Graham Dawson

Michael Roper

T.G. Ashplant

War memory and commemoration have had increasingly high profiles in public and academic debates in recent years. This volume examines some of the social changes which have led to this development, among them the passing of the two World Wars from survivor into cultural memory. Focusing on the politics of war memory and commemoration, the book illuminates the struggle to install particular memories at the centre of a cultural world, and offers an extensive argument about how the politics of commemoration practices should be understood.

The Politics of War Memory and Commemoration

War memory and commemoration have had increasingly high profiles in public and academic debates in recent years. This volume examines some of the social changes that have led to this development, among them the passing of the two world wars from survivor into cultural memory. Focusing on the politics of war memory and commemoration, the book illuminates the struggle to install particular memories at the center of a cultural world, and offers an extensive argument about how the politics of commemoration practices should be understood. Commemorating War analyzes a range of forms of remembrance, from public commemorations orchestrated by nation-states to personal testimonies of war survivors; and from cultural memories of war represented in films, plays and novels to investigations of wartime atrocities in courts of human rights. It presents a wide range of international case studies, encompassing lesser-known national histories and wars beyond the well-trodden terrain of Vietnam and the two world wars in Europe. Emerging from this book is an important critique of both "state-centered" approaches to war memory and those that regard commemoration primarily as a human response to loss and grief. Offering a wealth of empirical research material, this book will be important for cultural and oral historians, sociologists, researchers in international relations and human rights, and anybody with an interest in the cultural construction of memory in contemporary society.

The Politics of Memory

Commemorating War

T. G. Ashplant

Sacha van Leeuwen

History, Memory and Political Theatre

The Brighton 'Grand Hotel' Bombing

Presents a ground-breaking exploration of the imagining of masculinities in adventure stories, considering such great hero-figures as T.E. Lawrence and Henry Havelock. It traces a history from nineteenth century imperialism to the present

British Adventure, Empire, and the Imagining of Masculinities

Soldier Heroes

Soldier Heroes explores the imagining of masculinities within adventure stories. Drawing on literary theory, cultural materialism and Kleinian psychoanalysis, it analyses modern British adventure heroes as historical forms of masculinity originating in the era of nineteenth-century popular imperialism, traces their subsequent transformations and examines the way these identities are internalized and lived by men and boys.

British Adventure, Empire and the Imagining of Masculinities

Jo Dover

Stephen Hopkins

This ground-breaking book provides the first comprehensive investigation of the history and memory of the Northern Ireland Troubles in Britain. It examines the impacts of the conflict upon individual lives, political and social relationships, communities and culture in Britain, and explores how the people of Britain (including its Irish communities) have responded to, and engaged with the conflict, in the context of contested political narratives produced by the State and its opponents. Setting an agenda for further research and public debate, the book demonstrates that 'unfinished business' from the conflicted past persists unaddressed in Britain, and advocates the importance of acknowledging legacies, understanding histories and engaging with memories in the context of peace-building and reconciliation.

Impacts, engagements, legacies and memories

The Northern Ireland Troubles in Britain

Louise Purbrick

J. Aulich

Jim Aulich

War creates brutal landscapes of control and domination that embed historical differences, creating physical legacies of inequality and denial. Contested Spaces is a global study of sites of conflict, places of loss, fear, resistance and pilgrimage where the materiality of violence forcibly brings the past into the present. The collection draws together scholars from cultural history, cultural geography, art history, architecture, archaeology, media studies, international relations and American studies to examine a series of internationally significant sites and how they are inhabited, represented, witnessed and visited.

Graham Dawson

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