Helen Vendler

Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images

The Art of Shakespeare's Sonnets

Emily Dickinson

Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. In accompanying commentaries, Vendler offers a deeper acquaintance with Dickinson, and her selection reveals Dickinson's development as a poet.

Dickinson

Written by a preeminent critic and legendary teacher, this text and anthology presents the incisive, practical methods of reading and writing that Helen Vendler has used for decades to demystify poetry for her students and introduce them to its artistry and pleasures.

An Introduction and Anthology

Poems, Poets, Poetry

Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures

The Odes of John Keats

When a poet addresses a living person, we recognise the intimacy being evoked, but what causes a poet to invoke invisible listeners? Helen Vendler explores this area of poetry, focusing on the works of George Herbert, Walt Whitman and John Ashbery.

Lyric Intimacy in Herbert, Whitman, and Ashbery

Invisible Listeners

Vendler

The author delves deeply into the lives of four poets--Milton, Keats, Eliot, and Plath--to shed light on the vital maturation process that turns minor talents into major poetic voices.

Milton, Keats, Eliot, Plath

Coming of Age as a Poet

This work comprises essays on American, British and Irish poetry, showing contemporary life and culture captured in lyric form. It explains the power of poetry as the voice of the soul, rather than the socially marked self, speaking directly through the stylization of verse.

On Recent Poetry

Soul Says

A Times Higher Education Book of the Week One of our foremost commentators on poetry examines the work of a broad range of nineteenth- and twentieth-century English, Irish, and American poets. The Ocean, the Bird, and the Scholar gathers two decades’ worth of Helen Vendler’s essays, book reviews, and occasional prose—including the 2004 Jefferson Lecture—in a single volume. “It’s one of [Vendler’s] finest books, an impressive summation of a long, distinguished career in which she revisits many of the poets she has venerated over a lifetime and written about previously. Reading it, one can feel her happiness in doing what she loves best. There is scarcely a page in the book where there isn’t a fresh insight about a poet or poetry.” —Charles Simic, New York Review of Books “Vendler has done perhaps more than any other living critic to shape—I might almost say ‘create’—our understanding of poetry in English.” —Joel Brouwer, New York Times Book Review “Poems are artifacts and [Vendler] shows us, often thrillingly, how those poems she considers the best specimens are made...A reader feels that she has thoroughly absorbed her subjects and conveys her understanding with candor, clarity, wit.” —John Greening, Times Literary Supplement

Essays on Poets and Poetry

The Ocean, the Bird, and the Scholar

This collection of recent essays addresses general issues in poetry criticism, discusses the work of major contemporary poets, and introduces the work of newer poets

Poems, Poets, Critics

The Music of what Happens

Thomas Chatterton Williams

Leon Wieseltier

David Thomson

Ramachandra Guha

Michael Ignatieff

Joshua Bennett

Mark Lilla

Sean Wilentz

Louise Glück

Adam Zagajewski

David Grossman

Sally Satel

Hannah Sullivan

Laura Kipnis

Andrea Marcolongo

James Wolcott

Clara Collier

Celeste Marcus

Eli Lake

Moshe Halbertal

Julius Margolin

Shawn McCreesh

Liberties - A Journal of Culture and Politics is a quarterly of essays and poetry from some of the world's most celebrated independent thinkers, leading artists, and up-and-coming literary voices.

Volume I, Issue 1

Liberties Journal of Culture and Politics

Though Wallace Stevens' shorter poems are perhaps his best known, his longer poems, Vendler suggests in this book, deserve equal fame and equal consideration. She proposes that Stevens development as a poet can best be seen, not in description--which must be repetitive--of the abstract bases of his work, but rather in a view of his changing styles.

Wallace Stevens' Longer Poems

On Extended Wings

Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.

Selected Poems and Commentaries

Many students today are puzzled by the meaning and purpose of poetry. Poems, Poets, Poetry, Compact Third Edition demystifies the form and introduces students to its artistry and pleasures, using methods that Helen Vendler has successfully used herself over her long, celebrated career. Guided by Vendler's erudite yet down-to-earth approach, students at all levels can benefit from her authoritative instruction. Her blend of recent and canonical poets includes a diverse array of voices represented by a broad selection of poetic forms. Newly offered in a more portable, concise volume (in print and as an e-book), this text engages students in effective ways of reading, writing about, and taking delight in poetry.

An Introduction and Anthology, Compact Edition

A Kingsley Porter University Professor Helen Vendler

Presents an examination of lyric form in the poetry of W. B. Yeats.

Yeats and Lyric Form

Our Secret Discipline

Vendler's masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels--including the rhythmic, the grammatical, and the graphic.

Hopkins, Heaney, Graham

The Breaking of Style

Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course. The poetry collected in this volume reveals the range and power of the contemporary American imagination. The verve, freedom, and boldness of American English are combined with the new harmonies of modern cadence. Here are distillations of twentieth-century perception, feeling, and thought, and reflections of changing social realities, scientific and psychoanalytic insights, and the strong voices of feminism and black consciousness. This is a book for those who value fresh and original poetry and for readers worldwide who are curious about contemporary American experience. Helen Vendler relies on her own taste and judgment in singling out excellent poems, beginning with the late modernist flowering of Wallace Stevens and continuing to the present. Her wide-ranging Introduction places recent American poetry in its aesthetic and social contexts. The anthology provides an extensive offering of the work of major poets and introduces many writers who are only now beginning to make their reputation. Thirty-five poets are included, with a representative selection from the earlier to later work of each and a significant number of long poems. Brief biographies of the poets are appended.

The Harvard Book of Contemporary American Poetry

Though Wallace Stevens' shorter poems are perhaps his best known, his longer poems, Helen Hennessy Vendler suggests in this book, deserve equal fame and equal consideration. Stevens' central theme--the worth of the imagination--remained with him all his life, and Mrs. Vendler therefore proposes that his development as a poet can best be seen, not in description--which must be repetitive--of the abstract bases of his work, but rather in a view of his changing styles. The author presents here a chronological account of fourteen longer poems that span a thirty-year period, showing, through Stevens' experiments in genre, diction, syntax, voice, imagery, and meter, the inventive variety of Stevens' work in long forms, and providing at the same time a coherent reading of these difficult poems. She concludes, "Stevens was engaged in constant experimentation all his life in an attempt to find the appropriate vehicle for his expansive consciousness; he found it in his later long poems, which surpass in value the rest of his work."

Helen Vendler Additional Books and Papers

Appraises such creators and masters of the modern poetic idiom as T. S. Eliot, W. H. Auden, and Marianne Moore, assesses poets whose major works appeared after the mid century, and considers the new generation of poets

Helen Vendler

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