Grayson Perry

'GRAYSON PERRY FOR KING AND QUEEN OF ENGLAND. Imagine how BRILLIANT our country would look if he was.' Caitlin Moran Grayson Perry has been thinking about masculinity - what it is, how it operates, why little boys are thought to be made of slugs and snails - since he was a boy. Now, in this funny and necessary book, he turns round to look at men with a clear eye and ask, what sort of men would make the world a better place, for everyone? What would happen if we rethought the old, macho, outdated version of manhood, and embraced a different idea of what makes a man? Apart from giving up the coronary-inducing stress of always being 'right' and the vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships - and that's happiness, right? Grayson Perry admits he's not immune from the stereotypes himself - as the psychoanalysts say, 'if you spot it, you've got it' - and his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness and the belief that, for everyone to benefit, upgrading masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.

The Descent of Man

Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Galleryand not 'Sucking up to an Academic Elite'). Based on his hugely popular Reith Lectures and full of words and pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but seem too embarrassing to ask. Questions such as: What is 'good' or 'bad' art - and does it even matter? Is there any way to test if something is art, other than a large group of people standing around looking at it? Is art still capable of shocking us or have we seen it all before? Can you be a 'lovable character' and a serious artist - what isa serious artist anyway? And what happens if you place a piece of art in a rubbish dump?

Helping Contemporary Art in Its Struggle to be Understood

Playing to the Gallery

Wendy Jones

Every inch of Grayson's childhood bedroom was covered with pictures of aeroplanes, and every surface with models. Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. He grew up. And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of his stepfather, leading to constant swerving between his parents' houses, and between boys' and women's clothes. But as Grayson enters art college and discovers the world of London squats and New Romanticism, he starts to find himself. At last he steps out as a potter and transvestite.

Portrait of the Artist as a Young Girl

What does it mean to be male in the 21st Century? Award-winning artist Grayson Perry explores what masculinity is: from sex to power, from fashion to career prospects, and what it could become—with illustrations throughout. In this witty and necessary new book, artist Grayson Perry trains his keen eye on the world of men to ask, what sort of man would make the world a better place? What would happen if we rethought the macho, outdated version of manhood, and embraced a different ideal? In the current atmosphere of bullying, intolerance and misogyny, demonstrated in the recent Trump versus Clinton presidential campaign, The Descent of Man is a timely and essential addition to current conversations around gender. Apart from gaining vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships—and that’s happiness, right? Grayson Perry admits he’s not immune from the stereotypes himself—yet his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness, and the belief that, for everyone to benefit, updating masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.

Grayson Perry’s book will overturn everything you thought you knew about “art” Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re too embarrassed to ask. Questions such as: What is “good” or “bad” art—and does it even matter? Is art still capable of shocking us or have we seen it all before? And what happens if you place a piece of art in a rubbish dump?

Helping Contemporary Art in Its Struggle to Be Understood

¿Qué significa (y qué debería significar) "ser hombre" hoy en día. Este divertidísimo e inteligente manifiesto nos da la clave. ¿Qué clase de hombres haría "del mundo un lugar mejor para todos"? ¿Qué pasaría si redefiniésemos la vieja, machista y anticuada versión de la masculinidad para abrazar una nueva manera de "ser hombre"? La práctica de lo masculino suele identificarse con experiencias extremas: ganar batallas, seducir a mujeres o ejercer el mando. Pura adrenalina. Pero hay otros caminos. Grayson Perry ha escrito un m anifiesto para hombres donde se analizan con humor fenómenos tan masculinos como la violencia, el exhibicionismo físico o la competitividad. Una de sus propuestas es renunciar a la voluntad de poder y asumir las emociones como parte esencial de nuestra felicidad. La caída del hombre incluye ilustraciones del propio autor. "Grayson Perry podría ser, a la vez, nuestro rey y nuestra reina de Inglaterra. Imaginaos qué genial sería nuestro país." Caitlin Moran "Perry es el perfecto guía, elocuente e ingenioso, para ese jardín que es la masculinidad. Solo él podía hacerlo." The New York Times Book Review "Sustancial y perspicaz. La caída del hombre encaja en la tradición del tratado del siglo XVIII, una súplica para un orden social nuevo e ilustrado a la manera de Mary Wollstonecraft o William Hazlitt." The Atlantic

