Gerhard Fischer

Heinz-Dieter Boecker

Hal Eden

This book is unique in that its stress is not on the mastery of a programming language, but on the importance and value of interactive problem solving. The authors focus on several specific interest worlds: mathematics, computer science, artificial intelligence, linguistics, and games; however, their approach can serve as a model that may be applied easily to other fields as well. Those who are interested in symbolic computing will find that Interactive Problem Solving Using LOGO provides a gentle introduction from which one may move on to other, more advanced computational frameworks or more formal analysis. What is of primary importance, however, is the text's ability -- through its presentation of rich, open-ended problems -- to effectively cultivate crucial cognitive skills.

Interactive Problem Solving Using Logo

Antonio Angarita

Bogotá, Colombia, 14-17 October, 1997

International Symposium on Cut Flowers in the Tropics

Nadine Helmi

When nearly 7,000 people with German and Austrian heritage were detained by the Australian authorities following the outbreak of World War I, Paul Dubotzki, a talented Bavarian photographer, was among them. These unlikely prisoners-of-war came from all walks of life – merchant sailors, visiting academics — and many, including beer baron Edmund Resch and acclaimed orthopaedic surgeon Dr Max Herz, had lived in Australia for decades. In The Enemy at Home Dubotzki's rediscovered photographs and never-before-published excerpts from inmates' diaries reveal what life was like inside the Holsworthy, Berrima and Trial Bay internment camps. Dubotzki's stunning images offer a rare and surprising snapshot of the theatrical events, small businesses and sports that boosted the men's spirits.

German internees in World War I Australia

The Enemy at Home

Gerold Wefer

Paleoceanographic proxies provide infonnation for reconstructions of the past, including climate changes, global and regional oceanography, and the cycles of biochemical components in the ocean. These prox ies are measurable descriptors for desired but unobservable environmental variables such as tempera ture, salinity, primary productivity, nutrient content, or surface-water carbon dioxide concentrations. The proxies are employed in a manner analogous to oceanographic methods. The water masses are first characterized according to their specific physical and chemical properties, and then related to particular assemblages of certain organisms or to particular element or isotope distributions. We have a long-standing series of proven proxies available. Marine microfossil assemblages, for instance, are employed to reconstruct surface-water temperatures. The calcareous shells of planktonic and benthic microorgan isms contain a wealth of paleoceanographic information in their isotopic and elemental compositions. Stable oxygen isotope measurements are used to detennine ice volume, and MglCa ratios are related to water temperatures, to cite a few examples. Organic material may also provide valuable infonnation, e. g. , about past productivity conditions. Studying the stable carbon isotope composition of bulk organic matter or individual marine organic components may provide a measure of past surface-water CO 2 conditions within the bounds of certain assumptions. Within the scope of paleoceanographic investigations, the existing proxies are continuously evolving and improving, while new proxies are being studied and developed. The methodology is improved by analysis of samples from the water column and surface sediments, and through laboratory experiments.

Examples from the South Atlantic ; with 43 Tables

Use of Proxies in Paleoceanography

Heiner Müller: conTEXTS and HISTORY

Examples from the South Atlantic

Antonio Piccinno

Maria Francesca Costabile

Yvonne Dittrich

This book constitutes the refereed proceedings of the Third International Symposium on End-User Development, IS-EUD 2011, held in Torre Canne, Italy, in June 2011. The 14 long papers and 21 short papers presented were carefully reviewed and selected for inclusion in the book. In addition the volume contains 2 keynote speeches, 14 doctoral consortia, and information on 3 workshops. The contributions are organized in topical sections on mashups, frameworks, users as co-designers, infrastructures, methodologies and guidelines, beyond the desktop, end-user development in the workplace, meta-design, and supporting end-user developers.

Third International Symposium, IS-EUD 2011, Torre Canne, Italy, June 7-10, 2011, Proceedings

End-User Development

Jean-Marc Chapallaz

Jacques Dos Ghali

Peter Eichenberger

A Publication of Deutsches Zentrum für Entwicklungstechnologien — GATE A Division of the Deutsche Gesellschaft für Technische Zusammenarbeit (GTZ) GmbH

Manual on Induction Motors Used as Generators

Dorothea Fischer

Norske kongeborger: Bergenhus

Florian Vassen

Collective Creativity combines complex and ambivalent concepts. While OCycreativityOCO is currently experiencing an inflationary boom in popularity, the term OCycollectiveOCO appeared, until recently, rather controversial due to its ideological implications in twentieth-century politics. In a world defined by global cultural practice, the notion of collectivity has gained new relevance. This publication discusses a number of concepts of creativity and shows that, in opposition to the traditional ideal of the individual as creative genius, cultural theorists today emphasize the collaborative nature of creativity; they show that OCycreativity makes alterity, discontinuity and difference attractiveOCO. Not the Romantic Originalgenie, but rather the agents of the OCycreative economyOCO appear as the new avant-garde of aesthetic innovation: teams, groups and collectives in business and science, in art and digital media who work together in networking clusters to develop innovative products and processes. In this book, scholars in the social sciences and in cultural and media studies, in literature, theatre and visual arts present for the first time a comprehensive, inter- and transdisciplinary account of collective creativity in its multifaceted applications. They investigate the intersections of artistic, scientific and cultural practice where the individual and the collective merge, come together or confront each other."

