Greg McLaughlin

'Courageous reporting - read this book!' Michael Moore_x000B_Original hardback edition of this New York Times bestseller.

The War Correspondent

Vinny Caraballo

Without sustained innovation, most organizations will simply fade away. Explaining how to achieve sustained innovation success in today’s increasingly competitive global environment, ENOVALE: How to Unlock Sustained Innovation Project Success provides a validated strategy for implementing innovation projects following the ENOVALETM methodology: envision the need, nominate, objectify, validate, align and adapt, link, and execute. The authors’ first book, Chance or Choice: Unlocking Innovation Success, introduced a proven management process, using the ENOVALE methodology, for identifying innovation opportunities through validated outcomes. This book takes the outcome and provides a method—from project initiation to completion. Goes beyond the typical innovation book to outline specific solutions and strategies Includes templates, flow charts, tools, and strategies for each "means" of innovation Provides business examples of the philosophy, strategic elements, and success criteria that readers can easily relate to The text begins by explaining what strategy means in terms of innovation and how it can be transformative for products, processes, and services. After an overview of innovation, the book discusses a series of strategies for each of the three means of innovation. These strategies outline a systematic process you can use to initiate and conduct your own innovation projects. The book includes numerous business examples that illustrate the authors’ philosophy, strategic elements, and success criteria. After reading this book you will gain a solid understanding of five time-proven implementation strategies that can be applied to any type of innovation project.

How to Unlock Sustained Innovation Project Success

ENOVALE

Stephen Baker

On Bloody Sunday, January 30, 1972, British paratroopers killed thirteen innocent men in Derry. It was one of the most controversial events in the history of the Northern Ireland conflict and also one of the most mediated. The horror was recorded in newspapers and photographs, on TV news and current affairs and in film and TV drama. In a cross media analysis that spans a period of almost forty years up to the publication of the Saville Report in 2010, The British Media and Bloody Sunday identifies two countervailing impulses in media coverage of Bloody Sunday and its legacy: an urge in the press to rescue the image and reputation of the British Army versus a troubled conscience in TV current affairs and drama about what was done in Britain’s name. In so doing, it suggests a much more complex set of representations than a straightforward propaganda analysis might allow for – one that says less about the conflict in Ireland than it does about Britain, with its loss of empire and its crisis of national identity.

The British Media and Bloody Sunday

Are we witnessing the dawn of a new cold war?

The Makings of a New Cold War

Russia and the Media

The War Correspondent looks at the role of the war reporter today: the attractions and the risks of the job; the challenge of objectivity and impartiality in the war zone; the danger that journalistic independence is being compromised by military control, censorship and public relations; as well as the commercial and technological pressures of an intensely concentrated, competitive news media environment.This new edition substantially updates the original, ending with an extended section on the return of history and ideology to the reporting of international conflict. It examines the 'war on terror' framework that dominated the first decade of the 21st century and, as Russia imposes itself once again on the international stage, asks if it might well give way to a new, Cold War framework. If so, what will that mean for the new generation of war correspondents, attuned not to history or ideology but to the politics of the next conflict?The book features interviews with prominent war and foreign correspondents such as John Pilger, Robert Fisk, Mary Dejevsky and Alex Thomson.

When political opponents Ian Paisley and Martin McGuiness were confirmed as First Minister and Deputy First Minister of a new Northern Ireland executive in May 2007, a chapter was closed on Northern Ireland’s troubled past. A dramatic realignment of politics had brought these irreconcilable enemies together—and the media played a significant role in persuading the public to accept this startling change. The Propaganda of Peace places their role in a wider cultural context and examines a broad range of factual and fictional representations, from journalism and public museum exhibitions to film, television drama and situation comedy. The authors propose a radically different theoretical and methodological approach to the media’s role in reporting and representing. They ask whether the ‘propaganda of peace’ actually promotes the abandonment of a politically engaged public sphere at the very moment when public debate about neo-liberalism, financial meltdown and social and economic inequality make it most necessary.

Greg McLaughlin

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