Gerry Badger

Harvey Benge

While looking through his contact sheets in 2007 Harvey Benge noticed that one of his pictures reminded him of a Friedlander, another of an Atget, yet others of a Tillmans, a Baldessari and Adams a Picking them out he decided to make what leading UK photography critic Gerry Badger describes in his opening essay as an 'anthology' of contemporary photography featuring some of its biggest names. The result is a sharply curated and perfectly formed collection of intriguing, beguiling and seductive images, sure to delight the photography aficionado and newcomer alike. 'Of course they are all genuine original Benges. And it is important that they are all good pictures, not mere pastiches of the "originals" of which they gently but insistently remind one. This may be a game, but games can be very serious, and this is both as serious and light-hearted exploration of photographic style.' - Gerry Badger

A Short History of Photography

Gathers essays from nearly three decades of photography criticism, including evaluations of the works of photographers from Eugene Atget and Dorothea Lange to the present and consideration of photobooks and the influence of Photoshop.

Essays

The Pleasures of Good Photographs

Martin Parr

The Photobook: A History -

Stephanie H. Tung

Ruben Lundgren

Zheng Gu

Raymond David Lum

Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the mediums culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook reveals for the first time the richness and diversity of this heritage. Now available in a smaller size, this more accessibly priced hardcover edition is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr's interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.

from the 1900s to the present = Zhongguo she ying shu ji

The Chinese photobook

This book provides a unique perspective on the story of photography through the particular history of the photobook. The second of two extensive volumes, it completes Martin Parr and Gerry Badger's study of the major trends and movements that have shaped the photobook genre since the birth of photography. It represents a valuable catalogue of rare and important photobooks. This volume continues where Volume 1 left off by bringing the story of the photobook fully up to date.

The Photobook: A History - Volume II

"Written to accompany the first major television series devoted to an increasingly influential artform, The Genius of Photography sets out to explore - through some of the key events, personalities and images that have marked he development of the medium - what the essence of this part-art, part-science is." --Cover.

How Photography Has Changed Our Lives

The Genius of Photography

Eugène Atget

Eugene Atget is today seen as the first 'modern' photographer. He was a compulsive documenter of all things Parisian. Day after day, for over 30 years, he systematically photographed Parisian street scenes, street trades (from rag-pickers to prostitutes) and the grand parks of Saint-Cloud and Versailles. He himself described his work as simple 'documents for artists' but since his death in 1927, his work has been re-evaluated and he is now seen as one of the most important photographers of the twentieth century, the creator of a unique monument to a Paris that no longer exists and a particular era of French culture.

Five Great Innovators of Photography

Jeffrey Ladd

Yutaka Takanashi

Gozo Yoshimasu

Toshi-e

From the Second World War to Brexit and Covid-19, a vividly written, generously illustrated history of British documentary photography by renowned writer and critic Gerry Badger. Another Country offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages. As Britain takes an increasingly significant place in the history of documentary photography, award-winning photography writer and critic Gerry Badger brings vital context and breadth to the conversation. Organized chronologically, each chapter spans a particular period of social and cultural history, focusing on the major photographers, figures, institutions, publications, and galleries that shaped the photographic climate of their time, as well as the broader tastes of the era. Chapter-by-chapter picture sections present famous works alongside forgotten masterpieces, interspersed with focused commentaries on selected photographs. This multilayered approach provides a rich understanding of the evolution and sheer variety of British documentary photography. A must-have for anyone interested in the history of photography, this book is a comprehensive overview of how photographers and photo- artists have depicted Britain and British society over the last seventy years.

British Documentary Photography Since 1945

Another Country

John Benton-Harris

Photographic Art in Britain 1945-1989

Through the Looking Glass

Víctor Palla

Jorge Costa Martins

Lisboa "cidade triste e alegre"

Hans Henrik Brummer

Gunnar Smoliansky

Claes Backstroem

Gunnar Smoliansky 1933-2019

Gōzō Yoshimasu

Text by Gerry Badger, Jeffrey Ladd, Gozo Yoshimasu.

Christopher Killip

The 55 Series This is one of the most unique monograph series in the history of photography! The 55 Series represents the work of many of photography s most important figures. Each book contains 55 of the photographer s key works, presented chronologically and through them tells the photographer s own story. These books are small, but surprisingly rich in content and reproduction quality. They are a most economical way to bring the world of photography into your home. Each book is 128 pp. 6 1/4 x 5 3/4 , softbound.

Chris Killip

Toby Jurovics

John R. Gossage

Considered a groundbreaking book when first published in 1985, John Gossage's The Pond remains one of the most important photobooks of the medium. As Gerry Badger, coauthor of The Photobook: A History, Volumes I and II, asserts, "Adams, Shore, Baltz--all the New Topographics photographers made great books, but none are better than The Pond." Consisting of photographs taken around and away from a pond situated in an unkempt wooded area at the edge of a city, the volume presents a considered foil to Henry Thoreau's stay at Walden. The photographs in The Pond do not aspire to the "beauty" of classical landscapes in the tradition of Ansel Adams. Instead, they reveal a subtle vision of reality on the border between man and nature. Gossage depicts nature in full splendor, yet at odds with both itself and man, but his tone is ambiguous and evocative rather than didactic. Robert Adams described the work as "believable because it includes evidence of man's darkness of spirit, memorable because of the intense fondness [Gossage] shows for the remains of the natural world." Aperture now reissues this exquisitely produced and highly collectible classic monograph. With the addition of three images and two essays, this second edition offers new audiences the opportunity to celebrate this notable work by a master photographer and bookmaker. John Gossage (born 1946) is well known for his artist's books and photographic publications, and has produced 17 books and boxes on specific bodies of work. In the 1960s, he studied briefly with Lisette Model and Alexey Brodovitch. Since then, his work has been exhibited worldwide. His photographs are held in numerous private and public collections, including those of the Corcoran Gallery of Art, Washington, D.C., and The Museum of Modern Art, New York. Gossage lives in Washington, D.C.

The Pond

Edgar Martins

Martins images of airport runways and aprons appear as an abstract set of hieroglyphics – a landscape that requires decoding.

Gerry Badger

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