Gottfried Knapp

Andreas Schmid

Mikala Samsce

Bauen Für Die Welt 2 · Architektur Bei Würth / Building for the World 2 · Architecture at Würth

Albrecht Ade

Albrecht Ades 'photages', created with special light techniques, have nothing in common with the 'photocollages' or 'photomontages' of the 20th century. When artists as different as El Lissitzky, John Heartfield, Laszlo Moholy-Nagy, Raoul Hausmann or Hannah Hoch constructed futuristically bold, surreal or satirical images from photographic materials as a response to quotations from reality cut out and then stuck into Cubist 'papiers collés' by Georges Braque and Pablo Picasso, they worked mainly with someone else's material, with trouvailles. In contrast, Ade uses only his own material for his combination images, and his method for mounting images, for 'editing them into each other', does not need of scissors and paste either. He cultivates the usually involuntary effect of double exposure, a hazard from the days of analogue photography. He controls the chances of pictorial superimposition and confusion, artfully and purposefully arranging his own, deliberately positioned images among and on top of each other, using a technically elaborate matching and omission process.

painted with light : photages

Kurt W. Forster

Stefan Buzas

Martha Thorne

Judith Carmel-Arthur

The book presents four of the most important contemporary museums of the world. Easch essay details the unique design concepts of each museum, illustrated with interior and exterior details.

Carlo Scarpa, Museo Canoviano, Possagno, Frank O. Gehry, Guggenheim Bilbao Museum, Rafael Moneo, the Audrey Jones Beck Building, MFAH, Heinz Tesar, Sammlung Essl, Klosterneuberg

Four Museums

Text in English and German. After his deconstructive beginnings in the eighties and nineties, Frank Gehry increasingly practised a very plastic form of architecture. His expressively sculptural cultural buildings, the Vitra Design Museum in Weil am Rhein, his project for the Walt Disney Concert Hall in Los Angeles and above all the Guggenheim Museum in Bilbao (see Opus 32), have shaped the architectural awareness of our period and provided exemplary artistic alternatives to the architectural canon of Modernism. Within Gehry's rapidly growing volume of work the comparatively small energy forum for the Minden-Ravensburg Electricity Company (EMR) plays a particularly striking role insofar as the extraordinarily complex brief -- almost contradictory functions had to be blended in a very cramped space, compelled the architect to use highly differentiated forms and materials. In this way something like a primal model of sculptural building emerged, a massively fissured, subtly lit structure that explains itself inside with amazing naturalness, making visitors gasp with its changing spatial situations as an exhibition and events centre, exploding all conventions as an office building and translating the theme of energy into sensual forms by architectural means as the electricity company's technical distribution centre. The old dictum 'form follows function' acquires a new and radical quality in the architecture of the Energieforum. In addition to the presentation of the energy forum in Bad Oeynhausen this book contains an illustrated survey of all other buildings by Frank Gehry in Europe.

Frank O. Gehry, Energie-Forum-Innovation, Bad Oeynhausen

Hans Dieter Schaal

Text in English and German. Hans Dieter Schaal worked on opera with Ruth Berghaus for ten years, he also created unforgettable stage architecture for the operas of Heinz Werner Henze. Almost all the important European opera houses, for example those in Berlin, Brussels, Stuttgart, Paris, Vienna and Zurich, served as vehicles for his extraordinarily expressive artistic powers, which he used to captivate the public.

Gottfried Knapp

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