Gillian Roberts

You Can Write a Mystery (You Can Write)

Anthony Award winner for Best First Mystery Novel -- the debut of the Philadelphia-set Amanda Pepper series. Amanda Pepper, English teacher at Philly Prep, does not hate her life. But when a fellow teacher who's engaged to a senate candidate, begs for rest on Amanda's couch, then dies, things could be better. Then the police suspect her of murder, she begins her own investigation, and ends by teaching a certain blue-eyed cop a thing or two.... "Gillian Roberts is a mystery reader's dream come true." Lia Matera

Caught Dead in Philadelphia

Teacher and amateur sleuth Amanda Pepper and her fiancé, C. K. Mackenzie, take on an investigation into the demise of Tomas Severin, who apparently fell to his death at the Philly Prep school, and uncover a cup of herbal tea laced with a dangerous party drug, as well as a host of suspects who wanted the victim dead. Reprint.

An Amanda Pepper Mystery

Till the End of Tom

Have you ever thought about writing a mystery, and gave up the idea because you didn’t know where to begin? Now is your chance to write the mystery of your dreams. You Can Write a Mystery, written by Gillian Roberts, author of the Anthony Award-winning Amanda Pepper series, will help you start your mystery, and guide you through to the end. With this book you'll learn how to build your story from the ground up, based on what Roberts calls the "Seven Cs." Examples and exercises will help you complete your story—filled with cliffhangers, intriguing characters and hooks. This book offers practical suggestions for handling problems likely to arise during the writing process. You will learn: ·The Seven Cs your book can't do without—characters, conflict, causality, complications, change, crisis and closure ·The Fifteen Commandments for mystery ·How to design your sleuth ·How to hide clues and exploit red herrings ·Research techniques ·How to develop a style, find a tone and construct a killer plot In addition to practical writing advice, Roberts offers expert guidance for editing, revising and submitting a top-notch manuscript, whether for traditional or independent publishing. With its easy-to-understand format, You Can Write a Mystery will help take you from writer…to accomplished mystery writer.

You Can Write a Mystery

In her new novel starring Philadelphia schoolteacher Amanda Pepper, Gillian Roberts once again mixes mystery and mirth. This time Roberts explores Philadelphia's unique flesh and blood "historical monument"-- the Mummers, who live (and perhaps are willing to die) for a few hours of glory every New Year's Day. The famous Mummers' Parade is an extravaganza that draws enormous crowds who cheer through chattering teeth, as more than thirty thousand clowns, string bands, and fancy brigades strut their stuff up Broad Street. But this year, while the music blares and the Mummers dance, a reveling Pierrot suddenly sinks to the ground, shot dead. Amanda is, at first, only a horrified spectator. But when the prime suspect--her friend and fellow teacher at Philly Prep--falsely claims to have been with her at the time of the murder, Amanda can no longer stay on the sidelines. Is the murder a flare-up of deadly rivalries? Is it connected with the disappearance, the week before Christmas, of another Mummer, the heir to a meat-packing family? Does someone disapprove of the Mummers' feathers, sequins, and string bands? And why is no one in the tight-knit world Amanda investigates willing to tell the truth about anything? With Amanda on the scene, the who in whodunit doesn't stay secret for long. In The Mummers' Curse, Gillian Roberts is, as always, at the head of the parade.

An Amanda Pepper Mystery (#7)

The Mummer's Curse

Well-known Broadway playwright and TV producer Lyle Zacharias is throwing himself a lavish birthday party in his hometown of Philadelphia. Guests include his current wife, ex-wives, friends, former partners-not to mention Amanda Pepper and her own irrepressible mother, Bea. Yet when Lyle drops dead in the middle of a speech, it appears the likely perpetrator is none other than Bea, whose gift was fifty delicious, but apparently poisoned, tarts! It's up to Amanda to clear her mother's name and find the real murderer...before he or she strikes again! But Amanda herself may be the next target! Who says teaching isn't exciting? With any more excitement, Amanda will have to retire before she hits thirty-one...if she lives that long!