Collaborative Work in the Sciences, Literature and the Arts

Collective Creativity

This is the story of a journey to Southern California, home of the American Dream, in search of fame and fortune. An Australian couple of mixed German-Chinese origin with their six-year old son Maximilian leave their settled life in Sydney to move to California. The boy's Mandarin name is Xiaolong, meaning Little Dragon, and the dream of his mother is that he will one day become the number one golf player in the world. She has contacted Tiger Woods' first professional coach who is supposed to take the boy under his wings, and she is determined to make her dream come true. The book follows Maximilian's exposure to playing junior gold, the highlights and pitfalls along with the emotional ups and downs of children involved in competitive sport, and their parents' sometimes conflicting and contradictory expectations, culminating in an account of Maximilian competing at the Junior World Championship in San Diego. But 'The Dragon Mother's Dream' is more than a book about golf. Part travelogue and part parenting memoir, it is a journal about living in one of the most privileged places in California. It documents the everyday realities and idiosyncracies of the contemporary American way of life, recorded with great precision and attention to detail by an Australian writer of European roots and - sometimes satirical, often ironic - sensibilities. At the end of the book, the mother's dream takes an unexpected twist.

A Year in La Jolla California Journal

The Dragon Mother's Dream

Bernhard Greiner

The thirty chapters of this innovative international study are all devoted to the topic ofthe play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting – from the baroque idea of atheatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy – but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics ofthe play within the play: as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placingthe play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.

The Performance of Meta-theatre and Self-reflection

The Play Within the Play

Nora Fischer

Enth. u.a.: Meret Oppenheim : Husch, Husch, der schönste Vokal entleert sich.

Museum of Man, or where art and science meet again

Untersuchungen zur Zuchtwertschätzung und Selektion von Bullen aufgrund der Ergebnisse der Milchleistungsprüfungen

John Docker

Fourteen academics and writers from the land down under present papers on aboriginal identity, Asians in Australia, Australians in Asia, bi- and multiculturalism in New Zealand, and whiteness, most of which were presented at the 1998 Sydney conference, Adventures of Identity: Constructing the Multic

Race, Colour and Identity in Australia and New Zealand

Brian Syron

Paul Behrendt

Documents a theatre project involving an Aboriginal theatre group performing a post-Brechtian German play by Heiner Mxller, set within a play by the Aboriginal playwright, poet and novelist, Mudrooroo. Recounts the genesis and development of the project, and gives separate texts for both plays. Mxller has also written an autobiography, TWar without Battle: Living in two dictatorships'.

A Theatrical Casebook

The Mudrooroo/Müller Project

This volume presents the work of internationally renowned scholars from Australia, Germany, Italy, South Africa, the UK and the US. The focus on W.G. Sebald¿s writing as that of an expatriate author offers a fresh and productive approach to Sebald scholarship. In one way or another, all 28 essays in this innovative, bi-lingual collection take up the notion of Sebald¿s experience as an expatriate writer: be it in the analysis of intertextual, transmedial and generic border crossings, on the ¿exposure to the other¿ and the experience of alterity, on the question of identity construction and performance, on affinities with other expatriate writers, on the recurring topics of ¿home¿, ¿exile¿, ¿dislocation¿ and ¿migration¿, or on the continuing work of ¿memory¿ to work through and to preserve the consciousness of a destructive past that has informed the childhood as much as the adult life-world of the author. Gerhard Fischer is Head of German Studies at the University of New South Wales in Sydney, Australia. His research interests and publications are in modern theatre and drama, World War I, and migration history and multiculturalism. As convenor of the Sydney German Studies Symposia, he has edited a number of volumes on modern German literature, including Heiner Müller: ConTEXTS and HISTORY (Tübingen 1995), Debating Enzensberger: Great Migration and Civil War (Tübingen 1996), and, with David Roberts, Schreiben nach der Wende: Ein Jahrzehnt deutscher Literatur, 1989¿1999 (2nd.ed. Tübingen 2008). The latest volume in the series is The Play within the Play (with Bernhard Greiner, Amsterdam/New York, NY 2007).

Expatriate Writing

Gerhard Fischer

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