Henry Louis Gates (Jr.)

Maria Tatar

Collected for the first time, these nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The New Annotated African American Folktales revolutionizes the canon like no other volume. Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalize a vibrant African American past untainted by romantic antebellum sentiment or counterfeit nostalgia. Beginning with introductory essays and 20 seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like "The Talking Skull" and "Witches Who Ride," out-of-print tales from the 1890s Southern Workman, and stories that finally incorporate Caribbean and Latin American literature within the canon. With illuminating annotations and revelatory illustrations, The New Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. color throughout; 160 illustrations

The Annotated African American Folktales

Nellie Y. McKay

Collaborating on The Norton Anthology of African American Literature, editors Henry Louis Gates Jr. and Nellie Y. McKay have compiled what may be the definitive collection of its kind. Organized chronologically, the massive work gathers writings from six periods of black history: slavery and freedom; Reconstruction; the Harlem Renaissance; Realism, Naturalism and Modernism; the Black Arts Movement and the period since the 1970s. The work begins with the vernacular tradition of spirituals, gospel and the blues; continues through work songs, jazz and rap; ranges through sermons and folktales; and embraces letters and journals, poetry, short fiction, novels, autobiography and drama.

The Norton Anthology of African American Literature

Anthony Appiah

These essays originally appeared in the journal Critical Inquiry (Summer 1992). Table of contents on: http://www.press.uchicago.edu/cgi-bin/hfs.cgi/00/13003.ctl.

Identities

Harriet E. Wilson

Our Nig is a classic of African American Literature that has proven to be an enduring contribution to our understanding of free blacks in the nineteenth century. Originally published in 1859, it was neglected for over a hundred years and is now the subject of renewed scholarly interest. A fascinating fusion of two literary modes of the nineteenth century--the sentimental novel and the slave narrative--Our Nig traces the trials and tribulations of Frado, a mulatto girl who grows up as an indentured servant to a white Massachusetts family. And now, as new scholarship sheds light on the author's life, our appreciation for Our Nig is enhanced. With a new afterword by Barbara A. White.

Showing that Slavery's Shadows Fall Even There

Our Nig, Or, Sketches from the Life of a Free Black, in a Two-story White House, North

David Bindman

In The 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called The Image of the Black in Western Art. Now, fifty years later, as the first American president of African American descent serves his historic term in office, her mission has been re-invigorated through the collaboration of Harvard University Press and the W.E.B. Du Bois Institute for African and African American Research to present new editions of the coveted five original books and the anticipated new volumes which shall complete the series. The completed set will include ten sumptuous books in five volumes with up-to-date introductions and more full-color illustrations, printed on high-quality art stock for books that will last a lifetime. This monumental publication offers expert commentary and a lavishly illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning new creations by contemporary black artists. Featuring thousands of beautiful, moving, and often little-known images of black people, including queens and slaves, saints and soldiers, children and gods, The Image of the Black in Western Art provides a treasury of masterpieces from four millennia--a testament to the black experience in the West and a tribute to art's enduring power to shape our common humanity. Volume II, Part 1, written largely by the noted French scholar Jean Devisse, has established itself as a classic in the field of medieval art. It surveys as never before the presence of black people, mainly mythical, in art from the early Christian era to the fourteenth century. The extraordinary transformation of Saint Maurice into a black African saint, the subject of many noble and deeply touching images, is a highlight of this volume. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject. --Book Jacket.

The Image of the Black in Western Art: From the "Age of Discovery" to the Age of Abolition : artists of the Renaissance and Baroque

"In 1934, 100 Amazing Facts About the Negro With Complete Proof: A Short Cut to the World History of the Negro was published by Joel A. Rogers, a largely self-educated black journalist and historian. Now ... Henry Louis Gates, Jr., gives us a corrective yet loving homage to Rogers's work. Relying on the latest scholarship, Gates leads us on a romp through African American history and gossip in question and answer format"--Provided by publisher.

100 Amazing Facts about the Negro

A guide for recovering one's family heritage through revealing Oprah Winfrey's roots, and teaches that who we are is startlingly influenced by the paths of our ancestors.

Finding Yours

Finding Oprah's Roots

Stuart Hall

In this work drawn from lectures delivered in 1994 a founding figure of cultural studies reflects on the divisive, deadly consequences of our politics of identification. Stuart Hall untangles the power relations that permeate race, ethnicity, and nationhood and shows how oppressed groups broke apart old hierarchies of difference in Western culture.

The Fateful Triangle

Henry Louis Gates

Hurston's first novel, Jonah's Gourd Vine (1934), earned comments ranging from "most vital" to "a disappointment," although the reviewers consistently praised her use of dialect and language. This unique collection includes reviews of Mules and Men (1935), the first collection of African-American folklore published by an African American. Their Eyes Were Watching God, her 1973 novel that addressed a woman's desire for independence and individuality, was favorably reviewed by Alain Locke, the first Black Rhodes scholar and one of Hurston's professors at Howard University, and unfavorably reviewed by Richard Wright, who testily complained that the book was addressed to a white audience.