With Friends Like These

Book three in the Anthony Award-winning mystery series featuring Amanda Pepper, the resourceful English teacher at Philly Prep. Available for the first time in ebook format! Amanda is sorting books for a school fundraiser, when she comes across a book for battered women that contains a special and frightening message from its original, anonymous owner. Desperate to learn who donated the books, Amanda's search leads her to deliberate brutality and its cold-blooded consequences. Gillian Roberts is "the Dorothy Parker of mystery writers, laughing when--especially when--it hurts, and giving more wit per page than most writers give per book." - Nancy Pickard

An Amanda Pepper Mystery, #3

I'd Rather Be in Philadelphia

In the City of Brotherly Love, nobody knows a thing about Emmie Cade, a young widow who "appeared from nowhere," and in the blink of an eye was engaged to Leo Fairchild, a middle-aged bachelor with a fortune. However, as her marriage date approaches, Emmie's mother-in-law to be, the ailing, autocratic Claire Fairchild, receives anonymous letters. They suggest, none too subtly, that there's a great deal to learn about the mysterious young woman, none of it good, and much of it involving the violent deaths of the men in her life. Enter Amanda Pepper who, after completing her day of teaching English at Philly Prep, now moonlights as a P.I. along with C.K. Mackenzie, former homicide detective, current graduate student at Penn. The two of them are hired by Mrs. Fairchild to find out who the charming but evasive Emmie Cade really is. At thirty-two, the young woman has changed her address and name more often than some women change nail polish-and deliberately or not, she's provided no clues or access to her past. For Amanda, becoming C.K. Mackenzie's investigative partner is an exhilarating change from the politics and problems of the new school term, and a welcome distraction from the ordeal of meeting her own prospective in-laws. She's determined to prove herself an able investigator by ferreting out Emmie Cade's secrets, but almost immediately, instead of looking at events of the past, she's forced to deal with the here and now-including murder.

Claire and Present Danger

When Canadian authors win prestigious literary prizes, from the Governor General's Literary Award to the Man Booker Prize, they are celebrated not only for their achievements, but also for contributing to this country's cultural capital. Discussions about culture, national identity, and citizenship are particularly complicated when the honorees are immigrants, like Michael Ondaatje, Carol Shields, or Rohinton Mistry. Then there is the case of Yann Martel, who is identified both as Canadian and as rootlessly cosmopolitan. How have these writers' identities been recalibrated in order to claim them as 'representative' Canadians? Prizing Literature is the first extended study of contemporary award winning Canadian literature and the ways in which we celebrate its authors. Gillian Roberts uses theories of hospitality to examine how prize-winning authors are variously received and honoured depending on their citizenship and the extent to which they represent 'Canadianness.' Prizing Literature sheds light on popular and media understandings of what it means to be part of a multicultural nation.

The Celebration and Circulation of National Culture

Prizing Literature

The ultra-elegant fund-raiser in a fabled Main Line mansion benefits Philly Prep's Library, and gives Amanda a chance to play Cinderella for a night. The first clue that all might not go well is the host's figure hanging in effigy outside the estate, put there by the Moral Ecologists who have a long list of classic books that "pollute the mind." When murder follows, Amanda becomes enmeshed in old secrets and young lives.

The Bluest Blood

Single mother Billie August is frustrated with her boss and sleuthing mentor, the gruff, perpetually dissatisfied Emma Howe. So far, their relationship has been a personal and professional disaster. To top it off, Billie seems like the only person in town who thinks mentally disabled Gavin Riddock, accused of killing his only friend, might not be guilty, but her inability to turn up any hard evidence could cost Gavin everything. Now, illness at home and dead ends at work have frayed Billie’s nerves. The last thing she needs is to come across Emma Howe in the warpath. Meanwhile, Emma’s search for one girl’s real mother is being foiled at every turn by the lies and misdirection of the girl’s foster mother. When new clues suggest the case may have something to do with Gavin Riddock, seasoned Emma will have to learn to trust her young assistant, and together, mentor and protege must unravel the layers of posh Marin society to uncover the startling truth...

Whatever Doesn't Kill You

Amanda's friend Sasha's stepmother has just committed suicide—although, according to Sasha, Phoebe Ennis would never have killed herself, especially not while having a drink and wearing a red silk blouse and red sandals with four-inch heels. Amanda isn't persuaded, but reluctantly agrees to help investigate the woman's demise, though the evidence for foul play is slim. True, the middle-aged compulsive collector of knickknacks wasn't universally loved. Phoebe's own son hated her, and she bored her friends to death with hints of her "royal" lineage. And with four marriages behind her, she was already preparing to announce her renewed availability on the Net. But when another woman is found dead in Phoebe's house, it becomes clear that something is indeed murderously amiss, and much closer to home than Amanda or anyone else could have imagined.

