Georges Bataille

Reprint. Originally published: Death and sensuality. New York: Walker, 1962.

Death and Sensuality

Erotism

Since the publication of Visions of Excess in 1985, there has been an explosion of interest in the work of Georges Bataille. The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Batailles’s positions are most clearly, forcefully, and obsessively put forward.This book challenges the notion of a “closed economy” predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human tendency to lose, destroy, and waste. This collection is indispensible for an understanding of the future as well as the past of current critical theory.Georges Bataille (1897-1962), a librarian by profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Accused Share, Erotism, and The Absence of Myth.

Selected Writings, 1927-1939

Visions of Excess

Sex, death and madness as European society flirts grimly with the portents of World War II.

Blue of Noon

An Essay on General Economy

The Accursed Share

;Literature is not innocent, ; Bataille declares in the preface to this unique collection of literary profiles. ;It is guilty and should admit itself so. ; The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade. Born in France in 1897, Georges Bataillewas a radical philosopher, novelist and critic whose writings continue to exert a vital influence on today's literature and thought.

Literature and Evil

A pornographic fantasy in which the young male narrator and his lovers Simone and Marcelle embark on a sexual quest involving sadism, torture, orgies, madness and defilement, culminating in a final act of transgression.

Story of the Eye

My Mother

A philosopher, essayist, novelist, pornographer and fervent Catholic who came to regard the brothels of Paris as his true 'churches', Georges Bataille ranks among the boldest and most disturbing of twentieth-century thinkers. In this influential study he links the underlying sexual basis of religion to death, offering a dazzling array of insights into incest, prostitution, marriage, murder, sadism, sacrifice and violence, as well as including comments on Freud, Sade and Saint Theresa. Everywhere, Eroticism argues, sex is surrounded by taboos, which we must continually transgress in order to overcome the sense of isolation that faces us all.

Eroticism

His is a journey marked by the questioning of experience itself, until what is reached is sovereign laughter, non-knowledge, and a Presence in no way distinct from Absence, where “The mind moves in a strange world where anguish and ecstasy coexist.”

Inner Experience

Michael Richardson

One of the most provocative and controversial writers of his time, these essays comprise George Bataille's most incisive study of surrealism.

Writings on Surrealism

The Absence of Myth

The Tears of Eros is the culmination of Georges Bataille's inquiries into the relationship between violence and the sacred. Taking up such figures as Giles de Rais, Erzebet Bathory, the Marquis de Sade, El Greco, Gustave Moreau, Andre Breton, Voodoo practitioners, and Chinese torture victims, Bataille reveals their common obsession: death. This essay, illustrated with artwork from every era, was developed out of ideas explored in Erotism: Death and Sexuality and Prehistoric Painting: Lascaux or the Birth of Art. In it Bataille examines death--the ""little death"" that follows sexual climax, the proximate death in sadomasochistic practices, and death as part of religious ritual and sacrifice. Georges Bataille was born in Billom, France, in 1897. He was a librarian by profession. Also a philosopher, novelist, and critic he was founder of the College of Sociology. In 1959, Bataille began The Tears of Eros, and it was completed in 1961, his final work. Bataille died in 1962.

The Tears of Eros

Guilty is a searing personal record of spiritual and communal crisis, wherein the death of god announces the beginning of friendship. It takes the form of a diary, recording the earliest days of World War II and the Nazi occupation of France, but this is no ordinary day book: it records the authorʹs journey through a war-torn world without transcendence. Batailleʹs spiritual journey is also an intellectual one, a trip with Hegel, Kierkegaard, Blake, Baudelaire, and Nietzsche as his companions. And it is a school of the flesh wherein eroticism and mysticism are fused in a passionate search for pure immanence. -- from http://www.amazon.com (Jan. 22, 2014).

Guilty

The Solar Anus

Having spent the early thirties in far-left groups opposing Fascism, in 1937 Georges Bataille abandoned this approach so as to transfer the struggle onto the mythological plane, founding two groups with this aim in mind. The College of Sociology gave lectures attended by major figures from the Parisian intelligentsia - intended to reveal the hidden undercurrents within a society that appeared to be bordering on collapse. The texts in this book comprise lectures given to the College; essays from the Acephale journal and a large cache of the internal papers of the secret society of Acephale.

