Jack Becker

Lance Mayer

Gay Myers

17 Color Reproductions and 19 Half Tones, 64 pages. One Essay discusses the artist's life and work. One essay discusses the artist's relationship to the American Tonalist Movement and the third essay discusses Ranger's painting technique.

Henry Ward Ranger and the Humanized Landscape

Alexander Nemerov

Wendy Bellion

Andrew McClellan

Richard Read

Jean-Philippe Antoine

David Bjelajac

Peter John Brownlee

Rachael Z. DeLue

Sarah Kate Gillespie

Tanya Pohrt

Catherine Roach

"Samuel F. B. Morse's (1791-1872) large-scale painting Gallery of the Louvre (1831-33) is one of the most significant, and enigmatic, works of early-19th-century American art. It is also one of the last works Morse painted before turning his attention tothe invention of the telegraph and Morse code. Gallery of the Louvre, owned by the Terra Foundation for American Art, was the focus of three separate international symposia held in 2011-13 at the Yale University Art Gallery, the National Gallery of Art, and the Pennsylvania Academy of the Fine Arts. This collection of essays, carefully drawn from the proceedings of these scholarly sessions, brings together fresh insights by academics, curators, and conservators, who focus on the painting's visual components and the social and historical contexts that make it such a rich, complex work. The book accompanies a multi-year tour of the painting to prominent museums around the country"--

Samuel F. B. Morse's "Gallery of the Louvre" and the Art of Invention

This second volume in the American Painter's on Technique series is the first overview of an important but largely unknown aspect of American art from 1860 to 1945. The study is based primarily on firsthand descriptions of the materials and techniques that artists used to make paintings. The book is into two parts: 1860 to 1910 and 1910 to 1945. Between 1860 and 1910, the predominant theme is the increased number of Americans who traveled to Europe for instruction, resulting in an explosion of transplanted techniques. The period 1910 to 1945, was marked by a fundamental change in the attitudes of painters toward their materials. An epilogue summarizes the lessons American painters' experiences over 250 years can hold for contemporary artists interested in the longterm preservation of their paintings.

1860-1945

American Painters on Technique

This is the first comprehensive study of an important but largely unknown part of the history of American art: the materials and techniques used by American painters. Based on extensive research, including artists' recipe books, letters, journals, and painting manuals, much previously unpublished, the authors have also drawn on their many years as conservators of paintings for museums and collectors. Information is provided on the methods of painters such as Benjamin West, Gilbert Stuart, Washington Allston, Thomas Sully, Thomas Cole, and William Sidney Mount. Topics include the quest for the “secrets” of the Old Masters; how artists saw their paintings changing over time; the application of “toning” layers; and the evolving self-confidence of American experimenters and innovators. This book will be of interest to curators, art historians, painters, and conservators and will form the basis for future research on American painting techniques. At a time of discovering new approaches to art history, the story of how paintings were made parallels the better-known histories about how styles changed and how paintings were commissioned, exhibited, and sold.

The Colonial Period to 1860

Gay Myers

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