Helen Hanson

At CIA headquarters, a young officer discovers that terrorists may have commandeered their computer systems to launch an unauthorized mission. Elsewhere, conspirators abduct nine people to manipulate the rules of their game. Two disparate ambitions â€” Clint Masters becomes the reluctant link in the chain of danger.Ever since Clint's almost ex-wife dumped him, he bobs along the Massachusetts coast in a sailboat with his black lab for company. He avoids all forms of technology, a counterintuitive effort for the burned-out founder of CatSat Laboratories. Tired of clutching the brass ring, he needed to untether, step off the corporate treadmill, and smell a flower. Fortunately, he met one, a beautiful, unspoiled woman who doesn't treat him like a commodity. His relationship with Beth offers more promise than his marriage ever did, even if she is on dialysis for her recovering kidneys, until she disappears.In spite of the evidence, her family refuses to admit she's in danger. Without routine dialysis, she won't survive. As Clint realizes that he loves Beth, damn-near ex-wife Paige sashays back into his life with disturbing news.While the CIA young gun tracks his quarry, Clint enlists the help of two men to find Beth, a blithe Brit named Merlin, and Todd, his playboy partner-in-tech. But Clint must find Beth before her kidneys fail. And before someone unloads a bullet in his head.

A Masters CIA Thriller (The Masters CIA Thriller Series Book 1)

3 LIES - (The Masters CIA Thriller Series Book 1)

Claudia Seagal became an FBI agent after her boyfriend’s savage death. But he may have been just another killer. When she was a college student, Claudia accompanied her lover to Mazatlán for spring break. The last-minute trip was exciting until Ravi’s brutal murder. Unable to help him while he perished in a dirty alley, she joined the FBI in response to his senseless death. A decade later, a reluctant witness comes forward, and Claudia discovers that the trip wasn’t spontaneous. It was premeditated. Ravi went to meet a man who worked for the cartel. While she investigates the new lead and Ravi’s betrayal, she and robotics expert Baxter Cruise travel to Mexico for answers. In the foreign country, her FBI badge is useless, and on both sides of the border, someone wants them dead. Meanwhile, Mexico’s national archaeological museum hires investigator Kurt Meyers (Dark Pool) to locate priceless pre-Columbian artifacts that went missing at the same time as Ravi’s murder. When another man leaves a trail of bodies in his quest to acquire the artifacts, Kurt searches for a connection between his case and the cold-case murder of a college student in Mazatlán. As Claudia and Baxter unravel the truth about Ravi’s death, it threatens the secrets of the local cartel boss. When the four factions descend on the same turf, not everyone gets out alive. NOTE: This book takes up immediately after SPIDER GAMES . . . RECOMMENDED READING ORDER: All my stories intersect, so your favorite characters in one novel may reappear in a completely different series. Mine is a single story world, where storylines and people cross into other lives. Consequently, my books could be read either by series or by the order in which they were written, so I’ve included both lists: The Masters CIA Thriller Series 3 LIES THE MASTERS’ KEY DEAD STORM The Cruise FBI Thriller Series OCEAN OF FEAR SPIDER GAMES ECHOES FROM DEATH The Fender Hacker Thriller Series DARK POOL By Publication Date: 3 LIES DARK POOL OCEAN OF FEAR THE MASTERS’ KEY DEAD STORM SPIDER GAMES ECHOES FROM DEATH If you enjoy my work, please tell your friends and leave a review. Your good opinion matters to me and encourages other readers to try my novels. I’d consider it a favor. All the best, Helen p.s. I love to hear from readers. You can find me and get a free thriller at Helen Hanson dot com

A Cruise FBI Thriller

ECHOES FROM DEATH

Catherine O'Rawe

These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.

The Femme Fatale: Images, Histories, Contexts

The technical crafts of sound in classical Hollywood cinema have, until recently, remained largely 'unsung' by histories of the studio era. Yet film sound – voice, music and sound effects – is a crucial aspect of film style and has been key to engaging and holding audiences since the transition to sound by Hollywood's major studios in 1929. This innovative new text restores sound technicians to Hollywood's creative history. Exploring a range of films from the early sound period (1931) through to the late studio period (1948), and drawing on a wide range of archival sources, the book reveals how Hollywood's sound designers worked and why they worked in the ways that they did. The book demonstrates how sound technicians developed conventions designed to tell stories through sound, placing them within the production cultures of studio era filmmaking, and uncovering a history of collective and collaborative creativity. In doing so, it traces the emergence of a body of highly skilled sound personnel, able to apply expert technical knowledge in the science of sound to the creation of cinematic soundscapes that are alive with mood and sensation.

