why they are dismissed as fake The new truth is the one that circulates: digital truth emerges from lists, databases, archives, and conditions of storage. Multiple truths may be activated through search, link, and retrieve queries. Alexandra Juhasz, Ganaele Langlois, and Nishant Shah respond by taking up story, poetry, and other human logics of care, intelligence, and dignity to explore sociotechnological and politico-aesthetic emergences in a world where information overload has become a new ontology of not-knowing. Their feminist digital methods allow considerations of internet things through alternative networked internet time: slowing down to see, honor, and engage with our past; invoking indeterminacy as a human capacity that lets multiple truths commingle on a page or in a body; and saving the truths of ourselves and our others differently from the corporate internet’s perpetual viral movement. Writing across their own shared truisms, actors, and touchstones, the authors propose creative tactics, theoretical overtures, and experimental escape routes built to a human scale as ways to regain our capacities to know and tell truths about ourselves.

Ganaele Langlois

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