Getty Research Institute

Reiko Tomii

Introduction to two decades of artistic ferment in postwar Japan. As that devastated nation confronted the fraught legacy of World War II, a rapid succession of avant-garde groups began experimenting with new media and processes of making art, disrupting conventions to address the changes occurring around them. The works that remain from this era are largely ephemeral - exhibition flyers, programs for performances, musical scores, issues of short-lived journals, documentary photographs, pieces of mail art, and multiples made from the detritus of modern life - but the ideals of engagement and innovation that invigorated this creative surge are not.

Experimentations in the Public Sphere in Postwar Japan, 1950-1970

Art, Anti-art, Non-art

Louis Marchesano

Christian Michel

By exploring the intense interaction between painting and printmaking between art theory and unbridled artistic ambition, Printing the Grand Manner breaks new ground in its analysis of both the reproductive prints and Le Brun's original compositions. --Book Jacket.

Charles Le Brun and Monumental Prints in the Age of Louis XIV

Printing the Grand Manner

Alberta Campitelli

Carole Paul

Antonio Asprucci

In 1775 Prince Marcantonio Borghese IV and the architect Antonio Asprucci embarked upon a decorative renovation of the Villa Borghese. Initially their attention focused on the Casino, the principal building at the villa, which had always been a semi-public museum. By 1625 it housed much of the Borghese's outstanding collection of sculpture. Integrating this statuary with vast baroque ceiling paintings and richly ornamented surfaces, Asprucci created a dazzling and unified homage to the Borghese family, portraying its legendary ancestors as well as its newly born heir. In this book, Carole Paul reads the inventive decorative program as a set of exemplary scenes for the education of the ideal Borghese prince. Her wide-ranging essay also situates the Villa Borghese among the sumptuous palaces and suburban villas of Rome's collectors of antiquities and outlines the renovated Casino's pivotal role in the historic transition from the princely collection to the public museum. Rounding out this volume is a catalog of the Getty Research Institute's fifty-nine drawings for the refurbishing of the Villa Borghese and Alberta Campitelli's discussion of sketches for the short-lived Museo di Gabii, the Villa's other antiquities museum.

Drawings for the Late-eighteenth-century Redecoration of the Villa Borghese

Making a Prince's Museum

Rosalind E. Krauss

It is often assumed that reading about the lives of artists enhances our understanding of their work--and that their work reveals something about them--but the relationship between biography and art is rarely straightforward. In The Life and the Work, art historians Thomas Crow, Charles Harrison, Rosalind Krauss, Debora Silverman, Paul Smith, and Robert Williams address this fundamental if convoluted relationship. Looking to such figures as Andy Warhol, Bob Dylan, Vincent van Gogh, Paul Cï¿½zanne, Leonardo da Vinci, and the artists associated with the name Art & Language, the volume's authors have written a set of provocative essays that explore how an artist's life and art are intertwined.

Art and Biography

The Life & the Work

J. Paul Getty Museum

Mark Leonard

Getty Conservation Institute

In this volume, conservators, curators, and conservation scientists candidly reflect on the challenges and sometimes controversial choices involved in treating works of art.

Thoughts about Paintings Conservation : a Seminar Organized by the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001

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