Film Sound Style, Craft and Production in the Classical Era

Hollywood Soundscapes

The endangered and dangerous female figures of "Rebecca", of "Jagged Edge" and "What Lies Beneath" have a deserved and endures fascination. Helen Hanson re-examines these gothic heroines of Hollywood and their meanings, in two of Hollywood's key generic cycles, film noir and the female gothic film. Starting at the beginning, with the origin of these cycles and the ways in which they represented women in the American film industry and culture of the 1940s, she traces their revival in neo-noir and neo-gothic films from the 1980s to the present. She also places the female figures of the femme fatale, female investigator and gothic heroine within the shifting contexts of the film industry and debates in feminist film criticism. Hanson examines a wide range of films from both periods, including 'Suspicion', 'Gaslight' and 'Pacific Heights', and gives particular attention to their presentation of female stories, actions and perspectives. She reveals a diversity of female figures, representations and actions in film noir and the female gothic film, and argues that these women are part of a negotiation of female identities, desires and roles across a long historical period. "Hollywood Heroines" therefore offers us new ways of thinking about classic and contemporary Hollywood heroines, and about the interrelationships of gender and genre.

Women in Film Noir and the Female Gothic Film

Hollywood Heroines

Dad has Alzheimer’s. Could he really steal 40 billion dollars? A disgraced hedge fund manager awaits trial for bilking investors out of forty billion dollars. The legendary dark pool wizard offered phenomenal profits, but the SEC discovered he never made a single legitimate investment. His hedge fund scammed thousands of people, including a Russian mobster. For Maggie Fender, a law degree remains a daydream as she struggles to support her ex-felon teen brother and their incoherent father. Suffering from Alzheimer's, Dad's rarely lucid, but that fact doesn't stop the police from arresting him for murder. Their father barely functions, but her hacker brother swears Dad is sending them vital messages about the missing billions. When a private investigator and the Russian mobster focus their efforts on Maggie's father, her remaining hope turns to rampant fear. She's the only adult in her family, and her weary camel won't carry a single extra straw. Her brother's hacking conviction landed him in prison and trashed the family's reputation, but he swears he was framed. No fans of the Fender family, the local police assume Dad ran away when he's kidnapped. With her father's life in danger, who can Maggie trust when everyone has betrayed her? FROM READERS: Pure dead brilliant Thrilled that I bought this novel, what an amazing read! Her main protagonists feel so natural that they could be the folks next door There are plenty of twists and turns in a story woven together so beautifully that everything makes sense. There are also some serious and thought provoking aspects of the story. Love when one chapter ends and you just have to see what happens next? Dark Pool is a fun read. this novel, moved me far more! The way Helen kept my attention with the many twists and turns to keep you guessing was nothing short of amazing. RECOMMENDED READING ORDER: All my stories intersect, so your favorite characters in one novel may reappear in a completely different series. Mine is a single story world, where storylines and people cross into other lives. Consequently, my books could be read either by series or by the order in which they were written, so I’ve included both lists: The Masters CIA Thriller Series 3 LIES THE MASTERS’ KEY DEAD STORM The Cruise FBI Thriller Series OCEAN OF FEAR SPIDER GAMES ECHOES FROM DEATH The Fender Hacker Thriller Series DARK POOL By Publication Date: 3 LIES DARK POOL OCEAN OF FEAR THE MASTERS’ KEY DEAD STORM SPIDER GAMES ECHOES FROM DEATH If you enjoy my work, please tell your friends and leave a review. Your good opinion matters to me and encourages other readers to try my novels. I’d consider it a favor. All the best, Helen p.s. I love to hear from readers. You can find me and get a free thriller at Helen Hanson dot com

DARK POOL

Andre Spicer

An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars

Helen Hanson

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