Harry Bingham

A U.S. debut by an award-winning British novelist introduces rookie cop Fiona Griffiths, who on the cusp of breaking her first big case uncovers a dire conspiracy that takes her into a dark underworld that threatens her with her own personal demons.

Talking to the Dead

Angela Marsons

Clare Mackintosh

Mark Billingham

James Oswald

Jane Casey

Antonia Hodgson

C L Taylor

A woman reports a crime to the police, with unexpected results The grieving widow who finds that she's about to lose more than just her husband When a man attempts the perfect murder, it's not quite as easy as he thinks Two men in prison play a deadly game of Scrabble A young woman tries to trick an old man and gets more than she bargained for Sometimes crimes are solved in ways you can't explain A murderer about to be hanged finds that's not the worst thing that can happen You never know who's going to turn up at your door Original stories from Mark Billingham, Clare Mackintosh, James Oswald, Jane Casey, Angela Marsons, Harry Bingham, Antonia Hodgson and CL Taylor - specially written for Quick Reads.

Dead Simple

British detective Fiona Griffiths, one of the most engaging female protagonists in crime thrillers, is back with her toughest case yet. When the body of a young woman is found in an old 'dead house' - the annexe where the dead were stored before burial in medieval times - of a tiny church in a small town in Wales, it seems that past and present have come together in a bizarre and horrifying way. For DC Fiona Griffiths, the girl - a murder victim whose corpse was laid out with obvious tenderness - represents an irresistibly intriguing puzzle, given Fiona's unusual empathy for the dead. And when her investigations lead her to an obscure and secretive monastery hidden in a remote valley, she finds that the murder victim is far from the only victim of a dark and disturbing melding of modern crime and medieval religious practices. Only Fiona is capable of solving this brilliantly crafted mystery.

The Dead House

A marine engineer who tumbles off a cliff path on a windy night. A burglary where everything taken was returned by the thief. The suicide of a man in love with life. An accident, a mystery, an unexplained tragedy. And nothing at all to connect them. Until, that is, Detective Constable Fiona Griffiths, searching for something - anything - to take her mind off the tedious job of evidence-cataloguing she's been assigned to, starts to wonder if all three incidents are not quite what they seem. It could just be her imagination. After all, she'd be the first to admit that she isn't exactly in the prime of psychological health right now, the darkness she's held at bay ever since she joined the police force now lapping dangerously at her door. But something tells her there are invisible threads linking the crimes, and as she investigates further, she starts to see the outlines of a conspiracy so unlikely and on such a vast scale, that it takes her breath away. And that's when they come for her.

This Thing of Darkness

When DC Fiona Griffiths says 'yes' to her policeman boyfriend, it's an affirmation that she wants finally to put her psychological breakdown behind her. But she still can't resist the challenge of an undercover policing course, and finding it remarkably easy to assume a new identity, she comes top of the class. So when an ingenious payroll fraud starts to look like the tip of a huge criminal iceberg, she is selected to infiltrate the fraudsters' operation. Posing as a meek former payroll clerk now forced to work as a cleaner, she becomes Fiona Grey, hoping the criminals will try and recruit her - knowing that if they discover her real identity, she's dead meat.

The Strange Death of Fiona Griffiths

Investigating the discovery of human remains that have been frozen for five years, D.C. Fiona Griffiths learns that the victim was a missing student with possible connections to Griffiths' father, a case that is further complicated by a recent murder.

A Novel

Love Story, with Murders

'I love Fiona Griffiths' Sharon Bolton A crime from the past. A murder from the future. DS Fiona Griffiths is bored. It's been months since she had a good corpse. Then she gets news; not just of a murder, but of a decapitation, and one committed with an antique sword no less. All that, and, a murder scene laid out like a gruesome crossword clue. Gaynor Charteris was an archaeologist excavating a nearby iron-age site. Genial, respected, well-liked, it was hard to see why anyone would want to kill her. But as Fiona starts to investigate, she finds evidence of a crime that seems to have its origins in King Arthur's greatest battle - a crime so bizarre that getting her superiors to take it seriously is going to be her toughest job. Especially since the crime hasn't yet been committed. Praise for the Fiona Griffiths mystery series: 'Compelling and claustrophobic. Without a doubt, Fiona Griffiths is one of crime's most memorable heroines' Sarah Hilary 'Compelling...a new crime talent to treasure' Daily Mail 'In a word - brilliant. One of the most enjoyable crime novels I've read in a while' James Oswald 'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'Gripping...Fiona Griffiths kept me hooked to the last page and left me hungry for more' Rachel Abbott Fans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead 2. Love Story, With Murders 3. The Strange Death of Fiona Griffiths 4. This Thing of Darkness 5. The Dead House 6. The Deepest Grave (coming soon!) If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it. ** Each Fiona Griffiths thriller can be read as a standalone or in series order **

