Harold Koda

This beautiful and thought-provoking book presents many of the extraordinary and diverse transformations that the body has endured in fashion over time and across cultures. It demonstrates that an undeniable beauty abides throughout the subtle and the radical manipulations that have occurred as part of the continuing evolution of the concept of beauty. Fashion has practiced extreme strategies to portray shifting concepts of the physical ideal. The physical areas of the body have been variously and strategically adjusted. They have been constricted, padded, truncated, or extended to achieve fashion's goal through subtle prostheses, and often, deliberate physical changes. Extreme Beauty incorporates striking examples from the past and present, from Africa, America, China, Europe, Japan, and Southeast Asia to portray many of the specific ways this has happened.

The Body Transformed

Extreme Beauty

Metropolitan Museum of Art (New York, N.Y.)

Andrew Bolton

An alluring look at the relationship of clothing and interior design in 18th-century France

Fashion and Furniture in the Eighteenth Century

Dangerous Liaisons

An illustrated guide to one hundred of the gowns from the permanent collection of the Costume Institute at the Metropolitan Museum of Art, dating from the eighteenth century to the dawn of the twenty-first century.

One Hundred Dresses

Kohle Yohannan

Model as Muse explores fashion’s reciprocal relationship to iconic beauties that represent the evolution and changing face of the feminine ideal. Featuring a brief historical overview of the phenomenon of the supermodel, the book begins in the early 20th century and continues to the present day. Dorian Leigh and Lisa Fonssagrives in the 1940s are joined in the 1950s by Dovima, Sunny Harnett, and Suzy Parker. They are followed by Jean “The Shrimp” Shrimpton and Twiggy in the 1960s and Lauren Hutton in the 1970s. The 1980s witnessed such enduring personalities as Cindy Crawford, Christy Turlington, Naomi Campbell, and Linda Evangelista, while the 1990s brought on Kate Moss, whose edgy, street-inflected style has inspired not only fashion designers, editors, stylists, and photographers, but artists such as Chuck Close and Lucien Freud. With an emphasis on styles from the 1950s onward, the book features designs from the great ready-to-wear and couture houses—Madame Grès, Christian Dior, and Balenciaga in the 1950s; Rudi Gernreich, Yves Saint Laurent, and Cardin in the 1960s; Giorgio di Sant’Angelo and Halston in the 1970s; Christian Lacroix, Versace, Comme des Garcons, and Calvin Klein in the 1980s; and Marc Jacobs, John Galliano, and Alexander McQueen in the 1990s.

Embodying Fashion

The Model as Muse

Richard Harrison Martin

Costume Institute (New York, N.Y.)

(this Vol. Has Been Publ. in Conjunction with the Exhibition ..., Held at The Metropolitan Museum of Art from 1.4.-8.8.1993)

Infra-apparel

Chanel

Images of Man

Giorgio Armani

Germano Celant

Edited by Germano Celant and Harold Koda. Essays by Susan Cross and Karole Vail.

Richard Martin

Bloom

A study of Christian Dior as an artist, focusing on his achievements through his works rather than through biography.

Christian Dior

Jan Reeder

This catalogue offers the first comprehensive study of James’s life and work, highlighting his virtuosity and inventiveness as well as the colorful cast of benefactors and clients who supported him.

Beyond Fashion

Charles James

"Model as Muse" explores fashion's reciprocal relationship to iconic beauties that represent the evolution and changing face of the feminine ideal. Featuring a brief historical overview of the phenomenon of the supermodel, the book begins in the early 20th century and continues to the present day. Dorian Leigh and Lisa Fonssagrives in the 1940s are joined in the 1950s by Dovima, Sunny Harnett, and Suzy Parker. They are followed by Jean "The Shrimp" Shrimpton and Twiggy in the 1960s and Lauren Hutton in the 1970s. The 1980s witnessed such enduring personalities as Cindy Crawford, Christy Turlington, Naomi Campbell, and Linda Evangelista, while the 1990s brought on Kate Moss, whose edgy, street-inflected style has inspired not only fashion designers, editors, stylists, and photographers, but artists such as Chuck Close and Lucien Freud. With an emphasis on styles from the 1950s onward, the book features designs from the great ready-to-wear and couture houses--Madame Gres, Christian Dior, and Balenciaga in the 1950s; Rudi Gernreich, Yves Saint Laurent, and Cardin in the 1960s; Giorgio di Sant'Angelo and Halston in the 1970s; Christian Lacroix, Versace, Comme des Garcons, and Calvin Klein in the 1980s; and Marc Jacobs, John Galliano, and Alexander McQueen in the 1990s.

Illustrated chiefly in colour, this Harold Koda study explores the continuously evolving influence of classical dress through the ages, presenting an historical survey of one of fashion's most fascinating themes.

The Classical Mode

Goddess

This volume explores Poiret's radical modernity. Essays by renowned scholars describe the historical context of his work; its relation to the dominant artistic discourses of the early 20th century; his muse, Denise Poiret, and her influence on his work; and his role in the paradigmatic shift to a new ideal of feminine beauty.

Poiret

The Costume Institute/The Metropolitan Museum of Art

100 Dresses

Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t

Visions of the East in Western Dress

Orientalism

Bare Witness

Published to accompany an exhibition at the Metropolitan Museum's Costume Institute, this appealing book provides a lively survey of the history of haute couture from its beginnings with the formation of the House of Worth in mid-nineteenth-century Paris to the present-day creations of fashion's major designers. One section of the book features a survey of designs that exemplify the rise of haute couture - that is, fashion driven by the artistic expression of the designer rather than by the dictates of clients - including garments such as Poiret's "sorbet" lampshade gown, Chanel's "little black dress," Dior's New Look, and Balenciaga's sack dress. Among the contemporary couturiers featured are Gianni Versace, Yves Saint Laurent, and Christian Lacroix. Most of the designs are in the permanent collection of The Metropolitan Museum of Art and were photographed especially for this book.

Haute Couture

Adam Geczy

Wong Kar Wai

John Galliano

Maxwell K. Hearn

Homay King

Mei Mei Rado

For centuries China has fueled the creative imagination and inspired fashion. This stunning publication explores the influence of Chinese art, film, and aesthetics on international fashion designers, including Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent.

Through the Looking Glass

China

"The Met's Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubia's "Impossible Interviews" for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work. Iconic ensembles will be presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches"--Publisher's website.

Harold Koda

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