Glyn White

The immediate purpose of this book is to construct a vocabulary for the literary study of graphic texteual phenomena. -- introd.

The Presense of the Book in Prose Fiction

Reading the Graphic Surface

David Conyers

Gary Sumpter

Brian Sammons

Brian Courtemanche

John Almack

TERRORS FROM BEYOND is a collection of 1920's and 30's adventures for "Call of Cthulhu," designed for play with pre-generated characters. The book provides fine opportunities for an impromptu game or tournament play and because the characters are intimately connected with the plot roleplaying challenges not normally available in most published material. An excellent adventure collection for new and veteran "Call of Cthulhu" players alike.

Nightmares Unraveled in Six Scenarios

Terrors from Beyond

John Mundy

Laughing Matters takes an analytic approach to film, television and radio comedy and provides an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook.

Understanding Film, Television and Radio Comedy

Laughing Matters

Philip Tew

Rereading B.S. Johnson offers a thorough introduction to the innovative work of the controversial British writer acclaimed in the 1960s and early 1970s. Growing academic interest and the republication of his major works have been reinforced by Jonathan Coe's award-winning biography Like A Fiery Elephant (2004). With a preface by Coe, this collection, co-edited by two leading Johnson scholars, offers an annotated bibliography, a chronology and original readings of the author and his work in fourteen new essays.

Re-reading B. S. Johnson

Frank Darden

Five Scenarios Based on H.P. Lovecraft Tales The House of R'lyeh contains five Call of Cthulhu scenarios that follow or expand upon events in five of H.P. Lovecraft's stories: "Pickman's Model," "The Haunter of the Dark," "The Hound," "Arthur Jermyn," and "The Nameless City." Set in Boston, Providence, the British Isles, continental Europe, and the Middle East, none of the scenarios need be played at set dates or in a set order, but they could be run in the order presented to form a loose campaign using optional link between scenarios to draw investigators from one to the other. Alternatively, the scenarios may be used to supplement classic Call of Cthulhu campaigns such as The Shadows of Yog-Sothoth which suggests that its component scenarios should be interspersed with others. The first scenario in this book, "The Art of Madness" follows on from the events of the Lovecraft tale "Pickman's Model." Artist of the macabre, Richard Upton Pickman, is now a ghoul living a subterranean netherworld beneath Boston creating a new school of art. There are several ways that player characters might be drawn into investigating his macabre activities and, while dangerous, Pickman's intent is not particularly lethal. The difficulty for investigators will be to resolve the situation without becoming compromised. While in New England, the investigators discover "The Crystal of Chaos," a retelling of the events of Lovecraft's "The Haunter of the Dark." Hired by professors of Miskatonic University, the investigator seek out a fabled crystal with origins in Ancient Egypt, but they soon find a far greater evil lurks in an abandoned church in Providence. This scenario originally appeared in Different Worlds issue 34, May/June 1984, and has been expanded and revised in this publication. "The Return of the Hound" draws investigators an auction in Yorkshire, in England, where a rare edition of the Necronomicon is going to be sold. The previous owners, the decadent occultists from Lovecraft's "The Hound," are dead, as that tale recounts, but what they unearthed in 'a Holland churchyard' has grown strong, and has schemes of its own to fulfill. The amount of danger the investigators face is dependent on how determined they are not to let this Necronomicon fall into the wrong hands. "The Jermyn Horror" takes place in Britain, beginning in London and then moving to Huntingdon with the investigators seeking a rare edition of Regnum Congo, reputedly to be found in the crumbling estate of the deceased Jermyn family as described in Lovecraft's "Arthur Jermyn." The search is imperiled by a creature that a Jermyn brought back from the Congo some three hundred years ago that haunts the mansion seeking a human vessel for its escape. "Nameless City, Nameless Terrors" concludes this collection with an expedition into the heart of Arabia's Empty Quarter in search of Irem as described in Lovecraft's "The Nameless City." This scenario requires investigators to risk their bodies and their minds as, in the midst of the desolate ruins of Irem, the investigators learn something of the nature of the Great Old Ones, and perhaps forestall the rising of Cthulhu from his watery grave."

The House of Rlyeh: Five Scenarios Based on Tales of H.P. Lovecraft

This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book.

Glyn White

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