All's Well That Ends

David Stirrup

The essays collected in iParallel Encounters The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.

Culture at the Canada-US Border

Parallel Encounters

Amanda attempts to instill the spirit of Christmas by having her students prepare and serve a meal for the homeless, but her plan backfires. A wealthy and politically ambitious parent, Alexander "Sandy" Clausen, turns the event into a lavish, catered publicity and personal photo-op. Worse, his party ends in fire and death with his daughter, Amanda's student, one of three people who insist they alone started the fire. Amanda wants to solve the crime with her sometime boyfriend and cop C.K. Mackenzie, and is equally determined to teach the the elusive killer a lesson or two as well.

Philly Stakes

Best known for her series of mysteries featuring Philadelphia teacher Amanda Pepper, Gillian Roberts is also a brilliant short story writer. Goodbye Sue Ellen is a light-hearted tale of murder and mayhem in a chewing gum empire. With the difficulty of getting a cat to do anything but what it wants, a murderous plot using a feline as the weapon is probed in The Shrine of Eleanor, In Love is a Many Splintered Thing, a too-devoted husband is actually the partner from hell. For the title story, Ms. Roberts goes to the personal ads. Fans of Amanda Pepper -- and Gillian Roberts -- are in for a treat.

Where's the Harm?

Marin County is famous for its affluent pleasures and the beauty of its beaches, mountains and redwood forests. In Time and Trouble, a teen-aged runaway, a yellow hearse, an insurance scam, a heart-shaped talisman, a baby’s skeleton in a meadow, and something ugly and odd going on in a Sausalito houseboat all converge there to provide the first—and nearly last—case for Billie August, the new hire of seasoned P.I. Emma Howe. Billie, a single parent with no practical job skills, desperately needs the job, and Emma, whose personality has caused most of her employees to head for the hills, hires the sure-to-fail inexperienced young woman out of her own desperation. An unlikely, antagonistic pair, both find out that things are seldom as they seem, and appearances—in and out of crime and investigation—can be dangerously deceiving.

Time and Trouble

Is Superman Canadian? Who decides, and what is at stake in such a question? How is the Underground Railroad commemorated differently in Canada and the United States, and can those differences be bridged? How can we acknowledge properly the Canadian labour behind Hollywood filmmaking, and what would that do to our sense of national cinema? Reading between the Borderlines grapples with these questions and others surrounding the production and consumption of literary, cinematic, musical, visual, and print culture across the Canada-US border. Discussing a range of popular as well as highbrow cultural forms, this collection investigates patterns of cross-border cultural exchange that become visible within a variety of genres, regardless of their place in any arbitrarily devised cultural hierarchy. The essays also consider the many interests served, compromised, or negated by the operations of the transnational economy, the movement of culture's "raw material" across nation-state borders in literal and conceptual terms, and the configuration of a material citizenship attributed to or negotiated around border-crossing cultural objects. Challenging the oversimplification of cultural products labelled either "Canadian" or "American," Reading between the Borderlines contends with the particularities and complications of North American cultural exchange, both historically and in the present.

Cultural Production and Consumption across the 49th Parallel

Reading between the Borderlines

Available for the first time in ebook format, this special edition includes a new introduction from author Gillian Roberts and an exclusive interview with Amanda Pepper herself! When a high school senior shows signs of mental illness, Amanda attempts to get him help, but she's rebuffed by his parents. When the same boy then becomes the prime suspect in a murder at the Philadelphia Main Library, and runs away, Amanda, who knows he's confused and in need of help-whether or not he committed the crime-has no choice but to run after him. And to run into the possibility of becoming the next victim herself.

Adam and Evil

Amanda Pepper's friend Sasha has a photography assignment in Atlantic City, and she invites her broke schoolteacher friend to come along for a free mini-vacation. But the two quickly discover there's more to lose than money at the shore when Sasha finds a stranger bludgeoned to death in her bed. When a witness identifies Sasha as having been at the scene, she Goes Directly To Jail and does not pass "Go." Under the boardwalk and between the slot machines, and sometimes with the help of a motley crew of gamblers, Amanda works to unearth the truth and free her friend.

How I Spent My Summer Vacation

The essays collected in offer close analysis of an array of cultural representations of the Canada–US border, in both site-specificity and in the ways in which they reveal and conceal cultural similarities and differences. Contributors focus on a range of regional sites along the border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual art, television, and cinema produced on both sides of the 49th parallel. The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.

Gillian Roberts

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