Jacob Grimm

George Cruikshank

Wilhelm Grimm

From the land of fantastical castles, vast lakes and deep forests, the Brothers Grimm collected a treasury of enchanting folk and fairy stories full of giants and dwarfs, witches and princesses, magical beasts and cunning children. From classics such as 'The Frog-Prince' and 'Hansel and Grettel' to the delights of 'Ashputtel' or 'Old Sultan', all hold a timeless magic which has enthralled children for centuries.

Grimms' Fairy Tales

A collection of fifty-five traditional tales collected by the Grimm brothers features the original black-and-white illustrations by George Cruikshank plus new color illustrations by noted contemporary illustrators.

Fairy Tales from the Brothers Grimm

Charles Dickens

Olivier Twist

Henry Mayhew

The world's show, 1851: or, The adventures of Mr. and Mrs. Sandboys and family ...

George Cruikshank's Omnibus

Richard A. Vogler

269 copyright-free reproductions of etchings, woodcuts (eight in full color).

Graphic Works of George Cruikshank

The Wite Magazine, and Attic Miscellany

Dead Writers Club

Ian Tinny

One of the most amusing books. It concerns the story of one gentleman’s toothache. The book is like a long comic strip or graphic novel. His torment is described in about forty colorful scenes as he is woken by the pain of his tooth, makes various attempts to cure himself and then submits to his final recourse: the dentist. The 40 scenes were originally designed to fold-out in a horizontal fashion, but they have been improved to fit into an ebook or standard page-book manner for your convenience and enjoyment.

The Toothache

A Discovery concerning Ghosts; with a rap at the "Spirit-Rappers" ... Illustrated with cuts

The Betting Book ... With Cuts

Example in this ebook CHAPTER XX. WHEREIN OLIVER IS DELIVERED OVER TO MR. WILLIAM SIKES. When Oliver awoke in the morning he was a good deal surprised to find that a new pair of shoes with strong thick soles had been placed at his bedside, and that his old ones had been removed. At first he was pleased with the discovery, hoping that it might be the forerunner of his release; but such thoughts were quickly dispelled on his sitting down to breakfast alone with the Jew, who told him, in a tone and manner which increased his alarm, that he was to be taken to the residence of Bill Sikes that night. “To—to—stop there, sir?” asked Oliver, anxiously. “No, no, my dear, not to stop there,” replied the Jew. “We shouldn’t like to lose you. Don’t be afraid, Oliver, you shall come back to us again. Ha! ha! ha! We wont be so cruel as to send you away, my dear. Oh no, no!” The old man, who was stooping over the fire toasting a piece of bread, looked round as he bantered Oliver thus, and chuckled as if to shew that he knew he would still be very glad to get away if he could. “I suppose,” said the Jew, fixing his eyes on Oliver, “you want to know what you’re going to Bill’s for—eh, my dear?” Oliver coloured involuntarily to find that the old thief had been reading his thoughts; but boldly said, “Yes, he did want to know.” “Why, do you think?” inquired Fagin, parrying the question. “Indeed I don’t know, sir,” replied Oliver. “Bah!” said the Jew, turning away with a disappointed countenance from a close perusal of the boy’s face. “Wait till Bill tells you, then.” The Jew seemed much vexed by Oliver’s not expressing any greater curiosity on the subject; but the truth is, that, although he felt very anxious, he was too much confused by the earnest cunning of Fagin’s looks, and his own speculations, to make any further inquiries just then. He had no other opportunity; for the Jew remained very surly and silent till night, when he prepared to go abroad. “You may burn a candle,” said the Jew, putting one upon the table; “and here’s a book for you to read till they come to fetch you. Good night!” “Good night, sir!” replied Oliver, softly. The Jew walked to the door, looking over his shoulder at the boy as he went, and, suddenly stopping, called him by his name. Oliver looked up; the Jew, pointing to the candle, motioned him to light it. He did so; and, as he placed the candlestick upon the table, saw that the Jew was gazing fixedly at him with lowering and contracted brows from the dark end of the room. “Take heed, Oliver! take heed!” said the old man, shaking his right hand before him in a warning manner. “He’s a rough man, and thinks nothing of blood when his own is up. Whatever falls out, say nothing, and do what he bids you. Mind!” Placing a strong emphasis on the last word, he suffered his features gradually to resolve themselves into a ghastly grin; and, nodding his head, left the room. Oliver leant his head upon his hand when the old man disappeared, and pondered with a trembling heart on the words he had just heard. The more he thought of the Jew’s admonition, the more he was at a loss to divine its real purpose and meaning. He could think of no bad object to be attained by sending him to Sikes which would not be equally well answered by his remaining with Fagin; and after meditating for a long time, concluded that he had been selected to perform some ordinary menial offices for the housebreaker, until another boy better suited for his purpose could be engaged. He was too well accustomed to suffering, and had suffered too much where he was, to bewail the prospect of a change very severely. He remained lost in thought for some minutes, and then with a heavy sigh snuffed the candle, and taking up the book which the Jew had left with him, began to read. To be continue in this ebook

Oliver Twist, Volume 2 (of 3) (Illustrations)

Hablot Knight Browne

Works of Charles Dickens -- Nicholas Nickelby, Martin Chuzzlewit, [and] American Notes

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

V. 1 Pentonville

My Sketchbook

Royal Address of Cadwallader Ap-Tudor Ap-Edwards Ap-Vaughan, Water-King of Southwark ...

Salus Populi Suprema Lex. ...

John Gilbert

Robert Dudley

The Library Shakespeare

With a Rap at the "Spirit Rappers"

Second Edition of a Discovery Concerning Ghosts

One of Cruikshank's teetotalling pamphlets inveighing against the opening of the Crystal Palace on Sundays and the attendant sale of alcoholic beverages.

The Glass and the New Crystal Palace

Phiz (Hablot Knight Browne)

George John Pinwell

George John Pinwell RWS (London 26 December 1842 - 8 September 1875 London), was a British illustrator and watercolourist........ George Cruikshank (27 September 1792 - 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience........ Hablot Knight Browne (10 July 1815 - 8 July 1882) was an English artist and illustrator. Well-known by his pen name, Phiz, he illustrated books by Charles Dickens, Charles Lever, and Harrison Ainsworth.... Charles John Huffam Dickens ( 7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity. Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens's literary success began with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed, and he often wove elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.Dickens was regarded as the literary colossus of his age. His 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, A Tale of Two Cities, set in London and Paris, is his best-known work of historical fiction. Dickens has been praised by fellow writers-from Leo Tolstoy to George Orwell and G. K. Chesterton-for his realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters....

Charles John Huffam Dickens ( 7 February 1812 - 9 June 1870) Was an English Writer and Social Critic. He Created Some of the World's Best-Known Fictional Characters and Is Regarded by Many As the Greatest Novelist of the Victorian Era. .

The Uncommercial Traveller; the Lamplighter; to Be Read at Dusk; Sunday Under Three Heads, and the Lazy Tour of Two Idle Apprentices. By: Charles Dickens , Illustrted By: George John Pinwell ,by: George Cruikshank, By: Phiz (Hablot Knight Browne)

George Cruikshank

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