Herbert Grabes

Hans Bungert

H. J. Diller

REAL. Vol. 2

The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

Kontinuität und Originalität der Spiegelmetapher in den Buchtiteln des Mittelalters und der englischen Literatur des 13.–17. Jahrhunderts

Speculum, Mirror und Looking-Glass

Force Fields and Tensions

Literary History - Cultural History

Jürgen Schlaeger

Winfried Fluck

REAL Volume 9 (1993)

Literature, Literary History, and Cultural Memory

Vladimir Nabokovs englische Romane

Erfundene Biographien

Tagungsbeiträge und Berichte

Anglistentag 1980, Giessen

REAL invites contributions on the relationship between literature and cultural change. The study of culture has to face the difficulty of not being able to observe its object directly. Its only access is via cultural phenomena as observable products of human activity: artefacts, texts, rites, symbols, forms of conduct. If scholars wish to study cultural change, they need to do so by investigating the changing relationships among these phenomena, the changing connections between social structures, mentalities and the material dimension of texts, artefacts and other objects. While some scholars have rejected the concept of culture because of this indirectness, others – from Malinowski to Luhmann – have attempted to make it theoretically more precise and historically more saturated. Societies change as well as cultures, but they are not the same and they evolve at different speeds.

Vol. 31 (2015): Reading Practices

REAL - Yearbook of Research in English and American Literature

This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear ‘strange’, and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this ‘strangeness’, the general reader is given an initial, non-technical description of the ‘aesthetic of the strange’ as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to ‘make it strange’. The book closes with a systematic summary of the theoretical underpinnings of the ‘aesthetic of the strange’, focussing on the ways in which it differs from both the earlier ‘aesthetic of the beautiful’ and the ‘aesthetic of the sublime’. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, ‘third’ kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the ‘aesthetic of the strange’, the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon.

"Beauty, Sublimity, and the (Post) Modern ‘Third Aesthetic’"

Making Strange

Ansgar Nünning

Astrid Erll

Alongside the recent cultural turn in the humanities, there has been a noticeable return to ethical considerations. With regard to literature as well as other media, this has rekindled awareness of a tension, antagonism, or even disparity between ethics and aesthetics. This volume of articles takes a more systematic and cross-disciplinary approach to the widely mooted ethical turn in literature and other media than has been pursued so far. It brings together a wide range of critical perspectives from literary studies, media and cultural memory studies, and philosophy, tracing the complex and sometimes conflicting relationship between ethics and aesthetics in theoretical contexts and individual case studies as diverse as colonial architecture, nineteenth-century literary histories, and postmodern writing and art.

The Dissemination of Values through Literature and Other Media

Ethics in Culture

A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.

Mirror-imagery in Titles and Texts of the Middle Ages and English Renaissance

The Mutable Glass

Vladimir Nabokov's English Novels

Fictitious Biographies

This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this 'strangeness', the general reader is given an initial, non-technical description of the 'aesthetic of the strange' as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to 'make it strange'. The book closes with a systematic summary of the theoretical underpinnings of the 'aesthetic of the strange', focussing on the ways in which it differs from both the earlier 'aesthetic of the beautiful' and the 'aesthetic of the sublime'. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, 'third' kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the 'aesthetic of the strange', the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon.

Beauty, Sublimity, and the (post)modern 'third Aesthetic'

Aesthetics and contemporary discourse

Herbert Grabes

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