Museo del Prado

Fiona Healy

Museum Boijmans Van Beuningen (Rotterdam, Netherlands)

Alexander Vergara

Guy Delmarcel

Friso Lammertse

Annetje Boersma

Peter Paul Rubens. The Life of Achilles highlights just one aspect of Rubens's extensive oeuvre, a series of eight tapestries representing significant episodes from the life of the Greek hero Achilles. The eight oil sketches Peter Paul Rubens (1577-1640) painted to serve as designs for these remarkable tapestries are among the most beautiful works he produced. The sketches were subsequently worked up by Rubens and his studio and finally used as examples for far larger tapestries. This lavishly illustrated book traces the process from sketch to tapestry and sheds new light on Rubens and his working methods. Book jacket.

The Life of Achilles

Peter Paul Rubens

Overzichtsgeschiedenis van de wandtapijtkunst in de Zuidelijke Nederlanden van de Middeleeuwen tot ca. 1800.

Het Vlaamse wandtapijt van de 15de tot de 18de eeuw

Flemish Tapestry from the 15th to the 18th Century

Koenraad Brosens

Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift.

Studies in Honour of Guy Delmarcel

Flemish Tapestry in European and American Collections

Guy Delmarcel

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