George Ewart Evans

Aspects of the Folk-life of East Anglia

The Pattern Under the Plough

A classic picture of the rural past in a remote Suffolk village, revealed in the conversations of old people who recall harvest customs, home crafts, poetic usages in dialect, old farm tools, smugglers' tales, and rural customs and beliefs going back to the time of Chaucer.

Ask the Fellows who Cut the Hay

The pioneering oral historian, George Ewart Evans, began to record the farming ways of East Anglia in the 1950s by listening to old men and women whose memories went back more than fifty or sixty years. Many were agricultural labourers, born before the turn of the century, who had worked on farms before the arrival of mechanisation. It was assumed at that time that horses would soon disappear from the farms, and that this was the last chance of recording the part they had played for centuries. It later became clear that this forecast was too pessimistic and in Horse Power and Magic (Faber, 1979) Ewart Evans describes in fascinating detail some important farms where horses continued to be beneficially used more than thirty years later. He discovered that the traditions of the older horsemen had not died out but had been passed on, in only slightly attenuated form, to a younger generation keen to farm with horses, proving that the day of the heavy horse was by no means over. He also describes vividly the ways of horse-tamers whose skills had a touch of 'magic' about them. 'Taking his works a whole, there is no doubt that George Ewart Evans will survive as a fascinating pioneer of the extra-academic recording of human history...he has found a dimension all his own. This is indeed the very stuff of history.' Sunday Times

Horse Power and Magic

Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa. In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society. 'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer

Acky

Patrick Barkham

In the detail of village architecture, the rituals of house-building, and the pagan habit of 'telling the bees,' this book unearths the rich seam of customs and beliefs of the ancient rural culture which continues to inform British life today.

Ask the Fellows Who Cut the Hay is a vivid portrait of the rural past of Blaxhall, a remote Suffolk village, in the time before mechanization changed the entire nature of farming, the landscape and rural life for good. In the 1950s, George Ewart Evans sought out those who could recall the nineteenth-century customs, crafts, dialects, tools, smugglers' tales and rural beliefs which had endured from the time of Chaucer, and created this fascinating picture of a now vanished world.

Ask the Fellows Who Cut the Hay

The Leaping Hare is a rare and remarkable book about every aspect of the life and legend of the wild hare, exploring nature, poetry, folklore, history and art. A frequent feature in the mythology of many cultures, the hare has been linked with mystery and witchcraft throughout civilisation, and still today retains an air of enchantment. 'A lovely book that is both exploratory and rooted in a sense of the hare's mystery..' Seamus Heaney

The Leaping Hare

George Ewart Evans was one of the pioneers of oral history. This anthology is drawn from his writings about the memories of men and women of a past era -- farm labourers, shepherds, horsemen, blacksmiths, wheelwrights, sailors, fishermen, miners, maltsters, domestic servants and many others. Ewart Evans gathered this unique testimony in rural East Anglia in the 1950s, just as mechanisation was taking over every aspect of life, preserving a wealth of human history and language in this fascinating and often moving anthology.

George Ewart Evans

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