Helen Maryles Shankman

A radiant debut collection of linked stories from a two-time Pushcart Prize nominee, set in a German-occupied town in Poland, where tales of myth and folklore meet the real-life monsters of the Nazi invasion. 1942. With the Nazi Party at the height of its power, the occupying army empties Poland’s towns and cities of their Jewish populations. As neighbor turns on neighbor and survival often demands unthinkable choices, Poland has become a moral quagmire—a place of shifting truths and blinding ambiguities. Blending folklore and fact, Helen Maryles Shankman shows us the people of Wlodawa, a remote Polish town: we meet a cold-blooded SS officer dedicated to rescuing the creator of his son’s favorite picture book, even as he helps exterminate the artist’s friends and family; a Messiah who appears in a little boy’s bedroom to announce that he is quitting; a young Jewish girl who is hidden by the town’s most outspoken anti-Semite—and his talking dog. And walking among these tales are two unforgettable figures: the enigmatic and silver-tongued Willy Reinhart, Commandant of the forced labor camp who has grand schemes to protect “his” Jews, and Soroka, the Jewish saddlemaker and his family, struggling to survive. Channeling the mythic magic of classic storytellers like Sholem Aleichem and Isaac Bashevis Singer and the psychological acuity of modern-day masters like Nicole Krauss and Nathan Englander, In the Land of Armadillos is a testament to the persistence of humanity in the most inhuman conditions.

Stories

In the Land of Armadillos

A novel of art, passion, and vampires.At the American Academy of Classical Art, popular opinion has it that the school's handsome and mysterious founder, Raphael Sinclair, is a vampire. It is a rumor Rafe does nothing to dispel.Scholarship student Tessa Moss has long dreamed of the chance to study at Rafe's Academy. But she is floundering amidst the ups and downs of a relationship with egotistical art star Lucian Swain.Then, one of Tessa's sketches catches Rafe's attention: a drawing of a young woman in 1930s clothing who is covering the eyes of a child. The suitcase at her feet says Wizotsky. Sofia Wizotsky, the love of Rafe's life, was lost during the Holocaust. Or was she? Rafe suspects Tessa may be the key to discovering what really happened.As Rafe finds excuses to interact with Tessa, they quickly discover they cannot deny their growing attraction to one another. It is an attraction forbidden by the Academy Board and disapproved of by anyone familiar with Rafe's playboy reputation and Tessa's softhearted innocence. But what if fate has other plans for Tessa and Rafe? What if they break all rules to succumb to a passion that defies history?

The Color of Light

“An absolutely dazzling triumph…A singularly inventive collection” (Jewish Book Council) of linked stories set in a German-occupied town in Poland during World War II, where tales of myth and folklore meet the real-like monsters of the Nazi invasion. 1942. With the Nazi Party at the height of its monstrous power, Hitler’s SS fires up the new crematorium at Auschwitz and the occupying army empties Poland’s towns and cities of their Jewish citizens. As neighbor turns on neighbor and survival depends on unthinkable choices, Poland has become a moral quagmire, a place of shifting truths and blinding ambiguities. “Filled with rich attention to the details of flora and fauna and insightful descriptions of the nuances of rural and small-town life” (Pittsburgh Post-Gazette). Helen Maryles Shankman shows us the people of Wlodawa, a remote Polish town at a crossroads: we meet an SS officer dedicated to rescuing the creator of his son’s favorite picture book; a Messiah who announces that he is quitting; a Jewish girl who is hidden by an outspoken anti-Semite—and his talking dog. And walking among these tales are the enigmatic Willy Reinhart, Commandant of the forced labor camp who has grand schemes to protect “his” Jews, and Soroka, the Jewish saddlemaker and his family, struggling to survive. “Moving and unsettling...Like Joyce’s Dubliners, this book circles the same streets and encounters the same people as it depicts the horrors of Germany’s invasion of Poland through the microcosm of one village....A deeply humane demonstration of wringing art from catastrophe” (Kirkus Reviews), They Were Like Family to Me (originally called In the Land of Armadillos) is a testament to the persistence of humanity in the most inhuman conditions.

Helen Maryles Shankman

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