Mark Twain

H. Daniel Peck

The adventures of a mischievous young boy and his friends growing up in a Mississippi River town in the nineteenth century.

The Adventures of Tom Sawyer

The Pastoral Moment in Cooper's Fiction

A World by Itself

A Week on the Concord and Merrimack Rivers and Walden, the only works Thoreau conceived and brought to conclusion as books, bear a distinctively important relation to each other and to his Journal, the document whose twenty-four-year composition encompasses their development. In a brilliant new book, H. Daniel Peck shows how these three works engage one another dialectically and how all of them participate in a larger project of imagination. "Morning work," a phrase from Walden, is the name Peck gives to this larger project. by it he means the work done by memory and perception as they act to shape Thoreau's emerging vision of a harmonious universe. Peck argues that the changing balance of memory and perception in the three works defines the unique literary character of each of them. He offers a major reevaluation of Walden, which he sees neither as the epitome of Thoreau's career (the traditional view) nor as an anomaly (the recent, revisionary view). Rather, he sees Walden as a pivotal work, reflecting the issues of loss and remembrance that earlier had found prominent expression in A Week and prefiguring the late Journal's vision of natural order. Focusing on the two-million-word Journal, Peck provides the first critical analysis that defines the essential forces and the imaginative coherence in its vast discursiveness. The consideration of memory and perception in Thoreau also leads peck to the issue of the writer's modernity, and he explores the ways in which Thoreau anticipates twentieth-century thought, especially in the works of such great objectivist philosophers as William James and Alfred North Whitehead.

Memory and Perception in A Week on the Concord and Merrimack Rivers, the "Journal", and Walden

Thoreau's Morning Work

"Shows how Thomas Cole's neglected Catskill Creek paintings cohere as a series and express the artist's deep attachment to place and region"--

The Paintings of Catskill Creek

Thomas Cole's Refrain

This volume tracks critical responses to the The Last of the Mohicans from the time of its publication in 1826 to the present day.

H. Daniel Peck

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