Helen M. Buss

Judith Hudson Beattie

In the early nineteenth century, when the Hudson's Bay Company sent men to its furthest posts along the coast of North America's Pacific Northwest, the letters of those who cared for those men followed them in the Company's supply ships. Sometimes, these letters missed their objects -- the men had returned to Britain, or deserted their ships, or died. The Company returned the correspondence to its London office and over the years amassed a file of "undelivered letters." Many of these remained sealed for 150 years until they were opened by archivist Judith Hudson Beattie, when the Company archives were moved to Canada. The letters tell the stories of ordinary people whose lives are rarely recounted in traditional histories. Editorial commentaries fram, for contemporary readers, the words of early nineteenth-century working- and middle-class British folk as well as letters to "voyageurs" from Quebec. Their stories offer rare insights into the varied worlds of men and women who settled the Pacific Northwest.

Undelivered Letters to Hudson's Bay Company Men on the Northwest Coast of America, 1830-57

Why does it seem as if everyone is writing memoirs, and particularly women? The current popularity of memoir verifies the common belief that we each have a story to tell. And we do...especially women. Memoirs are not only representations of women’s personal lives but also of their desire to repossess important parts of our culture, in which women’s stories have not mattered. Beginning with her own motivations for writing memoirs, Helen M. Buss examines the many kinds of memoir written by contemporary women: memoirs about growing up, memoirs about traumatic events, about relationships, about work. In writing memoirs, these women publicly assert that their lives have mattered. They reshape the memoir, a form as old as the middle ages and as young as today, into a social discourse that blends the personal with the political, the self with the significant other, literature with history, and fiction with autobiography and essay. Buss urges readers to use their reading experience to help themselves understand and write the significance of their own lives. Repossessing the World is the first book-length critical inquiry into women’s use of a form that has often been dismissed as less important than autobiography, less professional than the novel, and less intellectual than the formal essay. Buss demonstrates that the memoir makes its own art, not only through selective borrowing from these genres but also through the unique way that the tripartite narrative voice of the memoir constructs the personal and public experience of the memorist as significant to our cultural moment.

Reading Memoirs by Contemporary Women

Repossessing the World

In the early nineteenth century, when the Hudson's Bay Company sent men to its furthest posts along the coast of North America's Pacific Northwest, the letters of those who cared for those men followed them in the Company's supply ships. Sometimes, these letters missed their objects the men had returned to Britain, or deserted their ships, or died. The Company returned the correspondence to its London office and over the years amassed a file of "undelivered letters." Many of these remained sealed for 150 years and until they were opened by archivist Judith Hudson Beattie, when the Company archives were moved to Canada.

Anne McWhir

D. L. Macdonald

Pioneers in life writing, Mary Wollstonecraft, author of A Vindication of the Rights of Woman (1792), and Mary Shelley, author of Frankenstein (1818 ), are now widely regarded as two of the leading writers of the Romantic period. They are both responsible for opening up new possibilities for women in genres traditionally dominated by men. This volume brings together essays on Wollstonecraft’s and Shelley’s life writing by some of the most prominent scholars in Canada, Australia, and the United States. It also includes a full-length play by award-winning Canadian playwright Rose Scollard. Together, the essays and the play explore the connections between mother and daughter, between writing and life, and between criticism and creation. They offer a new understanding of two important writers, of a literary period, and of emergent modes of life writing. Essayists include Judith Barbour, Betty T. Bennett, Anne K. Mellor, Charles E. Robinson, Eleanor Ty, and Lisa Vargo. Among the works discussed are Wollstonecraft’s Vindication, Letters from Norway, and Maria; or, The Wrongs of Woman; William Godwin’s Memoirs of Wollstonecraft; and Shelley’s Frankenstein, The Last Man, Ladore, and Rambles in Germany and Italy.

Helen M. Buss

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