Ghada Samman

قصص

ايناك قدري

Rim Zahra

Capturing Freedom's Cry--a translation of I'tikal Lahzah Haribah (Capturing a Fleeting Moment), 1979--is a poetry collection written in Beirut by Ghada Samman during the early years of the Lebanese Civil War (1975-1990). The poems are set in the violent and destructive environment of this time. They are voiced by female narrators who, in addition to living amid the dangers and horrors of the War itself, engage in a necessary and deeply personal cultural struggle for freedom in a society where patriarchy and oppressive gender roles are the norm. In particular, the female narrators assert their personal power and right to sexual freedom and love. Samman's advocacy for women's autonomy and sexual equality, particularly in traditional Arab cultures, is courageous. In exposing the socio-political strife and cultural disparity that oppresses women, Samman demonstrates her conviction that the freedom of the nation and women's liberation from patriarchal oppression are inseparable.

Arab Women Unveil Their Heart

Capturing Freedom's Cry

Set in Geneva, Switzerland, around the 1982 Israeli invasion of Lebanon, this intricately plotted novel probes the emotional misfortunes of Arab men and women fleeing the horror of war only to find their ways of life constantly challenged by their foreign surroundings. The author's scalding critique of the Lebanese situation resonates with strong sociopolitical issues. Here are telling portraits of class oppression and the role of women in Arab society, the treatments of war and sexuality, of immigration, of cultural assimilation and nationalism. With supreme artistry and insight—and in modern Arab literary fashion—Ghada Samman skillfully blends realism with fantasy into a highly stylized, thematically multilayered tale. It is at once a Gothic romance and a suspenseful whodunit with engaging characters. At the same time it is a gripping study of social injustice and the consequences of wartime upheaval. Far from home and out of harm's way, Samman's Lebanese exiles repeat and replay the very same conflicts that torment them in their own land even as it is under siege. The Night of the First Billion is an eloquent reminder that the only genuine security in the most profound and human sense of the word is to be found in the courageous willingness to confront, challenge, and finally to ease suffering.

A Novel

The Night of the First Billion

Ghada Samman’s most recent novel, Farewell, Damascus is set in early 1960’s Damascus – a city that now languishes in the grip of corruption and political oppression following the Baathist takeover in Syria. The book opens as Zain Khayyal, a university student and aspiring young writer, plots an early-morning escape from her house as her husband slumbers. Her mission: to get an illicit abortion, plans for which she’s divulged to no one, and to announce that she wants out of her stifling marriage. A rebel and a trail-blazer par excellence, Zain draws down the wrath of polite society and the authorities, political and religious alike, as she challenges attitudes and practices that demean rather than dignify, and a ruling regime that sucks the life out of both oppressed and oppressor. As the plot unfolds, Zain finds her way as a student to a neighbouring country which, though it grants her the freedom, respect and appreciation she had lacked in her homeland, becomes a place of anguished exile. Armed with her accustomed humour, pathos and knack for suspense, Samman fearlessly tackles issues that roil societies across the globe to this day: the stigma that attaches to the divorced woman but not the divorced man; whether to choose a life partner for love, or for social status, prestige and material security; whether abortion is a crime or a means of forestalling needless undeserved suffering; lesbian intimacy as a declaration of freedom from male abuse and tyranny; rape as an instrument of humiliation and subjugation and unconditional acceptance as healing balm. Farewell, Damascus is both a paean to a beloved homeland and an ode to human dignity.

Ghada Samman

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