Gerd Gemünden

Sherman Fairchild Professor of the Humanities Gerd Gemunden

Emphasizes the fluid relationship between literature, cinema, and social life

Popular Culture, Americanization, and the Contemporary German and Austrian Imagination

Framed Visions

Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize—and pointedly circumvent—the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.

Lucrecia Martel

Johannes von Moltke

Gerd Gemunden

An interdisciplinary approach to Kracauer's body of work

The Legacies of Siegfried Kracauer

Culture in the Anteroom

With six Academy Awards, Billy Wilder counts as one of the most accomplished filmmakers to work in Hollywood. Yet how American is Billy Wilder, the Jewish emigre from Central Europe? This work projects Wilder as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture.

Billy Wilder's American Films

A Foreign Affair

With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.

Gerd Gemünden

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