Wenxuan Cao

Helen Wang

When Sunflower, a young city girl, moves to the countryside, she grows to love the reed marsh lands - the endlessly flowing river, the friendly buffalo with their strong backs and shiny round heads, the sky that stretches on and on in its vastness. However, the days are long, and the little girl is lonely. Then she meets Bronze, who, unable to speak, is ostracised by the other village boys. Soon the pair are inseparable, and when Bronze's family agree to take Sunflower in, it seems that fate has brought him the sister he has always longed for. But life in Damaidi is hard, and Bronze's family can barely afford to feed themselves. Will the city girl be able to stay in this place where she has finally found happiness?

Bronze and Sunflower

Millions of Chairman Mao badges were produced during China's Cultural Revolution, and were worn by almost all Chinese people, from Premier Zhou Enlai down to the smallest child. Made in a wide variety of materials (aluminium, plastic, bamboo, porcelain, gold, silver, copper, iron and lead) and with an extensive range of shapes, sizes and designs, they immediately became collectors' items. To give an idea of scale, in China today serious collections start at 10,000 different Mao badges. This catalogue starts with the modest collection of 300 Mao badges at the British Museum. It is the first serious catalogue of its kind in a Western language. While Chinese catalogues assume an extensive prior knowledge of Chinese revolutionary history, this new English catalogue is designed for the beginner and specialist alike, offering a narrative history, as well as extensive glossaries of the symbolic imagery and slogans found on the badges.

Symbols and Slogans of the Cultural Revolution

Chairman Mao Badges

Sir Aurel Stein

Sen Hua

This book focuses on the money of Eastern Central Asia to c. AD 800, a period of over 900 years, across a vast geographical area with a very diverse population of different cultures and traditions. The only relevant historical accounts are those found in the Chinese dynastic histories, yet these contain few references to money in Eastern Central Asia. This study therefore depends almost entirely on the archaeological evidence for money found at sites in the region, in the form of coins and contemporary documentary evidence. The book is arranged in four parts. The first part presents the background to the study, the second the numismatic evidence, the third gives the evidence for money in the contemporary documents excavated at sites in Eastern Central Asia, and the concluding part brings together the data from the numismatic and documentary evidence to create a new framework for money in early Eastern Central Asia.

Helen Wang

About

Books

Join the club