Giovanna Fossati

In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant questions about the status of physical film and the practice of its archival preservation, restoration, and presentation. From Grain to Pixel attempts to bridge the fields of film archiving and academic research by addressing the discourse on film's ontology and analyzing how different interpretations of what film is affect the role and practices of film archives. By proposing a novel theorization of film archival practice, Fossati aims to stimulate a renewed dialogue between film scholars and film archivists. Almost a decade after its first publication, this revised edition covers the latest developments in the field. Besides a new general introduction, a new conclusion, and extensive updates to each chapter, a novel theoretical framework and an additional case study have been included.

the Archival Life of Film in Transition, Third Revised Edition

From Grain to Pixel

Sarah Street

Sparked by a groundbreaking Amsterdam workshop titled YDisorderly Order: Colours in Silent Film, OE scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anthology brings together international experts to explore a diverse range of themes that they hope will inspire the next twenty years of research on colour in silent film. Taking an interdisciplinary approach, the book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema.

Chromatic Worlds of Silent Cinema

The Colour Fantastic

Annie van den Oever

Imagine opening the gates to a vault full of media apparatuses and letting loose thirty-two international media scholars and professionals on its heterogeneous content... Exposing the Film Apparatus collects the results of such an experiment. This book addresses the keen awareness of the prominence of media technologies in our culture in the last two centuries, while also showing how such an awareness is impacting the curatorial consciousness of those working in film archives, technology, and media museums today. Combining a variety of approaches with insightful perspectives of professionals working on a wide range of film technology-related issues, Exposing the Film Apparatus reveals the richness, diversity, and relevance of the topic for archivists, curators, projectionists, theorists, film and media historians, media artists, educationists and film students today.

The Film Archive as a Research Laboratory

Exposing the Film Apparatus

Peter Delpeut

Jaap Guldemond

Marente Bloemheuvel

This spirited work commemorates the opening of the EYE Film Institute in Amsterdam in spring 2012. Found Footage, the first exhibition in the new building, takes as its theme the museum's vast and valuable collection and shows how filmmakers and artists repurpose recent and historical footage to create new works: older narrative structures are unraveled to create new stories, images are recontextualized to produce new meaning, and different edits of the film footage are used to highlight new political or emotional significances. A beautifully illustrated and constructed volume, Found Footage reveals the power of film to be reused and recycled to create endless new pieces of art.

Cinema Exposed

Found Footage

Joshua Yumibe

Tom Gunning

Jonathon Rosen

This book brings a treasure trove of early color film images into print form so viewers can enjoy, examine and dream over their forgotten splendor. Drawing on the richness of the early film archives of EYE Film Institute Netherlands, the authors have carefully selected and reproduced frames from the original films made before World War I, presenting their fascinating and often surprising images and hues. Digital reproduction allows the capture of these images in a full range of tone and colors.

Giovanna Fossati

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