Gregory Corso

It is true that he has been one of the inner circle of the 'Beats' from the first, but many admirers of his poetry feel that it belongs quite as much to other and older traditions in world literature. One of these is the revival of pure poetry whenever an "original"--be it Rimbaud or Whitman--has broken with current verse conventions to give free rein to the magic of language. Another is that ancient pre-occupation of poets--the sense of the immediacy of death. Like Villon or Dylan Thomas, Corso lives close to the mystery of death. It is, perhaps, his central theme, on which variations ranging from the terrible to the comic are sounded. But Corso is seldom macabre. A bursting vitality always carries him back to the sensations of the living, though always it is the reality behind the obvious which has caught his eye. "How I love to probe life," Corso has written, "That's what poetry is to me, a wondrous prober... It's not the metre or measure of a line, a breath; not 'law' music; but the assembly of great eye sounds placed into an inspired measured idea."

The Happy Birthday of Death

Gasoline & The Vestal Lady on Brattle

William S. Burroughs

Brion Gysin

Sinclair Beiles

Minutes To Go Redux

Republished with a new cover and a new introduction by David Amram, this publication includes forewords by two legendary Beat writers, William S. Burroughs and Allen Ginsberg.

New and Selected Poems

Mindfield

A collection of poems by the renowned Beat poet, Gregory Corso.

Elegiac Feelings American

Poetry and prose by Sinclair Beiles, William Burroughs, Gregory Corso and Brion Gysin.

Minutes to Go

Long Live Man

The American Express

Gasolina y otros poemas

Corso, Herald of Autoc. Spirit. Poetry heralding "the ivory applecart of tyrannical values"

Herald of the Autochthonic Spirit

Gregory Corso was born on March 26, 1930 in New York City. His first book of poetry was published by City Lights Press in 1955.

Gasoline

Stephen R. Pastore

Poetry by the novelist/playwright Stephen R Pastore and the famed Beat poet, Gregory Corso, his first cousin.

Brink of the World

And Other Poems

The Vestal Lady on Brattle

Six humorous plays written between 1952 and 1968 by Beat poet Gregory Corso (1930-2001), two of which have never before been published. This collection includes the following: Untitled Play (1952), Standing on a Streetcorner (1953), Sarpedon (1954), In This Hung-Up Age (1954), JFK (1960), and That Little Black Door on the Left (1968).

Collected Plays

Beat poet Corso's only novel. Inspired by his days in Europe, anxiously waiting for royalty checks and advances that were slow to appear, this freewheeling and farcical tale is the account of a birth in AmEx, and what came of it. With illustrations by the author. First published 1961 as No. 85 in the Traveller's Companion Series. Never reprinted.

A collection of poems by the renowned Beat poet, Gregory Corso. Gregory Corso's collection of poems contains works of major proportions. The title poem is a tribute to Jack Kerouac, fusing a memorial to the poet's dead friend with a bitter lament for the present state of America. The second major work, "The Geometric Poem," published previously in a limited edition by Fernanda Pivano in Italy, is a complex visionary restatement of themes from ancient Egyptian religion. Reproduced in facsimile from Corso's handwritten sheets, his marginal decorations, drawings and glyphs are included. The balance of the book is drawn from his shorter poems. Corso's reputation as a leading poet and co-founder of the Beat movement is clearly upheld in these poems. His instinct for integrated lyrical statement, his special contribution to Beat poetry, is as strong as ever; his sense of humor and sexuality have not diminished. But he has added a wider-ranging moral urgency and a new depth of humane solicitude that hold even his strangest visions close to the heart of contemporary feeling.

Elegiac Feelings American: Poetry

Writings from Unmuzzled Ox Magazine

First publication of Sarpedon, the first of three plays written by Beat poet Gregory Corso in 1954 while living as a "stowaway" on the campus of Harvard University.

A Play by Gregory Corso

Sarpedon

He left (or was left by) a number of girlfriends and he fathered five children along the way. He was apt to raise a bit of a ruckus at poetry readings and other public events. No one could be sure what he might do next except that he would write poetry and get published and that it would be widely read.".

Gregory Corso

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