George Steiner

In a remarkable book, one of the preeminent essayists and literary thinkers of our era concerns himself with language and its relation to literature and religion. Written during a period when the art of reading and the status of a text have been threatened by literary movements that question their validity and by computer technology, Steiner's essays affirm the primacy of reading in the classical sense.

Essays 1978-1995

No Passion Spent

Dans le château de Barbe-Bleue

Melómano tanto o más que hombre de letras, George Steiner ha escrito a lo largo de medio siglo una gran variedad de textos sobre compositores, géneros musicales y algunas piezas en particular, siempre con una sensibilidad que le permite ir más allá del fenómeno sonoro. Nunca antes reunidos en un volumen, estos artículos, reseñas, notas de programa y conferencias —e incluso un original ensayo a tres voces que puede escenificarse ante un público— son un testimonio de su devoción por el arte al que accedemos por el oído pero que involucra al cuerpo entero, las emociones, la mente. La experiencia de escuchar grabaciones y no a los artistas en vivo, las dolorosas cartas de Beethoven, la ambigua vida de Shostakóvich, el estrellato de Liszt, la excentricidad y la finura de Gould, la puesta en escena de algunas óperas insólitas, la ambición de Schönberg y los mitos griegos asociados a la composición son algunos de los temas que le permiten al autor urdir sus armoniosas disquisiciones sobre música y política, literatura, psicología, historia... Decía Steiner ya en 1974: "En mi vida privada, en mi vida personal, cada vez tengo mayor necesidad de música"; qué mejor modo de haber enfrentado esa necesidad que escribiendo las piezas que aquí ofrecemos al lector.

Artículos, reseñas, conferencias

Necesidad de música

Los libros que nunca he escrito

“A brilliant work . . . A dazzling meditation on the very nature of language itself” from the world-renowned scholar and author of The Poetry of Thought (Kirkus Reviews). In his classic work, literary critic and scholar George Steiner tackles what he considers the Babel “problem”: Why, over the course of history, have humans developed thousands of different languages when the social, material, and economic advantages of a single tongue are obvious? Steiner argues that different cultures’ desires for privacy and exclusivity led to each developing its own language. Translation, he believes, is at the very heart of human communication, and thus at the heart of human nature. From our everyday perception of the world around us, to creativity and the uninhibited imagination, to the often inexplicable poignancy of poetry, we are constantly translating—even from our native language.

Aspects of Language and Translation

After Babel

Tolstoi ou Dostoievski

Michel Crépu

Margarida Sérvulo Correia

O silêncio dos livros: esse vício ainda impune

This is the first book of its kind. It contains some two hundred and fifty poems by the major English and American poets from Swinburne and Hopkins to Robert Lowell; each poem is a translation of imitation of a work in a foreign tongue. Twenty-two languages are represented in this glittering collection. They range from Hebrew and classical Greek to modern Chinese, from Polish to Korean. Yeats, Ezra Pound, T.S. Eliot, Marianne Moore, W.H. Auden, Richard Wilbur, James Joyce, F. Scott Fitzgerald are included--each a master in his own right, but seen here as the re-creator of another poet's voice. George Steiner believes that ours is the most beautiful period of poetic translation since the Elizabethans. Here is his evidence.--Cover

The Penguin Book of Modern Verse Translation

George Steiner, the eminent professor of English at Cambridge and Geneva universities, has outlined seven books he has never written, but has always wanted to write, in seven sections. In this fiercely original and audacious work, George Steiner tells of seven books which he did not write. Because intimacies and indiscretions were too threatening. Because the topic brought too much pain. Because its emotional or intellectual challenge proved beyond his capacities. The actual themes range widely and defy conventional taboos: the torment of the gifted when they live among, when they confront, the very great; the experience of sex in different languages; a love for animals greater than for human beings; the costly privilege of exile; a theology of emptiness. Yet a unifying perception underlies this diversity. The best we have or can produce is only the tip of the iceberg. Behind every good book, as in a lit shadow, lies the book which remained unwritten, the one that would have failed better.