La caída del hombre

Highly original and thought provoking, capturing the wit, philosophy, imaginative world and talents of this 'celebrity' artist

The Tomb of the Unknown Craftsman

Edmund de Waal

Lawrence Zeegen

Frederick William Deakin

Ele Carpenter

Bob and Roberta Smith

Mark Dunhill

Helen Storey

Jane Rapley

Lucy Orta

The Creative Stance

Portrait Of The Artist As A Young Girl

Rachel Kent

Mike Baird, MP

The Museum of Contemporary Art Australia is pleased to present the first major survey exhibition in the Southern hemisphere by internationally renowned artist and Turner Prize recipient, Grayson Perry, as part of the Sydney International Art Series. It introduces the full spectrum of his practice from the early 1980s to the present, including new work. Grayson Perry is one of the best known British artists of his generation, acclaimed for his ceramics, sculptures, drawings, prints and tapestries. With a keen eye for detail and a love of the popular and vernacular, Perry infuses his artworks with a sly humour and reflection on society past and present. The artist's highly decorated pots in particular reveal a panoply of imagery ranging from the highly personal to the political, their subjects including his own family, the art world, Biblical stories, the royal family, and images of warfare and sexual fantasy. Perry's transvestism and feminine alter ego 'Claire' emerges through his practice as a recurring visual motif. A contemporary of the YBA (Young British Artists) generation, he has forged a distinctive career that sits apart from the cooler theoretical approach of some of his peers, favouring a more flamboyant, accessible aesthetic that blurs the division of high art and popular culture.

My Pretty Little Art Career

Telling a story of class and taste, aspiration and identity, tapestry series The Vanity of Small Differences saw Turner Prize-winning artist Grayson Perry travel the length and breadth of the UK, 'on safari amongst the taste tribes of Britain'. The result is a monumental exploration of the 'emotional investment we make in the things we choose to live with, wear, eat, read or drive.'The six vibrant and highly detailed tapestries presented here bear the influence both of early Renaissance painting and of William Hogarth's moralising series, literally weaving characters, incidents and objects from the artist's research into a modern-day version of A Rake's Progress (1733).Featuring essays by journalist Suzanne Moore (The Guardian, The Mail) and Grayson Perry, alongside extensive commentary on each of the tapestries and their making, this book is an essential companion to one of the key contemporary art works of the last decade.Published on the occasion of the Hayward Touring UK exhibition Grayson Perry: The Vanity of Small Differences, touring in 2013–14 to Sunderland Museum in the Wintergarden (27 June – 29 September 2013), Manchester Art Gallery (31 October 2013 – 31 January 2014), Birmingham Museum & Art Gallery (14 February – 11 May 2014), Walker Art Gallery, Liverpool (May – July 2014), Leeds Art Gallery (August – October 2014).

The Vanity of Small Differences

Grayson's Art Club: The Exhibition

Lisa Jardine

Every inch of Grayson's childhood bedroom was covered with pictures of aeroplanes, and every surface with models. In 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. In this book, he tells his story.

"For over 30 years, Grayson Perry has made his name sculpting ceramic vases that are brazenly decorated and strikingly detailed. In this unique collaboration with the artist, over 100 double-page illustrations bring to life the sketches that have been essential in forming Grayson's style, from his days as a fresh art graduate to the moment he won the Turner Prize. Published to coincide with an exhibition of his work in 2016,aSketchbooksaoffers an untamed glimpse into the imagination of a much-loved artist. "

Sketchbooks

Since winning the Turner Prize in 2003 and exhibiting at The British Museum in 2011, Grayson Perry seems doomed to become `a national treasure'. 'They're preparing the embroidered slippers,' he remarks. Now one of his virtually unknown works - the graphic novel Cycle of Violence - is available to the public in a beautiful case bound edition. Originally issued as a private publication in 1992, the story features an idealised male hero with tones of crossdressing and bondage, which Perry created as an adolescent and developed while facing up to becoming a dad.

Grayson Perry

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