Fiona Griffiths Crime Thriller Series Book 6

The Deepest Grave

Als ich tot war

Fiona

Celebratory, witty and incredibly insightful, Harry Bingham explores the eccentricities and customs of the British nation in a bid to answer a question which has everyone debating - Who are we? For the British, that's an oddly difficult question. Although our national self-assessment usually notes a number of good points (we're inventive, tolerant, and at least we're not French), it lists a torrent of bad ones too. Our society is fragmented and degenerate. Our kids are thugs, our workers ill-educated, our public services abysmal. We drink too much. Our house prices are crazy, our politicians sleazy, our roads jammed, our football team rubbish. When the 'Times' invited readers to suggest new designs for the backs of British coins, one reader wrote in saying, 'How about a couple of yobs dancing on a car bonnet or a trio of legless ladettes in the gutter?' Is there really nothing to be proud of? British inventors have been responsible for myriad marvels we now take for granted, from the steam engine to the world wide web. British medical and public health innovations - vaccination, integrated mains sewerage, antiseptic surgery - have saved far more lives than all other medical innovations put together. And why stop there? The British empire covered a quarter of the earth's surface but used an army smaller than that of Switzerland to exert its rule. The world speaks our language. Our scientists have won vast numbers of Nobel Prizes. The evolution of habeas corpus, trial by jury and the abolition of torture aren't purely British in inspiration, but owe more to us than to anyone else. Our parliamentary democracy has been hugely influential in spreading ideals of liberty and representative government round the world. If the modern world is richer, freer, more peaceful, more democratic and healthier than it was, then Britain has played a leading role in that transformation. This book is about just that. Taking a particular interest in the many things that we did first, or best, or most, or were the only ones ever to do, this focuses especially on those of our oddities that spread across the world - everything from football to the rule of law.

How One Small Country Built the Modern World

This Little Britain

A wealthy Yorkshire industrialist dies and leaves his wife and daughter with next to nothing and his three sons the chance to win the entire inheritance. Whichever one of them has 1,000,000 in the bank at the end of three years will inherit everything."

The Money Makers

In this epic tale of brothers divided, family rivalry, fortunes lost and won, set against the background of the early days of the oil industry, two boys are raised as brothers and are the best of friends until a tragic misunderstanding occurs and they become the bitterest of rivals.

The Sons of Adam

Totenspiel

Certain Political Conditions and Tendencies which Imperil the Integrity and Independence of the Judiciary ; Annual Address Delivered Before the Grafton and Coos Bar Association at Lancaster, N.H., December 29, 1882

Certain Political Conditions and Tendencies which Imperil the Integrity and Independence of the Judiciary

A counter-blast to the bashing of capitalism and a fresh and bold re-evaluation of the fundamentals that turn genius into hard currency.

Genius, Risk and the Secret of Capitalism

Stuff Matters

La novela negra más original de los últimos años en el Reino Unido. Para la policía Fiona Griffiths, su primer caso promete ser duro: el asesinato de una joven prostituta y su hija. Fiona siente que los muertos le hablan, un don para aclarar el caso Para la policía Fiona Griffiths, su primera gran investigación promete ser una dura iniciación en el submundo de Cardiff: una joven prostituta y su hija han sido brutalmente asesinadas en un piso. Todo apunta a que la víctima debió de topar con el cliente equivocado, pero Fiona está convencida de que el misterio es mucho más profundo. De pronto, vuelve a sentir que pertenece al mundo de los muertos, que estos le hablan#, y ese punto débil, que algunos llaman síndrome de Cotard, se convierte en un don que da un giro a esta historia. Hablando con los muertos, la novela con que Harry Bingham irrumpe en las letras británicas, está considerada la obra más original de los últimos tiempos en el Reino Unido, al imaginar una posible comunicación con los muertos tan polémica como extraña. El resultado, y el modo en que está contada, no deja indiferente a nadie.

