Heather Christle

"This is a wonderful and profound look at the act of crying--something human and yet hidden, common and yet mysterious. I found myself reading with a thirst for the tears Heather Christle collects here--instances within literature, film, history, and the author's own life all add up to a greater understanding of what makes us human." --Chelsea Hodson, author of Tonight I'm Someone Else Why do we cry? How do we cry? And what does it mean? A scientific, cultural, artistic examination by a young poet on the cusp of motherhood. Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen-tear-shooting gun and a moth that feeds on the tears of other animals. She researches tear-collecting devices (lachrymatories) and explores the role white women's tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle's investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.

The Crying Book

Presents poems in block paragraphs that touch on such themes as romance, contemporary life, nature, and solitude.

The Trees the Trees

The Difficult Farm

Heather Christle’s stunning fourth collection blends disarming honesty with keen leaps of the imagination. Like the boundary between our sun’s sphere of influence and interstellar space, from which the book takes its name, the poems in Heliopause locate themselves along the border of the known and unknown, moving with breathtaking assurance from the page to the beyond. Christle finds striking parallels between subjects as varied as the fate of Voyager 1, the uncertain conception of new life, the nature of elegy, and the decaying transmission of information across time. Nimbly engaging with current events and lyric past, Heliopause marks a bold shift and growing vision in Christle’s work. An online reader’s companion will be available.

Heliopause

Inspired by a voracious curiosity about humans and other subjects, the poems in Heather Christle’s What Is Amazing describe and invent worlds in an attempt to understand through participation. The book draws upon the wisdom of foolishness and the logic of glee, while simultaneously exploring the suffering inherent to embodied consciousness. Speakers play out moments of bravado and fear, love and mortality, disappointment and desire. They socialize incorrigibly with lakes, lovers, fire, and readers, reasoning their way to unreasonable conclusions. These poems try to understand how it is that we come to recognize and differentiate objects and beings, how wholly each is attached to its name, and which space reveals them. What Is Amazing delights in fully inhabiting its varied forms and voices, singing worlds that often coincide with our own.

What Is Amazing

Poetry. Third Edition. Joyfully imaginative and emotionally rich, Heather Christle's debut collection of poetry expands the palette and intentions of contemporary surrealism. THE DIFFICULT FARM finds sincere emotion and passionately serious ideas in such surprising subjects as a so-called assassin who is, of course, a washerwoman; television interviews on hibernation; and enormous, vibrating birds. "This is serious. Heather Christle's poems in THE DIFFICULT FARM are dancing with the mysteries surrounding our condition and enlivening our language in the process. Christle's poems are magical but they're too busy to tell you that. These poems run and jump and float over an ever-evolving landscape where what's at work is the serious business of discovery. In this book you will make discoveries of all kinds. These poems will shoot you to the moon, but which moon?"—James Tate

For readers of Also a Poet, Orwell’s Roses, and My Autobiography Of Carson McCullers—as well as the legions of Virginia Woolf fanatics—the acclaimed poet and author of The Crying Book crafts a deeply moving, immersive, and lyrical hybrid memoir about her mother, Woolf, and the transformative power of writing. When Heather Christle realizes that she, her mother, and Virginia Woolf share a traumatic history, she begins to rewrite and intertwine each of their stories, in search of a more hopeful narrative and a future she can live with. On a recent visit to London's Kew Gardens, Christle’s mother revealed details of a painful story from her past that took place there, under circumstances that strangely paralleled Heather's own sexual assault during a visit to London as a teenager. Her private, British mother’s revelation—a rare burst of vulnerability in their strained relationship—propels Christle down a deep and destabilizing rabbit hole of investigation, as she both reads and wanders the streets of her mother's past, peeling back the layers of family mythologies, England’s sanctioned historical narratives, and her own buried memories. Over the course of several trips to London, with and without her mother, she visits her family's "birthday hill" in Kew Gardens, the now-public homes of the Bloomsbury set, the archives of the British Library, and the backyard garden where Woolf wrote her final sentence. All the while, she finds that Woolf and her writings not only constantly seem to connect and overlap with her mother’s story, but also that the author becomes a kind of vital intermediary: a sometimes confidante, sometimes mentor, sometimes distancing lens through which Christle can safely observe her mother and their experiences. Wide-ranging and prismatic, the fruit of an insatiably curious, delightfully brilliant mind, In the Rhododendrons is part memoir, part biography of Virginia Woolf, part reckoning with the things we cannot change and the ways we can completely transform, if we dare. This utterly original book will stir readers into new ways of seeing their own lives.