The Internal Papers of the Secret Society of Acephale and Lecturers to the College of Sociology

The Sacred Conspiracy

Hailed by Martin Heidegger as "one of France's best minds," Georges Bataille has become increasingly recognized and respected in the realm of academic and popular intellectual thought. Although Bataille died in 1962, interest in his life and writings have never been as strong as they are today--Barthes, Foucault, Derrida, and Kristeva have all acknowledged their debt to him. In his book, On Nietzsche, as translated by Bruce Boone, Bataille comes as close as he would ever come to formulating his own unique system of philosophy. One could say that reading Nietzsche was something of a revelation to Bataille, and profoundly affected his life. In 1915, in a crisis of guilt after leaving his blind father in the hands of the Germans, Bataille converted to Catholicism. It was Nietzsche's work that lead him to abandon traditional religion for an idiosyncratic form of godless mysticism. In this volume, Bataille becomes, and goes beyond, Nietzsche, assuming Nietzsche's thought where he left off--with God's death. At the heart of this work is Bataille's exploration of how one can have a spiritual life outside religion. On Nietzsche is essentially a journal that brilliantly mixes observations with ruminations in fragments, aphorisms, poems, myths, quotations, and images against the background of World War II and the German occupation. Bataille has a unique way of moving breezily from abstraction to confession, and from theology to eroticism. He skillfully weaves together his own internal experience of anguish with the war and destruction raging outside with arguments against fascist interpretations of Nietzsche and praise for the philosopher as a prophet foretelling "the crude German fate." With an introduction, "Furiously Nietzschean," by Sylvere Lotringer, an Appendix in which Bataille defends himself against Sartre, and an Index, this volume reconfirms Michel Foucault's assertion that Bataille, "broke with traditional narrative to tell us what has never been told before."

On Nietzsche

Theory of Religion

In a philosophical erotic narrative, an essay on poetry, and in poems Georges Bataille pursues his guiding concept, the impossible. The narrator engages in a journey, one reminiscent of the Grail quest; failing, he experiences truth. He describes a movement toward a disappearing object, the same elusive object that moved Theresa of Avila and Catherine of Siena to ecstasy.

A Story of Rats Followed by Dianus and by The Oresteia

The Impossible

A librarian, pornographer and fervent Catholic who came to regard the brothels of Paris as his true 'churches', George Bataille ranks among the boldest and most disturbing of twentieth-century thinkers. Although published at the start of the 'sexual revolution', Eroticism (1857) totally rejects the gospel of 'liberation'. Everywhere, it argues, sex is surrounded by taboos, and everywhere we transgress against them in our desperation to overcome an agonizing sense of separation from other people. In developing this central theme, Bataille offers a dazzling array of insights into incest, prostitution, marriage, murder, sadism, sacrifice and the violence at the heart of religious ritual. The result is one of the strangest and most compelling books ever written about sex.

The first English-language translation of an essential, early work key to understanding the French philosopher's later thought. In the decade prior to the publication of Inner Experience (L’expérience intérieure), the twentieth-century French philosopher Georges Bataille produced a nascent masterwork containing some of his most original and extensive reflections on a range of subjects. With thoughts on ritual sacrifice and military conquest, the nature of laughter, and the mechanisms of capitalism, The Limit of the Useful, as Bataille had planned to title the work, illuminates the philosopher’s later corpus, yet it remained unfinished and unpublished in his lifetime, and untranslated until now. This is the first English-language translation of what Cory Austin Knudson and Tomas Elliott argue is one of Bataille’s most structurally consistent works. Paired with draft essays and plans for The Accursed Share, along with over a hundred pages of appendixes and notes, the volume distinctively elaborates Bataille’s thought. The Limit of the Useful spans a decade of rich intellectual ferment in Bataille’s life as he first formulated his challenge to capitalism, engaging with concepts and ideas in ways not seen in his other published works. The volume bridges the gap between Bataille’s surrealist literary writings and later scientific pretensions, drawing attention to, and filling in, an overlooked lacuna in his oeuvre.

Georges Bataille

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