Hablando con los muertos

This intensely practical and funny guide will take you through everything you need to do write a book to be proud of in 2020. You'll learn to write a novel, children's book, or narrative non-fiction that will remain true to your artistic vision and be strong enough to sell. 'Best book on writing I have ever read' -- Lovely Rita, Amazon reviewer So: you want to write a book. That means you'll need to learn how to find the market you'll be writing for and how to plan your novel. Know what works and what doesn't and identify the 'outstanding' from the 'good' ideas. You'll need to know how to plot like the experts: learn about all the plotting methods open to you, and which one suits you and your writing style. You'll also want to know who your characters are and why they're the way they are. You'll need to know about character arcs and character development, so that you can create dazzling characters that'll leave your readers captivated. But none of that will mean anything, if you haven't developed your prose style. This is what separates 'people who like to write' and 'writers.' So, you'll need to learn how to handle technicalities like point of view, tense, omniscience, writing with clarity, and the art of showing-not-telling. And, because you're a writer whose just created a world filled with evocative characters and excellent descriptions of place, you'll also need to know how to edit. Really edit your manuscript so that it's ready for publication. Oh, and yes, you'll need experience. This book is written by someone who knows what he's talking about. With 20+ years as a published and bestselling author, Harry has helped thousands of writers on their journey to publication (as boss of Jericho Writers). And look: there are plenty of writing manuals out there, but with this book Harry will be with you from the very first sentence to the last full stop. Offering you actionable advice with real-life examples, all with the aim to help you write a book to be proud of. From one writer to another - good luck. Table of contents: Introduction Part one: Planning 1 What is Your Market? 2 What is Your Plan? 3 What is Your Plot? 4 Who Are Your Characters? 5 What is Your Stage and Where is Your Camera? 6 Who Are You? 7 Some Common Mistakes Part two: Prose Style 8 Clarity 9 Economy 10 Clichés: A Field Guide 11 Precision 12 Some Technicalities 13 Little Flashes of Genius 14 Tone Part three: Character 15 Show, Telling, and The Riddle of Character 16 Finding Edge 17 The World of Interiors 18 Faces, Bodies, Mirrors 19 Meetings 20 Empathy Part four: Placing the Camera 21 First-Person, Third-Person 22 One, Few, or Many 23 Up Close, Far Out, and The Myth of Omniscience 24 Past or Present? 25 The Time Traveller's Reader 26 Madmen, Liars and Rogues 27 Irony Part five: Story 28 The Classic Plot 29 The Mystery Plot 30 The Literary Plot 31 Perspectives From Film 32 Diagnosing Your Plot Problems Part six: Scenes and Chapters 33 The Scene 34 The Scene That Isn't 35 The Chapter Part seven: Towards Perfection 36 Themes 37 Editing Your Manuscript 38 Getting Help Conclusion About Jericho Writers Bingham has been published by the three largest trade publishers in the world, has sold in every major market on the planet, has been on bestseller lists, has been prize long- and short-listed, and has had his work adapted for TV. His work has also received a considerable amount of critical acclaim.

That Will Sell Well and Satisfy Your Inner Artist

How to Write a Novel

Thriller

Blutsbande

"Invaluable to writers of all kinds" Mark Le Fanu, The Society of Authors Written emphatically from the author's point of view, this is an expert guide to the process of getting published, from submitting your work and finding an agent, to working with a publishing house and understanding the book trade. Together with interviews from authors, agents and publishers (including the CEO of Harper Studio, and the Editorial Director of Pan Macmillan) as well as buyers from Waterstones and Asda - this is an expert guide to: * finding an agent or publisher * successful approaches for covering letters and synopses * understanding contractual terms * working with publishers and the editorial process * your role in helping to publicise your work Getting Published will enable you to market your work more professionally, understand the relationship you will have with both agent and publisher and offers a contemporary inside view of the publishing industry. Along with the essential contacts in the Writers and Artists Yearbook, this is a professional tool you will not want to be without.

Harry Bingham

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