Fleur Jaeggy

Gini Alhadeff

Fleur Jaeggy is often noted for her terse and telegraphic style, which brews up a haunting paradox: despite a zero-at-the-bone baseline, her fiction is intensely moving. As April Bernard commented in Newsday, how work “could be so chilly and so passionate at the same time is a puzzle, but that icy-hot quality is only one of its distinctions.” Here, in her newest collection, I Am the Brother of XX —whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses, thirteenth-century visionaries or tormented siblings raised in elite Swiss boarding schools—Jaeggy contrives to somehow stealthily possess your mind. Her champagne gothic worlds are seething with quiet violence—and unforgettable.

stories

I Am the Brother of XX

Tales of a Mediterranean Family

The Sun at Midday

Franca Sozzani

Piero Pinto

Gae Aulenti

Luca Stoppini

East-West-East

This astonishing memoir is the story of a family who always felt slightly foreign in every country and developed a chameleon-like ability to adapt to their surroundings. Gini Alhadeff was born in Alexandria, Egypt, and grew up in Cairo, Khartoum, Florence, and Tokyo. With a vivid gift for narrative, Alhadeff evokes the languid Alexandria of the early decades of this century (where her mother’s family made its fortune in cotton) and some of its beguiling honorary citizens: a violet-eyed aunt who refused to have new slipcovers made for her sofa so President Nasser would find the old ones when her house was impounded; a cousin who was taught the limits of reason by Wittgenstein at Cambridge and became a monsignor; a gynecologist uncle interned at Auschwitz and then Buchenwald, who lived to tell his tale with stark unsentimentality. With a keen sense for both the comic and the tragic, Alhadeff sizes up what is left of the family fortune: a tendency to live beyond one’s means, the stories and legends that survive the rise and fall of families, and the present as a paradise for those who, having lost all, have nothing to lose.

The Sun at Midday: Tales of a Mediterranean Family

The all-knowing djinn of ancient lore can adopt many forms, but there are times when it chooses the limits of one body, one life. In this bewitching first novel, a djinn takes up residence in a restlessly brilliant woman, guiding her choices in life and love as she chases the satisfaction that eludes her—from a cloistered Florentine boarding school to the glamour of a Milan fashion house to a life beyond her means in 1990s Manhattan. She is as skilled at observing the worlds she moves through as her djinn is skilled at observing her, but an ever-growing self-awareness does not help her to realize her heart’s desires. That is, until the wise djinn puts her in the path of the Princess: imperious octogenarian and mother of a man she can never fully possess. With Diary of Djinn, Alhadeff has given us a novel of playful intelligence and insight, and a poignant testimony to love’s unpredictable unfolding.

Diary of a Djinn

Gini Alhadeff

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