My Unwritten Books

Laure Adler

George Steiner, born in 1929, is one of the preeminent intellectuals of his generation. Reading in many languages, celebrating the survival of high culture in the face of twentieth-century barbarisms, Steiner has probed the ethics of language and literature with an elegance and authority unmatched by any living critic. "A Long Saturday "is a series of conversations between Steiner and the French journalist Laure Adler. It addresses questions that have absorbed Steiner over his career, but in a more personal register than he has offered before. Adler draws out Steiner on his boyhood in Vienna and Paris before the war, on his education at Chicago and Harvard, and on his early academic career. Books are a touchstone throughout, of course, but Steiner and Adler s conversation ranges also over music, chess, psychoanalysis, the place of Israel in Jewish life, and much more. Revealing and exhilarating by turns, this book invites all readers to pull up a chair and listen in on the conversation of a master. "

Conversations

A Long Saturday

Collectif

« Notre cupidité, notre soif de massacre paraît sans fin. La puanteur de l'argent infecte nos vies. Mais quand nous produisons un sonnet de Shakespeare, composons une messe en Si mineur, ou bataillons, au fil des siècles, aux prises avec la conjecture de Goldbach ou le problème des trois corps, nous nous transcendons. Alors, en vérité, il n'est point de plus grand prodige que l'homme . » Ces mots de George Steiner sont extraits d'un échange qu'il imagine, dans ce livre, entre un mathématicien, un poète et un musicien.À leur tour, des chercheurs, des enseignants, des artistes, réunis pour discuter de « George Steiner, philosophe de la culture et de la transmission », nous disent ce que la lecture de son oeuvre aux mille facettes a apporté à leurs recherches, à leurs réflexions, à leurs choix culturels et disciplinaires.

les chemins de la culture

Avec George Steiner

Proofs and Three Parables

Alfred A Knopf Publishing

Contains the complete text of the King James version of the Old Testament, from Genesis to Malachi

The King James Version

The Old Testament

An engrossing and provocative look at the decline of tragedy in modern art “All men are aware of tragedy in life. But tragedy as a form of drama is not universal.” So begins George Steiner’s adept analysis of the demise of classic tragedy as a dramatic depiction of heroism and suffering. In The Death of Tragedy, Steiner examines the uniqueness and importance of the Greek classical tragedy—from antiquity to the age of Jean Racine and William Shakespeare—as providing stark insight into the grief and joy of human existence. Then, delving into the works of John Keats, Henrik Ibsen, Samuel Beckett, and many more, Steiner demonstrates how the tragic voice has greatly diminished in modern theater, and what we have lost in the process.

The Death of Tragedy

Brillante conversador, además de erudito, George Steiner (en contraposición dialéctica con su interlocutor, Antoine Spire) se abre a un relato vivo, apasionado, que nos lleva al límite de la paradoja y la provocación. Desde aspectos de su propia biografía a los asuntos más espinosos abordados en la obra de este gigante de la cultura europea, sus pensamientos tocan la música, la filosofía, la poesía y la literatura, el lugar que corresponde a un hombre culto enfrentado a la barbarie, así como la relación a menudo trágica y ambigua entre la filosofía y el despotismo, entre el judaísmo y Auschwitz como símbolo del mal absoluto. Y todo ello sin perder de vista la crítica lúcida de otros filósofos contemporáneos, como Sartre y Derrida, una crítica en que el punto de vista de Steiner se hace más nítido y afilado. La barbarie de la ignorancia —que publicamos ahora con una nueva traducción, un apartado final, "Stacca to", no recogido en la edición castellana anterior, y un epílogo en el que Antoine Spire rememora un encuentro no del todo fácil con el filósofo— seguirá sorprendiendo al lector por la lucidez y la combatividad de un autor cuya libertad de pensamiento y exigencia intelectual y moral constituyen hoy como ayer un aldabonazo para nuestras conciencias.

George Steiner

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