Henry Veggian

Richard Purcell

President Barack Obama's Dreams of My Father (1995) and The Audacity of Hope (2006) have received positive and extensive critical attention from both professional reviewers and University scholars. While literary intellectuals have praised Obama's memoirs for the style in which he composed them, social scientists and partisan political analysts have thus far generally monopolized discussion of President Obama's writings. Yet there has been a recent surge of interest in the literary merits of Obama's writings. Our volume understands "literary" to indicate a host of a priori relationships that successful, artful writing brings to the surface of a written work. These are instantiated in narrative form, thereby revealing what Edward W. Said famously defined as the "worldliness" of the literary object. In the case of President Obama's writings, and Dreams from My Father in particular, those relationships are evident in the author's negotiation of literary tradition, rhetorical modes and historical narratives. By positioning the "literary" at this vantage, at the point where writing and the world converge, the volume's contributors assert the indispensable, and urgent, import of understanding the President not only in political terms, but, more importantly, in literary terms that place him within a long tradition of American literary-political authorship.

Readings of Dreams From My Father

Barack Obama’s Literary Legacy

Henry Veggian introduces readers to one of the most influential American writers of the last half- century. Winner of the National Book Award, American Book Award, and the first Library of Congress Prize for American Fiction, Don Delillo is the author of short stories, screenplays, and fifteen novels including his breakthrough work White Noise (1985) and Pulitzer Prize finalists Mao II (1992) and Underworld (1998). Veggian traces the evolution of DeLillo’s work through the three phases of the author’s career as a fiction writer, from the experimental early novels, through the more substantial works of the mid-1980s and 1990s, into the “smaller” but newly innovative novels of the last decade. He guides readers to Delillo’s principal concerns—the tension between biography and anonymity, the blurred boundary between fiction and historical narrative, and the importance of literary authorship in opposition to various structures of power—and traces the evolution of his changing narrative techniques. Beginning with a brief biography, an introduction to reading strategies, and a survey of the major concepts and questions that inform writings about DeLillo’s work, Veggian proceeds chronologically through the major novels of the author’s career. His discussion summarizes complicated plots, reflects critical responses to the author’s work, and explains the literary tools used to fashion his characters, narrators, and events. In a concluding chapter, Veggian engages DeLillo’s notable examples of other modes, particularly the short story that, he shows, reveals important insights into his “modular” working method as well as the evolution of his novels.

Henry Veggian

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