Critical Perspectives Past and Present

Zora Neale Hurston

Evelyn Brooks Higginbotham

An 8-volume reference set containing over 4,000 entries written by distinguished scholars, 'The African American National Biography' is the most significant and expansive compilation of black lives in print today.

The African American National Biography: Jones, Scipio-Moore, Kevin

Emmanuel Kwaku Akyeampong

From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).

Dictionary of African Biography

The African American National Biography: Uggams-Zuber

"We are deeply honored to announce that Thornwillow Press is working with renowned literary critic, historian, filmmaker, and Harvard University professor Henry Louis Gates Jr. to publish an exquisite letterpress, hand-bound edition: Frederick Douglass: Portrait of a Free Man. This exciting publication brings together the powerful Narrative of the Life of Frederick Douglass, with two monographs by Professor Gates, which offer readers new and profound insights. In many ways, Henry Louis Gates Jr.’s scholarship has defined the field of African American studies. He is one of the foremost public intellectuals of our day. “As any biographer of Douglass knows,” says Gates, “there was not a Frederick Douglass; there were many Douglasses. And that, for him, was his ultimate claim on being fully and equally and complexly human.” In Frederick Douglass: Portrait of a Free Man, Gates brings us the monograph “Binary Opposition in Douglass’ Narrative”, which explores the literary conventions and binary oppositions Douglass used, and gives the reader a deeper insight into the narrative. Gates second monograph, “Camera Obscura”, examines the vital power photos have on public opinion, both in terms of abolition and contemporary society, and brings to light the fact that Frederick Douglass was the most photographed American of the 19th century. In a time when caricatures in mainstream media portrayed Black people as naturally subjugated and unintelligent, Douglass knew that art, in the hands of racist whites, did not depict reality. Photography, on the other hand, gave a true “likeness” and as a tool for social change, could be key in altering long-held stereotypes and prejudices about Black people. Douglass posed for 160 photographs over the course of his lifetime, and in doing so, gave people a new image: that of a dignified, intelligent, free Black man. Because how we *see* things, says Henry Louis Gates Jr. in Frederick Douglass: Portrait of a Free Man is how we *view* them. The edition contains fine art photographs throughout to illustrate this salient point. The timing of the publication of Frederick Douglass: Portrait of a Free Man is particularly poignant because Thornwillow Press calls Newburgh, NY home, and in 1870, Frederick Douglass visited our city to commemorate the passage of the Civil Rights Act that enforced the terms of the 15th Amendment. In honor of his visit to Newburgh and his legacy of voter rights, a city-wide commemoration is being planned for 2020. We are exceptionally pleased to bring this publication into being at such an auspicious moment."--Publisher's kickstarter prospectus (viewed 2019 May 13).

Portrait of a Free Man

Frederick Douglass

Randall K. Burkett

Nancy Hall Burkett

Black Biography, 1790-1950: K-Z

A sumptuously illustrated, landmark book tracing African American history from the arrival of the conquistadors to the election of Barack Obama. Including more than eight hundred images--ancient maps, art, documents, photographs, cartoons, posters--Life Upon These Shores focuses on defining events, debates, and controversies, as well as the achievements of people famous and obscure.

Looking at African American History, 1513-2008

Life Upon These Shores

Valerie Smith

Provides a survey of African American literature, from 140 writers, covering three centuries.

William L. Andrews

Robert G. O'Meally

Professor of African American Literature Nellie Y McKay

W E B DuBois Professor of Humanities Chair of Afro-American Studies and Director of the W E B DuBois Institute for for Afro-American Research Henry Louis Gates, Jr

Woodrow Wilson Professor of Literature Arnold Rampersad

Director Houston A Baker

Charles Howard Candler Professor of English and Womens Studies Frances Smith Foster

Deborah E. McDowell

Hortense Spillers

Board of Governors Zora Neale Hurston Professor Cheryl A Wall

Welcomed on publication as "brilliant, definitive, and a joy to teach from," The Norton Anthology of African American Literature was adopted at more than 1,275 colleges and universities worldwide. Now, the new Second Edition offers these highlights.

Whitney Museum of American Art

Elizabeth Alexander

Thelma Golden

Constance Wolf

Representations of Masculinity in Contemporary American Art

Black Male

Franklin W. Knight

"From Toussaint L'Ouverture to Pelé, the Dictionary of Caribbean and Afro-Latin American Biography will provide a comprehensive overview of the lives of Caribbeans and Afro-Latin Americans who are historically significant. The project will be unprecedented in scale, covering the entire Caribbean, and the Afro-descended populations throughout Latin America, including people who spoke and wrote Creole, Dutch, English, French, Portuguese, and Spanish. It will also encompass the full scope of history, with entries on figures from the first forced slave migrations in the sixteenth centuries, to entries on living persons such as the Haitian musician and politician Wyclef Jean and the Cuban author and poet Nancy Morejón. Individuals will be drawn from all walks of life including philosophers, politicians, activists, entertainers, scholars, poets, scientists, religious figures, kings, and everyday people whose lives have contributed to the history of the Caribbean and Latin America"--Provided by publisher.

Henry Louis Gates (Jr.)

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