A Memoir with Appearances by Virginia Woolf

In the Rhododendrons

Since Heather Christle published her last poetry collection a decade ago, her nonfiction works The Crying Book and In the Rhododendrons have found her readers around the world. Paper Crown marks Christle's exuberant return to her home genre, in which she combines the imagination of her earliest poetry with the personal elements of her more recent prose. These poems conjure moments when the world's events (a child's words, early twentieth-century predictions of drone warfare, dinner with friends) align themselves with the odd logic of dreams and serendipity. With tenderness and verve, honesty and curiosity, Paper Crown invites readers to look up from its pages and recognize that the day going on around them could very well be its own poem. [sample poem] Mistake For years I have seen dead animals on the highway and grieved for them only to realize they are not dead animals they are t shirts or bits of blown tire and I have found myself with this excess of grief I have made with no object to let it spill over and I have not known where to put it or keep it and then today I thought I know I can give it to you

Paper Crown

In this symphonic work of non-fiction, Heather Christle explores the most human of behaviours: crying. What are tears made of? Why do people cry? And why is this common, crucial act so rarely discussed? Christle unpacks the biological reasons for tears and investigates the influence of crying on art, politics, feminism, race and culture, all while opening up the intimate story of her own tears - from the suicide of her close friend to her family's history of depression, to her pregnancies, both planned and unplanned. Brilliant, witty and achingly honest, Christle's book creates a mosaic of science, history, culture and personal experience to find new ways of understanding life and loss. The Crying Book is a deeply intimate tribute to the fascinating strangeness of tears - and the unexpected resilience of joy.

'Heather Christle's poems may well be one of the places readers turn when they want to know what it was like to be young and paying attention in the early 21st century . . . Her poems are wide awake' Mark Doty In The Trees The Trees, each new line is a sharp turn toward joy and heartbreak, and each poem unfolds like a bat through the wild meaninglessness of the world. 'At least once per poem, you feel like the triple-bars just lined up in the slot machine window and you laugh or cry out' John Darnielle 'Ecstatic, breathless, full of incandescent humour and wonder . . . Read and love her seemingly spontaneous utterances, spun from her rapt attention to daily life, nature, solitude, romance, to her own reeling and enchanting imagination' Cathy Park Hong 'Heather Christle's poems are magical' James Tate

The Trees, the Trees

«Questo libro ha preso il via cinque anni fa: mi chiedevo come sarebbe stato tracciare una mappa di tutti i luoghi in cui avevo pianto in vita mia, un’idea che mi accompagnava sempre, senza sapere quante pagine le sarebbero cresciute intorno.»Heather Christle è come tutti noi: piange. Spesso, in alcuni momenti della vita; poco, in altri. Come capita a tutti, fin da quando siamo piccoli. Piangiamo per gli amici scomparsi e per i figli che nascono, crescono, giocano sul tappeto di casa. A volte, piangiamo senza motivo. A volte, piangiamo per troppi motivi. Ci ricordiamo tutte le lacrime versate, i pianti a dirotto, i singhiozzi? No, con tutta probabilità. Ma cosa direbbero, di noi e della vita, quei pianti, se potessimo riscostruirne la storia e la geografia?È questo l’ambizioso progetto di Heather Christle: rintracciare le lacrime che hanno punteggiato non solo la sua esistenza, ma anche quella degli altri; chiedersi perché e come piangiamo, scoprire che cosa accomuna occhi lucidi e pianti disperati. Il libro delle lacrime si muove tra ricordi personali e storia recente, tra poesia e spunti scientifici; nelle sue pagine si sovrappongono vicende, si intrecciano emozioni a formare un profondo e commovente tributo al nostro complicato rapporto con il dolore e la felicità.

Heather Christle

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