Lambert Zuidervaart

Henry Luttikhuizen

Produced in honor of Calvin G. Seerveld, this volume highlights Seerveld's legacy as a scholar, teacher, and cultural leader even as it breaks new ground in the fields of cultural theory and aesthetics. The introduction discusses the importance of Seerveld's contributions to the study of the arts and culture, summarizes the essays in this collection, and relates them to themes in Seerveld's work. The volume's fourteen essays extend Seerveld's efforts to new areas and probe the traditions on which his efforts rely. An open letter from Nicholas Wolterstorff and a bibliography of Seerveld's writings begin and conclude the volume. The essays in Part I (Cultural Theory) test the fruitfulness of Seerveld's aesthetic theory for fields of study that have opened in recent years: popular culture, performance art, computer imagery, and the "new art history." The essays in Part II (Philosophical Dialogue) give testimony to the close and engaged reading of philosophical texts that characterizes Seerveld's teaching and scholarship. The essays in Part III (Cultural Critique) provide lively, focused, and reflective commentaries of the sort for which Seerveld is admired. The essays in Part IV (Religious Art) exemplify Seerveld's passion for renewing and reclaiming the artistic heritage of Christianity, especially within the Reformed tradition.

Essays on the Arts and Culture, in Honor of Calvin G. Seerveld

Pledges of Jubilee

Allison Lee Palmer

Jean Robertson

Rex Koontz

Eric Kjellgren

Stacey Sloboda

Monica Blackmun Visonà

Deborah Hutton

Cynthia Colburn

Ömür Harmansah

De-Nin Lee

A more global, flexible way to teach art history

The History of Art: A Global View: Prehistory to 1500

Arthur K. Wheelock (Jr.)

Lawrence O. Goedde

Grand Rapids Art Museum

Mariet Westermann

Painting in the Netherlands during the seventeenth and eighteenth centuries offers a compelling visual record of the tastes and values of a prosperous society mindful of its obligation to personal and public standards. This richly illustrated volume examines twenty-six paintings by master artists from this Golden Age of Dutch art and features essays by leading scholars who explore the various interpretations of these works within the context of their culture. A Moral Compass, published in conjunction with an exhibition organized by the Grand Rapids Art Museum, includes individual descriptive entries on each work and artist by Henry Luttikhuizen, guest curator, an introduction by Peter Sutton and essays by Arthur Wheelock, Jr., Lawrence Goedde, and Mariët Westermann. These distinguished curators and art historians provide their insights on the artistic achievement of the Netherlands during an extraordinary period of maritime dominance, material affluence, and moral purpose.

Seventeenth and Eighteenth-century Painting in the Netherlands

A Moral Compass

Ashley West

Debra Cashion

An anthology of 42 essays by distinguished scholars on current research and methodology in the art history of the late medieval and early modern periods in Germany, France, the Netherlands, and Belgium, written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania.

Essays in Honor of Larry Silver

The Primacy of the Image in Northern European Art, 1400-1700

Henry Luttikhuizen

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